| Volltext: | INDEX Ackroyd, Peter, 493,494 Adorno,Theodor, 336 Alexandre, Noel, 263—6, 268 Alexandre, Paul, 263—6, 268—9 Algarin, Miguel, 317—18 Allan, Hugh, 430, 433 Allen, Keith, 3 24 Alloway, Lawrence, 23 Allsop, Charles, 234, 233—6 Alma Coßan (Burn), 47—63 Alveryd, Bo, 108 Amis, Kingsley, 73 Amis, Martin, 73 Andre, Carl: on art vs culture, 437; bricks, 304, 392, 433, 441; and Saatchi, 223 Arbus, Diane, 338—9, 390, 391 Armstrong-Jones, Anthony see Snowdon, Anthony Armstrong- Jones, Lord Ascherson, Neal, 329 Ashbery, John, 3,217 Astaire, Edgar, 239 Auden,W. H., 89, 233 Auerbach, Frank: American discovery of, 114; Hoyland on, 84, 89; puritanism, 27; speed of painting, 88—9 Augé, Marc, 446-7 Avalon, Frankie, 43 Avedon, Richard, 183, 186 Bacon, Francis: 2006 essay about, 3—9; in Alma Cogan, 39; and body shape, 449; and brutality of fact, 330; collectors, 234; and Colony Room, 344-3; and de Kooning, 133; Cowrie on, 74; and happiness, 36-7; Hoyland on, 84-3; influence on Billingham, 364; influence on Hirst, 313-14, 344-f! influence on public attitude to homosexuality, 30; on instinct, 334; international reputation, 114; Leiris on, 4; and the macabre, 362-3, 398; on Picasso, 323; on portraits, 497; Shaw's 'stalking* of, 303-6; studios, 469; Sylvester on, 4, 3, 8 Bailey, Jim, 184 Ballard, J. G., 210 Balzac, Honoré de, 361 Barbie, Klaus, 48 S Bardot, Brigitte, 4} Barker, Pat, 494 f 39 Index Barnes, Mr (Hirst's neighbour), 336-7, 339, 343 Barnes, Dr Albert, 260—1 Barney, Matthew, 207—17 Bar stow, Stan, £04 Barthes, Roland, 4, 3 24 Baselitz, George, 222 Basquiat, Jean-Michel, 212,411 Batchelor, David, 78, 162 Baudelaire, Charles, £2 6—7 Baumgartel.Tilo, £30, £34—£ Baxter, Charles, 449—£0 Beard, Peter, 362 Beatles, 44, 89, 149, 31 £; see also Lennon,John Beaton, Sir Cecil, 2£6 Becher, Bernd, 148 Becher, Hilla, 148 Beckett, Samuel, £0£ Beckmann, Max, 197 Behan, Brendan, 368 Belcher, Muriel, 343 Bell, Clive, 136 Bellamy, Richard, 70 Bellow, Saul, 400 Benjamin, Walter, 200, 299 Berger, John, 6—7, 384 Berthoud, Anne, 11 2 Beuys, Joseph, 210, 404 Bickerton, Ashley, 223, 292, 337-8 Billingham, Elizabeth, 337—8, 360-3 Billingham, Jason, 338, 360—1, 363 Billingham, Ray, 337—8, 360—3 Billingham, Richard, 337—63, 399 Birtwell, Celia, 13 Blackburn,Tony, 404—3 Blair,Tony, 39, 490-1 Blake, Liberty, 44 Blake, Peter: 1986 interview, 41 —7 ; in Alma Cogan, 47—6 3 ; art dealer representing, 108; life and interests, 41—4; Lucas introduced to Dury by, 384; painting at the Ivy, 68; portrait of Hockney, 24—3, 47; relationship with Smith, 69; on Schnabel, 109; and Sensation show, 392; and Tate Britain launch, 63; Two Pyramids (for David Hockney), 13; on Warhol, 186—7; on YBA, 213 Blake, William, 404 Blunt, Anthony, 149 Blyth, Jenny, 293, 298 Boltanski, Christian, 488 Bonami, Francesco, 400 Boone, Mary, 109 Boshier, Derek, 69, 73—6, 76—7, 147 Boty, Pauline, 69 Bowie, David, 72, 381, 428 Bowness, Sir Alan, 94, 3 11, 430 Bradley, Dai, 303 Brady, Ian, 62, 303 Brancusi, Constantin, 3 1 2 Braque, Georges, 340, 32o, 323, 328 Britten, Benjamin, 383 Brixton Breakers, 427—34 Brodie, Howard, 496 Brunnet, Bruno, 377—8 Buccloh, Benjamin, 200 S 4° Index Bulger, James, 44746 î S12 Bulloch, Angela, 322, 373 Burden, Chris, 344 Burn, Gordon: Alma Cogan, 47—63 Burr, Alfred, 171 Burson, Nancy, 449 Cage, John, 164 Calvino, Italo, 474—3 Camus, Albert, 313 Candy Man, 493 Carco, Francis, 260 Carey, John, 309 Carlyle,Thomas, 497 Caro, Sir Anthony, 84 Carroll, Lewis, 44 Carver, Raymond, 78, 364 Castelli, Ileana, 171 Castelli, Leo, 167-74,419 Caulfield, Patrick: 2006 essay about, 73—9; art dealer representing, 108; collectors, 270; media glamour, 147 ; painting at the Ivy, 68; Smith's work as precursor to, 69; subject matter, 311 ; at Tate Britain launch, 63; at Venice Biennale, 67 Chamberlain, John, 168 Chapman, Dino, 143, 163, 399 Chapman, Jake, 143, 163, 399, 47L478 Charlton, Alan, 148 Chase, Richard Trenton, 3 21 Chatwin, Bruce, 269, 290 Chelsea, 286 Chemetoff, Alexandre, 104 Chia, Sandro, 222 Chow, Michael, 69, 273 Chow,Tina, 273 Christie's, 234—6 Churchill, Winston, 497 Cicciolina, La see Staller, Ilona Cioran, E. M., 369 Clark, Michael, 383 Clark, Ossie, 1 2—13 Clash, The, 281—7 Clegg, Richard, 429, 430, 432, 433 Clemente, Francesco, 222 Cocteau, Jean, 266 Colacello, Bob, 181, 182—3, r®4 Cole, Roz, 176—7, 181, 182 Coleman, Priscilla, 487—8, 490—3, 49S, 496, 497,498 Colen, Dan, 219 Coles, Sadie, 383, 422-3,483 Collishaw, Mat, 3 2 2, 3 99,401 406-7,420 Colony Room, 344—3, 383—4 422 Connolly, Cyril, 8 Connor, David, 238, 243 Conran, Sebastian, 283 Conran, Terence, 69 Conroy, Stephen, 113 Contemporary Fine Arts, 377-8 C o o k , E l i z a b e t h , 4 9 3 , 4 9 6 Coombs, Daniel, 429—30,432, 434 Cooper, Michael, 149 Corbin, Chris, 68 Cork, Dave, 284, 283 Cortinas, 286 Cragg, Tony, 240, 292 Craig-Martin, Michael, 292, 293 T4I Index Cronenberg, David, 309—10, 327, 333 Crow,Thomas, 372 Cruikshank, George, 493 Cruz, Angela de la, s 17—2 3 Cunningham, Owen, 3 2 Curiosity Killed the Cat, 188 Curtis, Ian, 303 Dadd, Richard, 44 Dalrymple,Theodore, 3 19 Damned, 287 Dando, Jill, 447-8,434 Darling, Candy, 179, 184 Davenport, Ian, 111,213,292 Davey, Grenville, 373 Davis, Mike, 316 Davis, Miles, 88 Davis, Sammy, Jr, 43 Dawkins, Richard, 468 Dawson, Ian, 430,432, 433 de Kooning, Elaine, 137, 138 de Kooning, Willem: 1984 interview, 133—9; in Alma Cogan, 49; and Castelli, 171, 172; competitiveness, 430; exhibitions, 87; and Kelly, 162, 164; and New York's hegemony of art world, 220; and Rauschenberg, 418 de Maria, Walter, 231 Deacon, Richard, 270, 292 Deakin, John, 4 Degas, Edgar, 323 Deleuze, Gilles, 4 DeLillo, Don: Mao II, 320, 449-5° 517,5 2 ; and modern jargon, 3 29; on nature of world, 490; on photography, 299; White Noise, 332, 336 Deller, Alfred, 383 Denny, Robyn, 71,72 Derain, André, 89, 261 Deterding, Olga, 32 Didion, Joan, 309 Diebenkorn, Richard, 189 Dingemans, James, 498 Dix, Otto, 478—9 Dixon, Jeremy, 184 Doctorow, E. L., 216 Documenta 1992, 208—9 d'Offay, Anthony: and Gilbert and George, 422; Hirst's erstwhile job at gallery, 431 ; international exposure of his artists, 113; and Lucas, 37 X ; potential collaboration with Schubert, 424; seventies reputation, 110; and Turrell, 192; on Warhol, 187; and Whiteread, 423 Doig, Peter, 312, 314 Dresser, Christopher, 127, 142 Dubuffet, Jean, 171 Duchamp, Marcel: alter egos, 3 24, 323; on art dealers, 113; influence, 210, 303-4, 404; on length of paintings' lifespan, 417; on number of real art lovers, 238; on success, 220; andWoolworth Building, 433 Durcan, Paul, 78 Dury, Ian, 384 Dutroux, Marc, 472,47 3—4 Duveen, Sir Joseph, 431 Dworkin, Andrea, 383 £42 Index Dyer, George, 7 Eckstine, Billy, 32 Eliot,T. S., 43, 89 Ellington, Duke, 89 Ellmann, Richard, £ 1 3, £24 Emerson, Ralph Waldo, 443, 444 Emin,Tracey: art dealers representing, 408; The Birds shop, 143, 373—6; exhibitions, 322; and Lucas, 143, 373—6, 416; as paparazzi target, 383; at Tate Britain launch, 66; works destroyed in Momart fire, 413-18 Epictetus, 100 Evangelista, Linda, 2 16 Everitt, Anthony, 392 Faarup, Ole, 334 Fabian, 43 Fairhurst, Angus: art dealers representing, 420,422; band put together by, 3 2 2 ; exhibitions, 380—1; and Hirst, 331, 373;on Schubert, 421, 422 Fare, John, 481 Feahy, Siobhan, 372 Feaver, William, 213 Feldman, Andrea, 183 Figgis, Mike, 230 Finlay, Ian Hamilton, 99-106 Finlay, Sue, 99, 102 Fischl, Eric, 222 Flavin, Dan, 172 Flood, Richard, 213—16, 343 Floyd,John,233 Ford, Richard, 486 Ford,Tom, 204 Fourcade, Xavier, 133, 136, 138 Frances, Siân, 497 Fraser, Robert, 67, no, 113, 147, 149 Freedman, Carl, 416 Freeze exhibition, 292, 321, 337, 373,399,4°i,4°7 Freud, Lucian: American discovery of, 114; and body shape, 449; favourite models, 4; on Hockney, 26; Hoyland on, 83 Freud, Matthew, 334 Freud, Sigmund, 3, 319, 398 Fuller, Peter, 114,209,238 Funder,Anna, 329 Gagosian, Larry, 6, 199,201, 293-6, 297 Gallacio, Anya, 372,420 Garbay, Olivier, 383 Gardelle, Theodore, 494 Garland, Judy, 230 Gehry, Frank, 316 Geldzahler, Henry, 1 1 , 1 2 - 1 3 , 1 3 , 24, 30 George, Charlie, 381-2 Gerrard, Nicci, 488 Gilbert and George: 1973 inter" view, 119—26; 1978 interview, 126-39; 2003 interview, 140-3; art dealers representing, 113, 130, 422; subs, 367 Gillick, Liam, 466 Gimpel, René, 261 Gladstone, Barbara, 211,213, L43 Index 371,374.386 Gober, Robert, 223, 33 7—8 Goddard, Ann, 49 2 Goddard, Paulette, 176 Golding, John, 149 Gonzales-Crussi, F., 346 Gopnik, Adam: and High Morbid Manner, 8-9, 399; on irony, 311 —12; on Koons, 314;on Nauman, 21 o; on photography, 360; on Picasso, 32j Gorky, Arshile, 87, 171 Gormley, Antony, 408 Gould, Stephen Jay, 33$ Gowing, Lawrence, 28, 133 Gowrie, Grey, Lord, 74, 230, 2Ï3-4. 236 Graef, Roger, 359 Graham-Dixon, Andrew, 90 Grass, Günter, 529 Greaves, Jimmy, 100 Greenberg, Clement, 87, 164, 169-70, 171 Greene, Graham, 361 Greenfield-Sanders, Timothy, 112 Greenwood, John, r 13, 289 Greenwood, Nigel, no, 147—31 Grosz, George, 478—9 Guston, Philip, 322—3 Haas, Philip, 1 28 Hackert, Nicole, 377 Haley, Bill, 69 Hall, Charles, 292 Halley, Peter, 223, 337-8, 330 Hamilton, Richard, 13, 68, 183, 186 £44 Hardy,Thomas, 44 Harvey, Marcus: art dealers representing, 408;Myra, 391—2, 393-7, 428, 429-3°, 434; studios, 428, 429-30, 430-1, 433 Hastings, Beatrice, 267 Héburterne, Jeanne, 239—60, 266 Heidegger, Martin, 341 Heller, Ben, 11 2—13 Hemingway, Ernest, 166 Hickey, Dave, 221—2, 224—3, 226 Himmelblau, Coop, 319 Hindley, Myra, 62—3, 391—2, 393-7, 428, 429-30, 434, 303 Hirst, Connor, 331 Hirst, Damien GENERAL: 1993 essay about, 309—13; 1994 essay about, 313—18; 1996 essay about, 321—7; 2000 essays about, 327—46, 346—33; art dealers representing, 408, 419—20, 422,424; attitude to success and money, 213, 293, 300; bad-boy behaviour, 333—4; business ventures, 334—3, 433; character, 3 i 8—2 i, 43 i ; collectors, 270; early success, 293; and Fairhurst, 373; Goldsmiths years, 406—7; Hockney on, 39; and human body, 343—6, 434; influences, 21 o—11, 223, 313-H, 337-8, 342, 343, 344—3; job at d'Ofïay, 43 1 ; and Lucas, 369, 380, 381, 386; and the macabre, 398—9; persona, 342-3, 33°, 332-3; production Index values, 325; on Rauschenberg's rubbing out of de Kooning's drawing, 418; and Saatchi, 289, 294, 296-7,299-301,331;and science, 327—36; studios, 349, 3£°-i. 352,428,430-2,433; and tabloids, 393 WORKS AND EXHIBITIONS: The Acquired Inability to Escape, 315"—16; Adam and Eve, 330; Alone Yet Together and in Love, 3 i 7 ; The Asthmatic Escaped, 3 3 8 ; Blur video, 324, 325; Brilliant!, 32 i —3; A Celebration, 347; Concentrating on a Self-Portrait as a Pharmacist, 339, 344; Death Is Irrelevant, 342; Figures in a Landscape, 333, 344, 350; tying, 323-4; Freeze, 292, 3 2 1 , 3 3 7 , 3 7 3 , 3 9 9 , 4 0 1 , 4 0 7 ; From the Cradle to the Grave, 300, 339, 344; Hanging Around, 324—7; He Tried to Internalize Everything, 331; The History of Fame, 347; The History of Pain, 347; Hymn, 297, 299-301, 343:—6; 1 Want to Spend the Rest of My Lfe, 317, 342; In & Out of Love, 291—2; Looking Forward to the Total and Absolute Suppression of Pain, 330; Lost Love, 332—3, 334, 333-6, 339, 34, 3S*\love Lost, 332-3, 334, 335-6, 339, 341, 3 3 2 ; Loving in a World of Desire, 346-7, 331-2; The Physical Impossibility of Death (shark), 294, 297, 310, 312, 340—1 ; She Wanted to Find the Most Perfect Form of Flying, 338-9; Something Solid, 333; Sometimes I Avoid People, 331 ; A Thousand Years (cow's head), 294,296-7,309-10,313, 341; An Unreasonable Fear of Death and tyty, 333, 340-1, 349; A Way of Seeing, 334-3, 333-6; The Way We Were, 334, 333—6, 3 3 9—40; When Logics Die, 313-14, 398; With Dead Head, 313-H, 320, 398 Hitler, Adolf, 393—4, 300 Hockney, David: 1971 interview, il—19; 1988 interview, 19—31; 1996 interview, 31—40; and America, 73—6; on Blake, 44, 46; Blake's portrait, 24—3,47; international reputation, 114; media glamour and fame, 147; as member of third wave of British Pop artists, 73-6; parallels with Hirst, 311; and School of London, 89; Smith's work as precursor to, 69 Hodgkin, Howard: Blake's portrait, 47; on Hockney, 26-7; home in the country, 71 ; painting at the Ivy, 68; speed of painting, 88—9; at Tate Britain launch, 63; at Venice Biennale, 67, 239; visit to Hockney's California home with Blake, 24, 46-7 Hogarth, William, 4 9 4 Holtzer, Baby Jane, 178 54 S Index Holub, Miroslav, 327—8, 330 Holzer, Jenny, 241, 244, 245 Hopper, Edward, 416 Hopton, Georgie, 403 Horkheimer, Max, 336 Horn, Roni, 227—33 Houdini, Harry, 207, 210, 216—17 Howard, Rachel, 331 Howarth, Jan, 44 Hoy land, John: 1999 essay about, 81—91 ; art dealers representing, 108, 111 ; on Caulfield, 79; home in the country, 71 ; and Kelly, 163:; at Venice Biennale, 67 Hoyland, Kenneth, 86 Hughes, Fred, 181—2 Hughes, Henry Meyric, 239, 244 Hughes, Robert: on art and money, 2 3 7 ; on art as investment, 290—1 ; on Basquiat, 21 2 ; on British history of art, 3 2 8 ; on de Kooning, 137; on New York art world in eighties, 212—13; on Rothko fans, 191; on Schnabel, 197; on US culture, 220; on Warhol, 187 Hume, Gary: 1999 essay about, 403—14; art dealers representing, 420, 424; homes, 72; and Landy, 418; and Low Expectations, 322; and Lucas, 373 3745 style of work, 84, 400-2, 403, 405-6, 408-9, 410—14 Huston, John, 327 Hutton, Lord, 490 £4-6 Hutton inquiry, 490—1, 497—8 lies, Chrissie, 214 Ingle, Doug, 381 Iron Butterfly, 3 81 Jackson, Matthew Day, 219 Jackson, Michael, 237 Jacob, Max, 267 Jacobs, Nicola, 11 2 Jacobson, Bernard: and Alveryd, 108; and Saatchi, 243;, 297—8; on Smith, 67, 71; at Venice Biennale, 242, 243 Jacobson, Howard, 213, 238—9, 242 Jagger, Bianca, 182, 186, 187 Jagger, Mick, 33 Jam, 287 Janis, Sidney, 171 Janowitz, Tama, 188 Joffe, Chantal, 430, 432—3, 523—8 John, Elton, 249—54, 256—7 Johns, Jasper: and Castelli, 168, 172,419; and the Clash's clothes, 285; collector tries to buy whole collection, 169; competitiveness, 430; earliness of success, 164; influence on Hockney, 31 ; and New York, 2 19—20; as precursor of Pop art, 170—i ; prices fetched by works, 109, 168; prizes, 240 Johnson, Paul, 435—6 Jones, Allen, 68, 69, 75—6, 108, 251 Jones, Mick, 282, 283—4, 287 Index Jopling, Jay, 372-3,408,419, 420-1,422,423-4 joy Division, 505 Joyce, James, 89, 192-3, 505, 513 Juda, Annely, 113 Judd, Donald: and Castelli, 172; exhibitions, 1 5 1, 2 23 ; Kelly on, 166; museumification of Marfa, 231; and New York, 220 Jung, C. G.,481 K Foundation, 393 Kandinsky, Wassily, 171,471 Kapoor, Anish, 238, 239—41, 244, Kasmin: and Hockney, 20, 27, 29, 30, 33—4; on the Lisson, 114; sixties reputation, no, 147, 149; and Smith, 67; stops dealing, 71 Keifer, Anselm, 223 Kelley, Mike, 376, 465—6, 467, 472-3 Kelly, Elsworth, 161—6, 219—20, 2 2 8 Kenner, Hugh, 444 Kensit, Patsy, 404—5 Kenton, Stan, 89 Kitaj, Ron, 89, 90 Klee, Paul, 155, 520—1 Klein, Yves, 165 Kline, Franz, 87, 162 Kobe, Martin, 530 Koolhaas, Rem, 203—4 Koons, Jeff: 2006 essay about, 199—205; exhibitions, no, 337—8; Gopnik on his mindset, 314; influence, 2 2 3 ; popularity among art prospectors, 115; and Saatchi, 223, 292 Koons, Ludwig, 203 Kramer, Hilton, 25-6,214 Kray brothers, 485 Kuspit, Donald, 526 Laforgue, Jules, 78, 79 Lambton, Anne, 176 Landers, Sean, 224 Landrum, Alex, 289,294 Landseer, Edwin, 139 Landy, John, 452-4,456 Landy, Michael: art dealers representing, 420, 42 z ; Break Down, 418,456; Goldsmiths years, 406—7; and Low Expectations, 3 2 2 ; and Lucas, 391; Semi- Detached, 451-7 Lane, Abigail, 322,372, 398-9, 406-7 Langlands & Bell, 289, 294 Larkin, Philip, 254, 507 Lawrence, D. H.: aesthetics, 514; character, 503, 508-9, 510; and Eastwood, 499, 500-2, 507; poems, 513 Lawrence, Frieda, 509, 511 Le Corbusier, 461 Leatherbarrow, David, 319 Lee, Stanislaw Jerzy, 330 Led Zeppelin, 381 Lee, David, 467 Léger, Fernand, 155, ' 71 Legge, Gerald, 52 Leider, Philip, 162 £47 Index Leiris, Michael, 4 Lennon, John, 70, 257 Léotard, François, 1 03 Levi, Primo, 319—20 Lewis, Jim, 212 Lewis, Sharon, 390 Lewis, Wyndham, 113 LeWitt, Sol, 323, 334 Libaude, Louis, 260 Liberace, 249 Libeskind, Daniel, 319 Lichtenstein, Roy, 168, 171, 173, 219—20,430 Lingwood, James, 230, 233 Lippard, Lucy, 317—18 Lisson, 113—13, 240 Liston, Sonny, 44 Littlewood, Joan, 368 Livingstone, Marco, 77 Logsdail, Nicholas: overview, 113—13; at Venice Biennale, 240, 243, 243, 246 Logue, Christopher, 149 Long, Richard, 113, 432 Loos, Adolf, 436 Low Expectations, 322 Lowry, L. S., 231 Lowry, Malcolm, 266 Loy, Rosa, 332 Lucas, Sarah: 1996 essay about, 367—79; 2003 essay about, 380-7; appearance, 367-8, 378—9; art dealers representing, 422, 424;The Birds shop, r43 375-6; and Emin, 143, 373—6, 416; exhibitions, 322, 371 373 390-1, 334; £4-8 Goldsmiths years, 406—7; and Hirst, 331 ; and human body, 373, 434; influences, 223; Two Fried Eggs and a Kebab, 373 Luder, Owen, 460 Lybke, Gerd Harry ('Judy'), 333, 535 Lynch, David, 308 McCarthy, Mary, 380 McCarthy, Paul, 342, 344 McCracken, John, 189 Mach, David, 113, 244—3, 246, 392 McKellen, Ian, 33 McLaren, Malcolm, 243, 306 McLean, Bruce, 113 McMillian, Rodney, 2 19 McQueen, Alexander, 398 Maddox, Brenda, 309 Maenz, Paul, 109—10 Magritte, René, 230—1 Mailer, Norman, 188 Malevich, Kasimir, 96 Maloney, Martin, 391 Manet, Edouard, 326 Marnham, Patrick, 103 Martin, Agnes, 228—9 Martin, Dean, 43 Martin, Steve, 243 Marx, Karl, 346 Masaccio, 203 Matisse, Henri: former attitude to in British art schools, 86; on function of art, 471 ; Hoyland on, 89; Hume on, 411 ; places conducive to painting, 28; style of work, 323—6; treatment of Index human figure, i 33 Matta-Clark, Gordon, 433 Maxwell, Robert, 253 Meckseper, Josephine, 219, 226 Mellor, David, 3 3 Midgette, Alan, 324 Miller, Max, 43 Miro, Joan, 133 Modigliani, Amedeo, 239—69 Monahan, Matthew, 219, 224 Mondrian, Piet, 171 Monet, Claude, 31, 139 Moon, Mick, 67 Moore, Henry, 114, 439 Moorhouse, Paul, 84 Moraes, Henrietta, 4 Morandi, Giorgio, 442 Morley, Malcolm, 93—7 Morris, Robert, 172—3 Morris, William, 44 Morrison, Toni, 477 Morrissey, 303 Morrissey, Paul, 177, 323 Mostafavi, Mohsen, 319 Motherwell, Robert, 83—6, 87 Mulligan, Gerry, 69 Murger, Henri, 267 Naifeh, Steven, 342 Naipaul,V. S., 320 Nauman, Bruce, 210, 374~3 Nelson, Ricky, 43 Newman, Barnett, 83, 88, 191, 2 2 3 .43° Newton, Helmut, 197, 271-7 Newton, June (Alice Springs), 271, 273-7 Nietzsche, Friedrich, 369, 308 Noland, Cady, 344 Norman, Géraldine, 291 Norman, Maia, 327, 334 Novak, Kim, 43 Novalis, 313 O'Brien,Tim, 318 Obrist, Hans Ulrich, 204 Oldenburg, Claes, 171, 303, 307, 322,376 Ondrej, Vlado, 333—6 Oppenheim, Meret, 323 Orwell, George, 310—11 Otto, Jim, 210—11 Ovitz family, 331 Ozbek, Rifat, 326 Pace Gallery, 108, 198 Paolozzi, Eduardo, 68 Parmelin, Hélène, 323 Parr, Martin, 339, 360 Pasmore, Victor, 439-60 Patterson, Simon, 406-7 Pape, Sarah, 463,467-8 Pecheur, Bruce, 184 Pettibon, Raymond, 466 Pevsner, Antoine, 171 Philip, Prince, 497 Picasso, Pablo: on art dealers, 113. Les Demoiselles d'Avignon, 326—8; and drugs, 268; early days in Paris, 261, 263, 267; former attitude to in British art schools, 86; and Hockney, 24, 33. 36; Hoyland's joke about, 83; and Hume, 404,411; and £49 Index Kelly, 163; at Modigliani's funeral, 262; speed of working, 89; style of work, 228, £2$—8; treatment of human figure, i 33; wit in work, 340 Pinter, Harold, 182 Pissarro, Joachim, 330 Plante, David, 36—7 Pollock, Jackson: Ashbery on, 217; audience for work, 170; and Castelli, 171; competitiveness, 430; cut-fingers anecdote, 342; exhibitions, 87; and New York's hegemony of art world, 220; techniques, 82, 344 Poons, Larry, 322 Potter, Dennis, 203-, 304 Powers, Richard, 329 Prescott, John, 39 Presley, Elvis, 43, 89 Prince, 237 Procktor, Patrick, 13 Proust, Marcel, 31, 319, 340 Pugin, August, 127 Quenzler, Julia, 490-2, 493, 496, 497 Quinn, Marc, 211, 399, 408 Rae, Fiona, 213, 292, 406—7 Rauch, Neo, 329—36 Rauschenberg, Robert: and Castelli, 172, 419; and the Clash's clothes, 283; competitiveness, 430; earliness of success, 164; on gap between art and life, 329; and New York, SS° 219—20; partying, 3 2 2 ; as precursor of Pop art, 170—1 ; prices fetched by paintings, 168; rubbing out of de Kooning drawing, 418 Ray, Johnnie, 69 Ray, Man, 323 Reed, Lou,187 Reinhardt, Ad, 88, 191, 244 Reisz, Karel, 303—4 Ressler, Robert K., 320—1 Reynolds, Anthony, 113 Rhodes, Nick, 187 Richards, John, 176—7 Richardson, John, 268, 323, 326 Riley, Bridget, 147, 223, 293, 421 Rimbaud, Arthur, 267 Rink, Arno, 332 Robertson, Geoffrey, 497—8 Robespierre, Maximilien, 104 'Rodent' (Clash roadie), 283 Roland, Kenneth, 172—3 Rose, Barbara, 293—4 Rose, June, 261 Rosenberg, Harold, 136, 164, 247,344 Rosenblum, Robert, 340 Rosenquist, James, 171, 219—20, 322 Rosenthal, Norman: on Apocalypse show, 467; Hirst anecdote, 333—4; home, 421 ; on Modigliani, 263, 268—9; on Myxa, 397; on Schneider, 472; onTuymans' studio, 469; at Venice Biennale, 237, 239 Ross, David, 2 14 Index Roth ko, Mark: appearance, 88; chapel in Houston, 231; competitiveness, 430; exhibitions, 87; and Hoyland, 83; and Kelly, 163 ; and New York's hegemony of art world, 220; style of work, 191 Roy, Claude, 268 Rubell family, 224, 531, 533-4 Ruckhaberle, Christoph, 330 Rugoff, Ralph, 343—4 Russell, Bertrand, 309 Russell, John, 3—6, 179 Russell, Ken, 44, 70—1 Ryman, Robert, 320 Saatchi, Charles: 1992 essay about, 289—93; 2003 essay about, 293—301; and Andre, 223; and Baumgartel, 334; and Coombs, 429; and Dawson, 43 2; friends, 243; galleries and shows, 219, 223, 224-6, 289,290,337-8, 429; and Gilbert and George, 143; and Greenwood, 113, 289; and Hirst, 289, 294, 296-7,299-301,331;and Hume, 401—2, 407; and Jacobson, 243, 297—8; and Koons, 223, 292; and the Lisson, 114; and Lucas, 371, 373, 386; Momart warehouse fire, 413—18; and Monahan, 224; and Morley, 97; as political image maker, 39; reasons for collecting, 269—70, 290; and Schnabel, 109, 193, 222, 291, 292; Sensation show, 389-402; as superdealer', ii6;Tuymans on, 474; ubiquity, 402; and Warhol, 223; andWhiteread, 289,437 Saatchi, Doris, 402 Saatchi, Maurice, 299 Saint-Exupéry, Antoine de, 190 Saint-Just, Louis Antoine, 100, 104,106 Salle, David, 169, 174, 222 Salmon, André, 261 Saville, Jenny, 434 Schlesinger, John, 304 Schlesinger, Peter, 17, 18 Schnabel, Jacqueline, 108, 196, 197 Schnabel, Julian: 1983 interview, 193—8; Castelli's representation of, 173; exhibitions, 138; historical context, 222; living room, 241 ; popularity among art prospectors, 113; and Saatchi, 109, 193, 222, 291, 2 9 2 ; Waddington's representation of, 107, 108—10 Schnabel, Lola Montes, 196 Schnabel, Stella, 196 Schneider, Gregor, 472-3, 477-86 Schnitger, Lara, 226 Schubert, Karsten, 407, 419—23 Schwitters, Kurt, 340 Scott, William, 89 Scull, Ethel, 322 Scull, Robert, 169, 322 Scully, Sean, 116,291 Searle, Adrian, 319-20 SS* Index Sedgwick, Edie, 178—9, 183—4, 3H Sensation show, 389—402 Sero ta, Nicholas, 239 Serra, Richard, 221, 452 Sewell, Brian: on d'Offay, 113; on Gravity and Grace show, 213—14; on modem art, 305; on Turner Prize 1993, 304 Sex Pistols, 281, 283, 284 Shand Kydd, Johnnie, 438 Shaw, George, 499-Ç1S Shaw, George Sr (father of above), S ° i , S°4~S, S1 1 Shaw, Jim, 466 Shaw, Mick, 304—3, 311 Sheppard, Jack, 494 Sherman, Cindy, 398, 304 Shipman, Harold, 488 Showalter, Elaine, 494 Sickert, Richard, 76 Sickert, Walter, 37 Sillitoe, Alan, 303—4 Silver, Jonathan, 36 Simon, Paul, 243 Simonon, Paul, 283 Sinatra, Frank, 43 Sitwell, Osbert, 263 Sitwell, Sacheverell, 263 Skinner, B. F., 96 Slits,The, 282 Smith, Betsy, 67 Smith, Gregory White, 342 Smith, Jack, 76 Smith, Richard, 63—72, 76—7 Smith, Zadie, 223 Snowdon, Anthony Armstrong- SS 2 Jones, Lord, 32, 311 Solanas, Valerie, 180, 183 Sontag, Susan, 338-9, 390, 494-3 Sotheby's, 249—36 Soutine, Chaim, 133, 239, 266, 43 2 Specials, The, 303, 306 Spelling, Aaron, 243 Spencer, Stanley, 44, 49 Springs, Alice see Newton, June Staller, Ilona (La Cicciolina), 200, 203 Starck, Philippe, 243 Starr, Georgina, 372 Steinbach, Haim, 337—8 Stella, Frank, 162—3, l6^, 172—3 219-20, 293-4 Sterne, Laurence, 79 Still, Clyfford, 430 Stranglers,The, 287 Stravinsky, Igor, 33 Strummer, Joe, 283, 284, 283—7, 347 Subway Sect, 282, 283 Summers, Bob, 113—16 Summers, Susan, 113—16 Sussman, Elisabeth, 212, 214—13 Sutcliffe, Carl, 488—9 Sutcliffe, Peter, 477, 488-9, 303 Sutcliffe, Sonia, 477 Sutherland, Graham, 494 Swanson, Gloria, 207 Sylvester, David: on art dealers, 421—2; on Bacon, 4, 3, 8, 39; on Gilbert and George, 140; and Koons, 202, 204 Index Taaffe, Philip, 223 Tanner, Michael, 369 Taylor-Wood, Sam, 372, 383 Thomson, David, 326 Thornhill, Sir James, 494 Tilson, Joe, 68, 71, 108 Todd, Mike, 31 Tolstoy, Leo, 364 Tomkins, Calvin, 221, 222—3, 2£4,321-2 Tomlinson, Charles, 443 Tremlett, David, 148 Tschumi, Bernard, 3 19 Tucker, Carla Fay, 495 Turrell, James, 189—93, 231 Tuttle, Richard, 148 Tuymans, Luc, 463—73 Twombly, Cy, 172—3, 223 UltraViolet, 179 Updike, John, 204, 219,448 Utrillo, Maurice, 239, 261 Vaisman, Meyer, 110, 111, 292 Valdez Moses, Michael, 332, 336 van Gogh,Vincent, 31, 158 Varnedoe, Kirk, 228 Velvet Underground, 187 Vermeer, Jan, 34 Vidier, Anthony, 318—19 Viva, 179 Vong Phaophanit, 304—6 Waddington, Leslie: and Caullield, 78; d'Offay as challenger, 113; Gilbert and George on, 136; on importance of art dealers, 116-17; and Logsdail, 114-13-; overview, 107-12; and Schnabel, i93;andYBAs, 292 Wagner, Richard, 20, 29 Walker, Kelley, 226 Walker, Lea, 3—4 Wallace, David Foster, 223 Waplington, Nick, 339, 360 Warhol, Andy: 1973 interview, '75—85; '988 Sotheby's auction, 249; alter egos, 3 24; authorship of his works, 323; background, 177-8, 219-20; and Castelli, 168, 171; competitiveness, 430; and controversy, 393; and death and decay, 390; and DeLillo, 317; Exploding Plastic Inevitable, 322; favourite London hotel, 107; and Hirst, 323—4, 330; on how to be successful artist, 71-2, 107; influence on Hume, 404; obituary, 183-8; on Popart, 147,413; and Saatchi, 223; Suicide, 324; on Western art and commerce, 221; wig, 367 Wearing, Gillian, 443-5° Webster, Sir David, 12 Weinberg, Adam, 224 Weischer, Matthias, 330 Weld,Tuesday, 43, 55 Weiler, Paul, 287 Welles, Orson, 313 Wentworth, Richard, 280,300-1, 306-7,402,406-7 Werner, Lawrence, 267 West, Fred, 477~8 479~8 t S53 Index West, Mae, 47 West, Rebecca, 183, 312 West, Rose, 477—8, 479, 480, 487-8 Westwood, Martin, 430, 43 2 Westwood, Vivienne, 243 White, Marco Pierre, 33-4 White Cube, 371, 373, 376,408, 422,423-4 Whiteread, Pat, 438, 440—1 Whiteread, Rachel: 2006 interview, 433—42; art dealers representing, 420, 423; bed pieces, 400, 437; Ghost, 294, 437; on Goldsmiths, 293; and Hirst, 420; Holocaust Memorial, Vienna, 439—40; House, 230, 303-4, 393, 438, 4-SS; and human body, 434—3; influences, 21 o— 11 ; and memorialisation of negative space, 418; and Saatchi, 289, 437; style of work, 373—4; andTurner Prize, 292, 437", atYBA i, 438 Wilde, Oscar, 39 Wilding, Alison, 421 Wilkinson, Anthony, 334 Williams, Sue, 466 Williams, William Carlos, 330, 443-4, 44Î-6 Wilson, Anthony, 244 Wilson, Jane, 399, 439—62 Wilson, Louise, 399, 439—62 Windsor, Lady Helen, 243, 423 Wittgenstein, Ludwig, 96 Wolfe,Tom, 138, 169, 322 Wollheim, Richard, 36 Wood, James, 380 Woodlawn, Holly, 179 Woodrow, Bill, 292 Woods, Richard, 298 Woolf, Virginia, 74—3 Wright, Stuart Pearson, 497 Zborowski, Leopold'Zbo', 239 S 54- |
