| Volltext: | INDEX l'age numbers in italics reler to illustrations. abstraction, abstract art, 4, 5, 164-65, 171 action ami reaction, 1 f 7, 172, 172, 210-11, 212, 2IS, 221, 220, 246 Adorno, Theodor \V„ 210, 289,, 104 Die Action (journal), 2, 12, 44-46, 49-51, 178, 250, 256nl2, 265n74 Albers, Josef, 164, 167, 171 ; Tectonic Group, ¡05 Alberti, Leon Battista, 58-59, 267nl04 allegory, 22, 22, 262n22, 285n49 Alpers, Svetlana, 128-29, 149-51, 204, 280n68 analogy, 172, 172 anarchism, anarcho-syndicalism, 2, 6, 7, 8, 9, 12, 12, 14, 17, 44, 46, 54, 126, 242, 256nl, 259n28,280n70 animism, 171-76, 190, 192,206,216, 224, 285n41,292n21 Aristotle, 222 Arp, Jean, 5 art criticism, 2—2, 22, 59,67,90; Einstein's transition to, 22, 57—58; and ekpltrasis, 22, 269nl 1; and writing, 18-21, 178-81, 182-85, 249-50, 268n2 art history: African art, 62-64; at Documents, 177; Mesopotamia!! art, 159-65; nomad art, 182—85; and the real, 215-17; Segers, 178-81 automatic drawing, 166, 167, 170, 220, 221, See also psychogram autonomy, 25, 224 Badiou, Alain, 204-5 Baroque, 78, 180 Barr, Alfred, 10 Bassani, Ezio, 62 Babler, Moritz, 47, 259n41, 265n74, 269nl7 Bastian, Adolf, 269nl2 Bataille, Georges, 5, 8, 18, 24, 157, 158, 159, 187, 205, 212,219-20, 221, 245, 282nn 1, 2, 282n4, 289nl04 Baxandall, Michael, 57, 267nl04 Benjamin, Walter, 45, 177, 256n2, 262n22, 265n74,285n49 Benn, Gottfried, 2, 47 Bergson, Henri, 74, 75, 84-86, 87, 94, 121, 160, 190,214, 274nn98, 99, 279n58 Bernstein, Eduard, 12, 45, 49, 257nl2 Bildungsroman, 14, 15, 21, 257n21 Blei, Franz, 2, 55-56, 261nl4 Bloch, Ernst, 68 Der blutige Ernst (Bloody Serious) (journal), 2 Boehm, Gottfried, 276n4 300 Index Bois, Yve-Alain, 105,278-79n41 Bonnard, Pierre, 127 Bourdelle, Emile-Antoine, 60 Brancusi, Constantin, 275nl 11 Braque, Georges, 4, 5, 6, 14, 15, 16, 19, 23, 91-93,127,128,129, 144,154-56,258n27, 278nn37, 38; eroticism, 98, 105-15; ground, Grundkontrast (foundational contrast), 91-93, 104, 110-13, 122, 155; image-body, 24, 104-15, 119-21; image-object, 23, 104-5; open cylinder, 23, 98-105, 108, 110, 111, 115, 119-20, 136, 141, 279n46; simultaneity, 115-24; in the studio, 114-15,114,140; subobjective function, 99, 110; surface and volume-seeing, 99, 100, 104-13, 122; visual ethics, 105, 110; Castle at La Roche-Guyon, 100-104,102; The Emigrant (The Portuguese), 110,111-15,112,121,128,129-35,141,155, 279n49; Fruit Dish, 99-100,100; Girl with a Cross, 115,119; Man with a Guitar (New York), 105, 110; Man with a Violin (Zurich), 108-11,109; Portrait of Pablo Picasso, 139, 139; Still Life with Harp and Violin (so-called), 104-8,106, 110, 113, 121; Still Life with a Violin (so-called), 110, 115,118,119-21, 124; Woman Reading, 105. See also cubism; Picasso Braun, Christoph, 263n32 Brescianino, Andrea del, 163; Venus and Two Putt i, 164 Breton, André, 4, 158, 207 Brummer, Joseph, 62 Bruni, Leonardo, 58 Burgess, Gelett, 98 Calderón de la Barca, Pedro, 33, 36, 285n49 calligram, 231, 232,238 Ćapek, Miliő, 272n58 capitalism, 12, 13, 15, 250-51, 256nl2 causality: in art history, 63-65; in autobiography and in history, 27-29, 257nn21, 23, 260n6; in Einstein's Picasso texts, 189; in modernity, 9-10; in politics, 13-15; in sculptural experience, 71-85; in skepticism, 269nl8 Cervantes, Miguel de, 52 Cheng, Joyce, 270n21 Chokvve people, 64; ritual sculpture, 64,66, 67-68, 82-84, 86-87, 88-89,182,183, 270nn20, 27, 275nl Clark, T. J., 279n41, 289n92, 295n78 classicism, 59-61 Claudel, Paul, 35 collectivity, 7, 10, 15-16,43, 167,204,205, 208, 244,250-51 colonialism, 65 communism, 6, 12,54, 55 Communist International, 54 Communist Party of Germany (KPD), 3, 4, 56, 267nl01 Confederación Nacional del Trabajo- Federación Anarquista Ibérica (CNT-FAI), 7, 9, 256nl conservatism, 13-14,161, 163 constructivism, 4, 17—18,259n38 Contenau, Georges, 161 cosmology, 1, 6, 224-33. See also myth; ontology Crary, Jonathan, 212 creation, creativity, 10, 19-21,29-31, 187, 203-4, 219, 222, 259n38, 261n9. See also ontology; origin Crow, Thomas, 129 cubism, 2, 3, 4, 5,9,10, 16, 67, 91-156,164-65, 168,170-71,173,176, 208, 217, 230, 231, 240, 275nl, 294-95n72; eroticism, 98, 105-15, 129—43, 144-54; ethics of function, 93-98, 105, 110, 122-23, 136, 145; ground, Grundkpntrast (foundational contrast), 23-24, 91-93, 97, 98; image-body, 98; image-object, 96-98; originality, 91-93; salon cubism, 258n72; simultaneity, 115-24; volume-seeing, 96-98. See also Braque; Picasso Dada, 3, 54,267n99 Daix, Pierre, 282n97 Dandyism, 52—53 Darwin, Charles, 12 death: as origin of myth, 219-21; struggle against, 160-65, 165-67, 214 death drive, 159, 161, 164, 165, 181,283n7 Delaunay, Robert, 121 Deleuze, Gilles, 16,86,167,190,210,211, 212, 232,272n61,274nn98, 99,101, 286n54, 290nl3, 294n68 Denis, Maurice, 60—61 Derrida, Jacques, 262n23,264n51,288n87, 289nl04, 295n83 Descartes, René, 228 determination, 30, 35, 40, 50. See also dialectic; Hegel; negation dialectic, 17, 24, 34-35,37, 42, 55, 155, 181, 187,189,190-91, 192-96, 204-6, 262nn23, 29,263n32,267n92,289n92. See also Hegel; negation; ressentiment Index 301 Documents (journal), 5-6, 24, 64, 157-54, 204-6, 220, 228, 257n23, 282nnl, 2; Einstein as image editor, 187-89, 287n79, 288n80; Einstein's texts, 176-81; Picasso illustrations, 191-92,198, 204 doubleness and unicity: in cubism, 92, 97, 98, 128, 147, 154-56; in Documents double pages, 24, 187-89, 191, 250, 288nn80, 83; in Einstein's texts, 21—22, 39, 55, 177, 181, 250, 267n98, 285n41; in Hegel, 34, 190-91; in Picasso, 158, 176, 186-87, 190, 192-203, 288n85; in Picasso's double style, 24, 189,191, 204, 287n77; in Schelling, 50; in sculpture, 61, 90. See also Einstein as writer; simultaneity Duchamp, Marcel, 278n41, 280n63 Dürkheim, Emile, 292n33 Durruti, Buenaventura, 7 Eckhart, Meister, 28, 37, 261 n9, 273n83 Egenhofer, Sebastian, 286n54 Einstein, Carl, as writer: comparison and simile, 31-36, 38, 39-42, 47, 49-50, 51, 57, 177, 184; diction, 265-66, n76; discourse and writing (lexis and syntax), 11, 18-19,21,22, 39, 50, 52, 57-58, 176, 178, 181, 249, 257nl8, 257n22; fanatic humorism, 53, 55-56, 176-77, 249; paraphrase, 20-21, 39, 40,41, 176—77; prewar prose, 18, 21—22, 27—30, 36-44; privatives, 39, 42, 42, 63, 264n60, 276n4; relation to politics, 44—49, 54—57, 265n74; rhetorical thesaurus, 47, 50; style, 39-44; Wortfolge (word sequence), 41-42, 48, 57, 63, 89. See also art criticism; art history; doubleness and unicity; essence; ground; indifference point; infinity; personas; simultaneity; symbolism; zero Einstein, Carl, works by; Afrikanische Plastik (African Sculpture), 64-67, 270n22; "An die Geistigen!" ("To the Intellectuals!"), 54-55; "Antike und Moderne" ("Antiquity and Modernity"), 263n32; "Aphorismes méthodiques" ("Methodological Aphorisms"), 226; "Der Arme" ("The Pauper"), 49-52, 61, 63, 89, 154, 155, 178, 187, 190, 249; "Art des nomades de l'Asie centrale" ("The Art of the Nomads of Central Asia"), 286n63; BEB II, 6, 9, 52, 221, 256nl0; "Bemerkungen zum heutigen Kunstbetrieb" ("Notes on the Contemporary Art World"), 268nl; Bebuquin oder Die Dilettanten des Wunders (Bebuquin, or The Dilettantes of the Marvelous) 2, 36, 39, 260nnl, 5, 6, 261nl4; "Brief an die Tänzerin Napierkowska" ("Letter to the Dancer Napierkovska"), 264n60; "La collection Reber" ("The Reber Collection"), 286n50; "Diese Aesthetiker veranlassen uns..." ("These aestheticists prompt us to..."), 210, 216, 276n9; Entwurf einer Landschaft (Design for a Landscape), 178-81; "L'exposition de l'art abstrait à Zurich" ("The Abstract Art Show at Zurich"), 164; Die Fabrication der Fiktionen (The Fabrication of Fictions), 221 ; Georges Braque, (s, 19,91,94, 155-56, 158, 207,212, 216, 219; "Gestalt und Begriff' ("Gestalt and Concept"), 210, 216, 276n9; "Gravures d'Hercules Seghers" ("The Etchings of Hercules Seghers"), 19, 178-81, 187; Die Kunst des 20. Jahrhunderts (The Art of the 20th Century), 5-6, 10, 15-16, 91, 92, 94, 122, 154, 158, 164, 166, 167, 173, 185, 187-88, 190, 191, 198, 207, 208, 209, 218, 223, 247, 225, 241, 244-45, 255n8, 284n34, 288n80; "Maillol" 60-62, 269nl 1, 273n83; Negerplastik (Negro Sculpture), 22—23, 42, 59-90, 170, 216; "Notes sur le cubisme" ("Notes on Cubism"), 171, 281n78, 284n34, 287n77; "Pablo Picasso: Quelques tableaux de 1928" ("Pablo Picasso: Some Paintings from 1928"), 284n31; "Paraphrase" 36, 38, 176; "Picasso" 284n29; "Politische Anmerkungen" ("Political Notes"), 47—49, 50, 54, 89, 154, 155, 187, 189; "Porträt eines Sammlers" ("Portrait of a Collector"), 177; "Probleme heutiger Malerei" ("Issues in Contemporary Painting"), 284n24; "Rossignol" ("Nightingale"), 176, 285n49; Die schlimme Botschaft (Bad Tidings), 3; "Der Snobb" ("The Snob"), 38—39, 43-44, 48, 63, 187, 260n6; "Der Tapezier" ("The Decorator"), 37—38, 39-40,41, 154; "Totalität" ("Totality"), 84-86, 90; "Traktat vom Wort und dem Kreuz" ("Treatise on the Word and the Cross"), 29; "Uber Paul Claudel" ("On Paul Claudel"), 34—35; "Der Verfall der Ideen in Deutschland" ("The Decline of Ideas in Germany"), 290nl0; "Der verlorene Wanderer" ("The Lost Wanderer"), 29-30, 31, 37, 41, 42, 44, 261nl3; "Zentralasiatische Nomadenkunst" ("The Art of the Nomads of Central Asia"), 182-85 Einstein, Daniel, 1 Ernst, Max, 11 302 Index essence, nonessence (Wesen, Unwesen), 27-28, 39-58; in Einstein's Aktion texts, 44-54; in Einstein's Documents texts, 176, 177; in Einstein's Dada texts, 54-56; in Einstein's prewar texts, 39-44; in Novalis, 40; in Schelling, 28. See also Einstein as writer; ground; origin evolution, evolutionism, 12-15, 62-63 fantasy (Fantasie), 30, 52 Farner, Konrad, 218 Fechheimer, Hedwig, 273-74n83 fetish, 65, 89 Fiedler, Konrad, 233-34, 294n68 Flechtheim, Alfred, 3 Fleckner, Uwe, 268nn2, 6, 280n64, 282n2 Fore, Devin, 293n43 form: as Fassung, 213-15, 217, 223-24; formal animism, 171-76; form shield, 161; as revolt, 222-24; as tectonic and psychogram, 165-71; in African sculpture, 86—87; in Badiou, 205; in Hildebrand, 69-70,73; in Klee, 230-32, 233-43; in Wölfflin, 163-64 Foster, Hal, 64 Foucault, Michel, 95, 190, 210, 212, 214, 277n20,289n82,290nl3 Fraenger, Wilhelm, 178 Frankfurt School, 12, 190,205,211-12 Frazer, J. G., 269nl4 freedom, 18,19, 124-28, 136, 141,147,203-6, 261nl6 Freud, Sigmund, 160-61, 162,165, 230, 283n7, 284nn23, 35, 289n92 Friedlaender, Salomo, 2, 264n58 Friedrich, Hugo, 264n60 function (Mach), 93-96 futurism, 10, 11, 121-22, 154, 158,221, 279nn56, 58, 293n43 Geelhaar, Christian, 294n71 Geistige movement, 54, 55 Genesis, Book of, 29, 191 George, Stelan, 273-74n83 gestalt, Gestaltung, 209, 223, 224, 225, 231, 233-43 Gilot, Françoise, 124, 126 God: and apophatic theology, 261 n9; inaccessibility of, 28-29; "The Lost Wanderer" on, 261 n 13; Negro Sculpture on, 65-67. See also origin Goethe, Johann Wolfgang von, 32, 257n21, 262n23 Gouel, Eva, 144, 151, 282n97 Gramsci, Antonio, 15—16, 17, 93, 258n28 Greaney, Patrick, 262n25, 264n60 Green, Christopher, 172, 285n37 Greenberg, Clement, 244-45, 294—95n72 Gris, Juan, 4, 91 Gropius, Walter, 4 Grossman, Wendy, 270n27 Grosz, George, 3,54 ground, groundlessness: in African sculpture, 87-89; in contemporary art, 268nl; in cubism, 23—24, 91—93, 97, 98; in Einstein on Klee, 250; in Einstein on Picasso, 186—87, 189, 192, 204; in Einstein's art history, 63-67, 159, 161, 163, 177,178-84; in Einstein's prewar texts, 18-23, 27-30, 31, 36, 38-40, 44,46-48, 50, 53, 55, 58; in Hegel, 190-96; in Klee, 238,241-43; in MaiUol, 59-61; in modernity, 9—11, 205—6; in Negro Sculpture, 63-67, 89; in Picasso, 201-3. See also Braque; Einstein as writer; essence; infinity; origin; Picasso Gudea, 161-62; seated statue, 162 Guercio, Gabriele, 287n76 Guevrekian, Lyda, 6 Hardt, Michael, 16, 17 Hausenstein, Wilhelm, 3, 68, 87 Haxthausen, Charles, 93, 246, 267n94 Heartfield, John, 3 Hegel, Georg Wilhelm Friedrich, 13, 24, 35, 36,37, 93,155,158,159, 184,190-91, 205, 257n20,262-63nn23, 29, 30,32, 34, 267n92, 285n49, 288nn86, 87, 88, 289пп92, 104; Lectures on the Aesthetic, 31-34, 184, 285n49; Science of Logic, 24, 190-91,205,262n29, 288nn87, 88. See also dialectic; negation Heidegger, Martin, 11, 276n4 Helmholtz, Hermann von, 69, 70—72, 75—76, 233, 270n31, 271n35,273n74 Henrich, Dieter, 190, 191 Herzfelde, Wieland, 267n99 Hildebrand, Adolf von, 69-84, 87-88,233; Wittelsbacher Fountain, 69-70,69, 72—73, 72, 81-82,87-88 Hiller, Kurt, 54 Historical Materialism (HistoMat), 12, 13, 15, 258n28 history: and causality, 12-16, 28, 63-64; and the real, 212-15; and repetition, 10 Hodler, Ferdinand, 59 Hofmannsthal, Hugo von, 52 Homer, 32-33,262n29 Horkheimer, Max, 210 Index 303 humorism, fanatic, 52—56 Husserl, Edmund, 276n4, 278n31 hypothesis, 25, 168, 216, 218, 222-23, 224, 292n30 impressionism, 59,60, 78-79, 80, 122, 233,276n7 indifference point: in African sculpture, 89; in cubism, 98, 154; in Documents double page, 189; in Einstein, 22, 24, 50, 53, 62-63, 65, 92, 183, 249, 266n83; in Friedlaender, 264n58; in Heidegger, 276n4; in nomad art, 183; in Picasso, 136; in Schelling, 28, 50; in Segers, 183. See also doubleness; simultaneity infinity: in African sculpture, 87, 90; in Einstein, 27-30,31,33, 37-38, 40, 44, 50, 57, 59-61, 62, 87, 90, 92, 185, 260n5, 261nl3, 265n74, 266n83, 288n87; in Friedlaender, 264n58; in Maillol, 59-61, 62; in nomad art, 185; in Novalis, 29-30, 261nnl5, 16; in Picasso, 187; in Schelling, 50; in Simmel on Rodin, 75—77, 80. See also origin Ioganson, Karl, 17 irony, 11,41, 149, 244,246,249, 251 James, William, 94, 172, 291nl5 Jay, Martin, 86 Kahnweiler, Daniel-Henry, 2, 7, 9, 92, 97, 122, 216-17,275n3 Kandinsky, Wassily, 4 Kant, Immanuel, 27,44, 70-71, 74, 129, 257n20,260n5,270n30,274n86 Kautsky, Karl, 45, 257nl3 Kiefer, Klaus, 282nl Klee, Paul, 4, 6, 25-26,29, 207-8; affectivity, 232-44; arrow, 235, 294n70; cosmology, 225-33,247, 250; cubism, 240, 294-95n72; metamorphosis, 225-33, 236-42, 249; myth, 247-51; negation and Gemütlichkeit, 243—51; realism, 221-23; Ardent Flowering, 234-36, 236, 240,243; Before the Snow, 226; Flower Fater, 241-43,242\ Forest Architecture, 236—41,239, 243, 294n71; Monument in Fertile Country, 227\ Ventriloquist and Crier in the Moor, 247, 248, 250, 251 Kołakowski, Leszek, 16—17 Krauss, Rosalind, 271n46,275nl 11, 282n2 Kropotkin, Peter, 44 Krull, Germaine, 182 Kwinter, Sanford, 256n6 Landauer, Gustav, 13, 54, 257nl3 La Roche, Raoul, 128 Laurencin, Marie, 138 Lavoisier, Antoine, 228 Léal, Brigitte, 188 Le Corbusier, 11—12 Léger, Fernand, 91 Lehmbruck, Wilhelm, 60 Leiris, Michel, 5, 6, 7, 158, 161, 177, 187, 198, 228, 229, 282nl, 283n9, 285n38, 286n51, 287n78, 294n58 Lenin, Vladimir Ilyich, 54, 205 Lethen, Helmut, 263n40 Lévy-Bruhl, Lucien, 172, 173, 269nl4, 285n38 Liberman, Alexander, 127 Liebknecht, Wilhelm, 2,3,44,45,46,47,48, 49, 54, 265n70, 266n80 Loewenson, Erwin, 2, 261nl4 lost wanderer. See personas Lukács, Georg, 11-12, 223 Lunacharsky, Anatoly, 4, 54, 267nl01 Luxemburg, Rosa, 3, 7, 13, 14-15, 16, 17, 19, 25, 45, 54, 93,155, 257nl3, 258nn31,32 Mach, Ernst, 94-95,98,105, 121,172,190, 278n33 Maillol, Aristide, 60-62, 269nl 1; La Méditerranée, 60, 61 Malevich, Kazimir, 17-18, 105, 164, 259n39 Mallarmé, Stéphane, 2, 22, 28, 35, 38, 42, 56, 63, 65, 184, 249, 263n41, 264n60,276n4 mana, 172-73, 285n41 Marc, Franz, 242-43 Marees, Hans von, 59, 233 Marx, Karl, 12, 15, 258n28 Marxism, 8,9, 11, 13, 14, 15, 16,46,49,74,212, 259n38 masochism, 5, 167, 179-80, 231. See also ontological stances Masson, André, 158, 166, 167, 168, 170, 207, 240; Automatic Drawing, 166 mathematics, 30, 31, 41—42 Matisse, Henri, 276n7 Mauss, Marcel, 5, 158,172, 173, 190, 191, 273n83,285nn37,38 memory, 71,85,93, 160, 245 metamorphosis, 19, 20, 208, 209,212-13, 214, 216-21, 223-24, 232-38, 241-42. See also Klee; the real metaphor, 32, 33, 55, 262n23, 285n49, 286n51 Michel, Andreas, 283n7 microcosm and macrocosm, 226,230—31, 247, 250. See also ontology miracles, 209, 216—17, 224 Miró, Joan, 158, 168,207 304 Index myth, mythology, 208, 217—21,233,249-51; formal, 173, 176, 224, 234; palingenetic, 218; performative, 219; private, 247; and writing, 249-50. See also Klee; metamorphosis; myth; the real Nägele, Rainer, 256n3 Natorp, Paul, 82 naturalism, 77-82, 215, 229-30,233 negation, negativity: in Einstein, 20-21, 35, 39, 50, 63, 86,93, 215, 220-21,245-46, 251; in Greenberg, 244-45; in Hegel, 34, 35, 190-91, 205, 262n28, 289nl04; in Novalis, 40; in Picasso, 125-28, 129, 136, 187, 194-203; in politics, 16-17, 220. See also dialectic; Hegel; nihilism; ressentiment neo-Kantianism, 74, 77, 78, 81, 82, 233,275n3 Neolithic art, 162-63 Neopathetisches Cabaret, 2, 54,261nl4 Neuer Club, 2, 261nl4 Neumeister, Heike, 275nl Neundorfer, German, 269nl 1 New Economic Policy (NEP), 4,255n7,258n27 Newton, Isaac, 228 Nicodemus, Everlyn, 270n25 Nietzsche, Friedrich, 25, 43, 94-95, 105, 122, 123,165, 167,172, 173, 186,190,191, 210-12, 214, 217, 218,229,231-32,246,277nn 15,20, 257n20, 258n27, 263n32,264n61, 277n20, 277n26,278n41, 287n76,290nll; Birth of Tragedy, 231—32, 240; Genealogy of Morals, 210, 211, 215, 246; Will to Power, 95,97, 122, 123, 167, 211, 212, 232, 28Ы5 nihilism, 18,21,34,46, 49,52,92, 155, 178, 181, 183, 191, 204, 244, 262n23, 288n86. See also dialectic; negation; ressentiment nomad art, 182-85 nonessence. See essence Novalis, 2,21,22,27-30,32,35,38,40-41, 50, 52, 58, 185,260nl, 261nnl3,14, 15, 16,264n51 novelty, 14, 15, 17,20, 24,29,97,210,214, 220-21,223,234 November Revolution, 54 objectivation, subjectivation, subobjective function, 94-96, 108-11, 129, 136, 145, 153-54 October Revolution, 4, 15,251 Oehm, Heidemarie, 265n74, 279n53 Olivier, Fernande, 144 ontological stances, 160-61,167, 204, 208, 211-12, 214, 215,219, 220, 229-32, 234, 238, 241,244-46 ontology, world-building: in animism, 172-73; in art, 223-24; in Badiou, 204—5; in Bataille, 219-20; in constructivism, 17; in cubism, 97; in Einstein's art criticism, 22—23, 57—58; in Einstein's prewar prose, 21—22, 27—30, 34-37, 46, 52; in Einstein's writing, 18-21; in Hegel, 33-34, 190-91; in Klee, 229-33, 234-38, 241-43,244-51; and left-wing politics, 16-17; in Mach, 94-95; in Malevich, 17-18; in Mesopotamia, 161; in modernity, 9-16; in Nietzsche, 94-95, 172, 173, 190, 212, 277nl5,290nl2; and nomads, 183-84; in Picasso, 204-6; in Segers, 178; in the studio, 138-39; and Weltzwang, 160. See also the real origin, originality, 9-11, 11—17, 15,27-30,31, 35, 36, 38-39, 48, 50, 55, 61, 62-65, 89, 91-93, 97,128,154,161, 173,174, 183,187,191, 204, 220, 222. See also essence; ground Paleolithic art, 162—63 parliamentarianism, 12, 13,22,37,45-49, 185, 256nl2,265n70,266n80 Parmelin, Hélène, 126 Paudrat, Jean-Louis, 62 Paul, Jean, 267n92 Penkert, Sibylle, 53 personas: African masks as, 89; the artiste, 37, 249, 263n41; Braque as, 154-56; the decorator, 37-38; in Einstein's texts, 22, 23, 24,37-39,46—48, 56, 89, 177; the jongleur, 249; Klee as, 249-51; the lost wanderer, 22, 23, 24,41,46,49,67, 89,92,98,154,156,176, 178, 182-85, 188, 204, 206, 250; the mystic, 37—38; nomad head as, 182—85; Picasso as, 154-56, 186-89, 204; the pauper, 49-52, 187, 190; Reber as, 177; Segers as, 178-81; the snob, 38-39, 43 Pfemfert, Franz, 2, 45, 46, 49 Picasso, Pablo, 14, 15, 16,23,24-25,91-93, 110, 111, 115, 119, 154-56; arris,281n86; double style, 185-89; eroticism, 129-43, 14Ą-5Ą;faux bois, 147-51; formal animism, 171—76, 190, 192; freedom and constraint, 124-28, 141,145, 147,149,154, 155; ground, Grundkpntrast (foundational contrast), Grundoperation, 91-93, 97, 98, 127-28, 155, 186, 190-96,201-5; hinge, 128-36, 141, 145,147,151-53,176, 276n4, 281nn85, 86; image-body, 24, 110, 141,145-53, 281n85; image-object, 23, 136, 139; line, 135-36, 147, 170, 171, 191—203; negation, negativity, 125-28, 129,136,149,155, 194-98, 202-4; photography, 138—41, 281 n85; proteanism, Index 305 185-87; simultaneity, 129, 141, 143, 145, 154-55, 189, 201; at Sorgues, 144-53; in the studio, 127, 136-43, 196-206; stylistic multiplicity, 129; subobjective function, 129, 136,145, 153; subversion, 124-26, 128, 155; surface and volume-seeing, 127—36, 139-53; tectonic hallucination, 167-71; visual ethics, 124-28, 136, 139, 145. See also Braque; cubism; surrealism Picasso, Pablo, works by: Acrobat, 198—203, 200; The Aficionado, 128-36,130, 153, 155, 250,281n78; Les Demoiselles d'Avignon, 129, 147,147, 196; Female Acrobat, 198—203, 199; Figure (sculpture), 194,195; Guitar (Oslo), 151, 750; Guitar (Paris), 145-47, 146; Guitar (private collection), 147-151, 148; Guitarist, 115—19,120; Guitar "J'aime Eva" 151—54,152,153; Horta landscapes, 281n85; The Mandolin Player, 110, 141-43, 142,143, 279n46; Metamorphosis 1,194, 195; Metamorphosis II, 194; The Milliner's Workshop, 168, 174-76,174,175, 198; The Painter (The Studio, Stockholm), 201, 202—3, 205; The Painter and His Model (New York), 168; The Painter and His Model (Paris), 168—71, 169; The Painter and His Model (Tehran), 191-98,192,193,289n92; The Poet, 129,132; Portrait of Georges Braque, 139-40,140, 141; Seated Nude (Prague), 281n85; Self-Portrait, 138,138; Still Life on a Pedestal Table, 136—41, 137; The Studio (New York), 168; The Studio (Venice), 168; Woman in an Armchair, 191, 192, 197-98,197; Woman with a Red Hat, 188-89,188 Picasso und Negerplastiken (Picasso and Negro Sculpture) (exhibition), 275nl Pitt Rivers, Augustus, 269nl3 Plato, Platonism, 164,222,223, 234 Die Pleite (The Flop) (journal), 3, 54-55, 56, 267n94 poetry, poiesis, 14,222 Poggi, Christine, 282n97 politics, 3-4,9,11-16, 204-5, 250-51; and theory of the real, 208, 211-12, 209-20; and writing, 18-21, 44-49, 52-57 positivism, 25,44, 210, 222-23, 229, 258n28 poverty, 49-50,261n9, 262n25,266n80 Prichard, James Cowles, 245 primitivism, 39, 60-61, 62-67, 269nl4 prose. See Einstein as writer psychoanalysis, 165, 190,230 psychogram, 24, 165-67, 171, 174, 178, 181, 189, 230—31. See also tectonic Ramm, Maria, 2, 36 Raphael, 227—28n28 Raphael, Max, 2, 7, 278n33 Rauch, Christian Daniel, 32 real, Einstein's theory of the, 25, 159-63, 184, 208-15, 222-25, 234, 240-41, 250. See also metamorphosis; ontology realism, 208, 221-24, 233-34 reason, rationalism, 209—20 Reber, Gottlieb Friedrich, 177, 187, 282nl, 287n79 religion, African, 65—67 Renaissance art, 78, 79, 81, 88,97, 163, 164 repetition, 10-11, 14, 19, 76, 77, 85, 160, 161, 214-15, 236-38 ressentiment, 167, 187, 191, 210, 212, 214, 220, 246. See also negation; nihilism revolt, revolution, 12—16, 19-21,208,212-21, 222-25, 228, 238, 244, 250-51 Richardson, John, 289n98 Riemann manifold, 224, 293n50 Riezler, Walter, 87 Rodchenko, Alexander, 17, 18, 259n38 Rodin, Auguste, 69, 73-77, 78-80, 84; Danaid, 75-79, 76 Romanticism, Romantic philosophy, 2, 21, 27,35 Rosenberg, Alfred, 218 Rosselet, Joan, 282n97 Rost, Nico, 255n7 Rowohlt, Ernst, 3 Rubiner, Ludwig, 2, 50, 264n58, 267n76 Rüdiger, Helmut, 6, 9, 256nl Russian Revolution, 15, 16 sadism, 5, 179—80, 231. See also ontological stances Sant'Elia, Antonio, 11 Saxl, Fritz, 228 Schelling, Friedrich Wilhelm Joseph von, 22, 27-28,35, 50, 256n2, 260nl, 5, 6, 276n4 Schlaffer, Heinz, 262n23 Schlick, Moritz, 82 sculpture: frontality in, 81, 83, 88; impressionist, 78-79; pictorial, 77-79; relation to site, 87-88. See also Chokwe; Einstein as writer (Negerplastf;); Gudea; Hildebrand; Maillol; Rodin Second International, 12—15 Segers, Hercules, 24,178—81 semiology, semiotics, 240-41,278n41 Sextus Empiricus, 269—70nl8 simile. See Einstein as writer 306 Index Simmel, Georg, I, 22, 69, 73—77, 78, 79, 80, 82, 83,84, 86, 264n61, 266n80 simultaneity, at-onceness (Gleichzeitigkeit): in Braque, 121-28, 154-55; in Einstein's prewar texts, 41-42, 43, 47-48, 49, 51, 53, 63, 89, 265п74; in Einstein's theory of the real, 213, 215, 229; in futurism, 121-22; in Hegel, 191; in miracles, 217; in Picasso, 129, 141-44, 145-54, 154-55, 158, 189, 201; in sculpture, 83, 84, 85, 86, 89; in Segers, 179-80; of different models of primitivism, 63; of masochism and sadism, 179-80, 187 Sitte, Gamillo, 88 skepticism, 64, 182, 269-70nl8 social democracy, 3, 6, 13, 45-46, 49 Social Democratic Party of Germany (SPD), 12, 13, 14,45-46, 265n70 Song of Songs, 33-34 Sorel, Georges, 2, 46-47, 49, 155, 265n74 Soviet Union, 4, 14, 126, 250-51,255n7, 267nl01 space: and Chokwe sculpture, 83-84, 88-89; in cubism, 92-93, 96-98; in nomad art, 184; in Picasso's surrealism, 168-76; in Renaissance art, 277-78n28; and Wittelsbacher Fountain, 69-73, 87-88. See also cubism (volume-seeing) Spanish Civil War, 6-7, 54 Spartacus Revolt, 3, 13, 54, 57, 205, 211 Speer, Albert, 218-19 spontaneity, 16, 155, 222, 258n32 Staller, Natasha, 281n79 Stavrinaki, Maria, 265n74 Steinberg, Leo, 147, 281n86 stimulus, 17-18 Strother, Zoë, 64, 65, 270n21 subobjective function. See objectivation Sumerian sculpture, 161-62 surrealism, 5,6,158,165-66,168,207,216,287n78 Sweeney, [ames Johnson, 124, 125, 126 symbol, symbolism, 31-36, 38-39, 46,48, 49, 65-67, 176, 184-85, 262n23,285n49. See also Einstein as writer syndicalism, 2, 46, 54 Tarabukin, Nikolai, 259n38 tattoo, 184-85,216,218,220 the tectonic, 24, 159-71, 174, 178, 181, 189, 225, 230-31, 232, 236, 237-38. See also psychogram telepathy, 172 Tietze, Hans, 68 time: and causality, 27-29; quantitative and qualitative, 85-86. See also art history; history; simultaneity totality, 77, 82-90 transgression, 213-21 Trotsky, Leon, 54, 76-77 the unconscious, 165, 167, 171, 225, 230-31 unicity. See doubleness Urgrund (arch-ground), 28, 256nn2, 3, 260n5. See also ground Ursprung (origin, arch-crack), 39, 256n3. See also origin Veshch' Objet Gegenstand (journal), 4 virtual, actualization of the, 86—87 vision: Dionysian-Apollonian, 167, 232; inferential, 70-73; in Klee, 235-36, 245-47; visionary, 15, 224; volume-seeing, 96-98 Waldschmidt, Ferdinand, 59 Walser, Robert, 47 Wasmuth, Ewald, 213 Werckmeister, Otto Karl, 218 Wölfflin, Heinrich, 69, 72, 78-79, 81, 88,97, 163-64,277nn27,28 Wollheim, Richard, 96,277n26, 279n41 world. See ontology Zahn, Leopold, 228 zero: in cubism, 154; in Einstein's texts, 21, 41-42, 44, 50, 51, 56-57, 268nl; in Friedlaender, 264n58, in nomad head; 183, in Picasso, 187, 203; in sculpture, 89; in Segers, 178, 181. See also indifference point Zervos, Christian, 144, 185-86,287n76 Das Ziel (The Goal) (journal), 55 |
