| Volltext: | INDEX A Aachen, West Germany, xiii, 250 Aarhus, 176, 177 Aberdeen, Scotland, 335, 338, 340 abstract expressionism, ix, xvii, 7, 22,23,28, 140,236, 343, 345, 347 abstraction, 3, 5, 232 Acconci, Vito, xvi, xvii, xix, xxiv, 276-305, 312 Air Time, 296 Anchors, 290 Association Area, xvii, 280 Broad Jump, 283-284 Claim, xvii, 284, 285, 286 Command Performance, xvii, 300 Contacts, 280 Control Box, 281 Conversion, xvii Corrections, 283 Cross Run, 289-290 Kiss Off, 276 (ill.) Line-Up, 297-299 Memory Box, 301 Memory Box III, 301 Other Voices for a Second Sight, xvii, xxiv, 302-305, 305n Pier 17,286 Pryings, xvii Public Domain, 291 Reception Room, 292-296, 297 Security Zone, 280-281 Seedbed, xvii, 286-289, 290,291 Transference Zone, 288 Undertone, 292 Views of a Forced Landing, 301 Action of the Avant-Garde. see Aktionen der Avant- Garde Action Painting, 344 aesthetics, x, 6-7, 73, 78, 83, 93, 104, 105, 110, 143, 165, 330, 378 aesthetitian, See aesthetics Africa, African, 258, 376 Air Time (Acconci), 296 Aktionen der Avant-Garde, xiii, 254 Akademie der Künste, xiii Akenaten, 384 Akron, Ohio, 312, 313, 316 Albers, Josef, 329 Althusser, Louis, 158 America, xxiv, 23,24, 233, 259,283,305,310,316 American. See United States of America American Atomic Energy Center, 58 American Family, An, 311 Amsterdam, viii, xxiv, 224, 257 Analysis of Situation (Sondheim), 175 Analytical-Art, 120, 146 An Anthology, x Anchors (Acconci), 290 Anderson, Laurie, xvi, 311-312,316 Andre, Carl, ix, x, xi, xxi, xxii, 10-31, 108 Lever, 10 (ill.), 108 Myth of Sisyphus, The, 108 And then untended as .. . (Weiner), 72 (ill.) Anna Leonowens Gallery, viii "Annual Artists' Directory" (File megazine), xiii, xxiii Anselmo, 127, 128 Anti-Illusion: Procedures/Materials, xxi Antwerp, 5, 6, 82, 165 "Appendices" (Filliou), 1 Aquinas. See Thomas Aquinas, Saint Aristotle, 356, 358,360,364 "Art after Philosophy" (Kosuth), ix, xxii, 7 Art and Artists, 244 Art & Language, xii, xiii, xiv, xxiii, 112, 114-147, 165, 323 Art and Project, 83,224-225 "art as idea as idea" (Kosuth), x, 12 Artforum, xii, xxii, 1,29, 114, 115, 117, 138, 140, 146, 310,330, 331 Artforum Annotations (Comparative Models), (Art & Language), 114 (ill.) INDEX 389 Brown, Jackson, 317 Brussels, 273 Buchloh, Benjamin H. D., x, xxi, xxii, xxiii "Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions" xxii, xxiii Buddhist, 62 Bull, Hank, xxiii Burchenski, Brendan, 309 Burden, Chris, 312 Buren, Daniel, x, xiii, xiv, xx, xxi, xxii, xxiii, xxiv, 90,93, 148-173,230, 238, 239-240, 245 "Beware" xxiv Photo-souvenir, 148 (ill.) rupture, xiv, xxiv, 153-154, 164, 166 "Standpoints" 166 Burn, Ian, 146 "The Artist as Victim" 130 Burnham, Jack, 223, 226 Structure of Art, The, 226 Burroughs, William, 313 Burton, Gary, 303 Byars, James Lee, xi, xiii, xv, xix, xxiii, 52-71, 109 Mr. Byars and 12 Facts (A Short Biography), 52 (ill.) 100 Questions, 69 The World Question Center, xi, xv, 52-71 C cable television: see television CalArts. See California Institute of the Arts Calgary, 254 California, 248, 329 California Institute of the Arts, 273 Cambridge University, 323 camera, xv, xvi, 43, 252, 253, 263-271,275 Cameron, Dorothy, 347 348 349 Canada, Canadian, xiii, xiv, xvii, xviii, 6,24, 98, 99, 103, 105, 233,254, 257, 320, 335-336, 341-342, 349, 352 Canada Council, The, 352 Cape Cod, 233 Career Opportunities (Clash, The), xvi, 320 Carmen Lamanna Gallery, 350-353 Carnap, Rudolph, 175 Cartesian. See Descartes, René Castelli, Leo, 75, 100, 101, 108-109,235 Cedar Bar, 27 Celtic, 379, 380 Central Park, 234 Cézanne, Paul, 171, 330 Chambers, lack, 350 Chaplin, Charlie, 340 Easy Street, 340 Cheat (Clash, The), xvi, 322 Chicago, Judy, 99 China, 163, 360 Chomsky, Noam, 83, 104, 131 Christ, Jesus, 364, 381 Christian, Christianity, 99, 360-370, 381, 383 Chrysler, Walter, 344 Ciel de Québec, Le (Ferren), 348 Cincinnati, 107 Cine Text (Excerpt) (Wall), xxiv Claim (Acconci), xvii, 284, 285, 286 Clash, The, xvi, 320-321, 324, 327 Black Band Hammersmith Ballet, 321 Career Opportunities, xvi, 320 Cheat, xvi, 322 I'm So Bored with the U.S.A., 321 White Man, 322 White Riot, xvi, 327 class (social), xvi, xvii, 49, 81,94-95,99, 101, 102, 103, 104-5, 108-110, 140, 315,318-322,326, 327, 332 "Clement Greenberg and the Idea of the Avant-Garde" (Higgins), 129 Club of Rome, 203 Cobb, Cyne, 226,257 Coburg Road, viii Cole, Patricia, 309 collaboration, xiii, 134-5 College. See Nova Scotia College of Art and Design Coltrane, John, 108 White Noise, 108 Columbia Records, 311, 320 Columbia University, 54, 55, 60 Command Performance (Acconci), xvii, 300 communication, xix, 4, 53, 58,70, 83,84,90,103, 104, 135, 172,269, 378, 380 communism, communist, 344,360 concept art, x conceptual, viii, xi, xiii, xix, 36,40,47,79,126,129, 133, 141, 144, 146,221, 233-234 conceptual art, vii, viii, ix, x, xi xiv, xv, xxi, xxii, xxiii, xxiv, 12, 36,37,116, 118, 228-229, 236, 330 Conceptual Art (Meyer), xxii, xxiv, 116 "Conceptual Art 1962-1969: From the Aesthetic of Administration to the Critique of Institutions' (Buchloh), xxii, xxiii 390 ARTISTS TALK consciousness, xv, xvi, xvii, 12, 58, 111, 191, 192-193, 211,259, 271,272,275, 329,330, 360, 364 constructivism, construc-tivists, 328-329 Contacts (Acconci), 280 container (Sondheim), xv, 178-183,187,193,197. See also bin Control Box (Acconci), 281 Conversion (Acconci), xvii Cooper, Alice, 316 Corcoran Museum of Art, 70 Corea, Chick, 303 Corrections (Acconci), 283 Corris, Michael, xii, 117, 118, 123-126, 128-131, 134-135, 139-140, 142, 143-144 Coventry School of Art, 120 critic, critical, xi, xii, xvi, xvii, xix, 7, 21, 36, 45,46, 47, 82, 85, 88, 96, 116, 117, 123, 135, 137, 138, 140, 141,320, 328,331,344 criticism, 46, 59, 67, 115, 116, 118, 121, 122, 123-124, 134, 138, 140, 141, 144, 146, 239-240, 243, 244, 309 Cross Run (Acconci), 289-290 Curnoe, Greg, 350 cybernetic, xv, 178, 191-193, 203,207,211,213-214, 216,267 D dada, dadaists, 135, 313 Dalhousie University, 309 Darwin, Charles, 171, 363 Decca Dance, xxii, xxiv De Gaulle, Charles, 160 De Kooning, Willem, 28, 347 Delrue, Denyse, 347, 349 democracy, xviii, xix, 248, 317, 358-359,361,366, 372, 378 democratic, xix, 23, 139,242, 246, 358, 364, 366, 370, 371,378 Democrats (USA), 24 Demoiselles d'Avignon, les (Picasso), 7 Denmark, 176 de Saussure, Ferdinand, 8 Descartes, René, 7, 130, 168 Desperate Bicycles, xvi, 322-323 Don't Back the Front, xvi, 322-323, 326 No More Time for , 322 Devo, xvi, 306 (ill.), 312-314,315-316,317, 321-323 Satisfaction, xvi, 306 (ill.) Sloppy, xvi, 306 (ill.) We Are Devo, xvi Devolution, 312-313 Dibbets, Jan, xxi Dickie, Ron, 309 Documenta, 156-157, 159, 162,352 documentary, xxii, 307, 309, 311,326 Don't Back the Front (Desperate Bicycles), xvi, 322-323, 326 Dorothy Cameron Gallery. See Cameron, Dorothy Dorsey, Tommy, 107 Double Happening (Filliou), 251,260 drawing, xi, 40-41, 44, 174, 225,228-229, 230, 231, 233-234,248-249, 264, 339, 341,356 Dryden, John, 216 Duchamp, Marcel, x, 4, 15-16, 116, 127, 162, 165, 259, 354 Bicycle Wheel, 15, 259 Urinal, 15 Dunkelman Gallery, 350 Duplessis, Maurice, 343 Duration Piece No. 8 Global (Huebler), xiv, xxiv, 220, 222 Düsseldorf, viii, 11, 95, 223, 251,253 Düsseldorf Film Group, 253 Düsseldorf Is a Good Place for Sleeping (Filliou), 253 E Eakins, Thomas, 28 Earth Day, 67 earthworks, 26 Easy Street (Chaplin), 340 École du Meuble, 344 Eastern Europe, 162, 163 Eddy, Nelson, 335 E=mc2 (Einstein), 63, 69,91, 268 Egypt, Egyptian, 356, 384 Einstein, Albert, 56, 59,268, 133 Eisenstein, Sergei, 59 EMI (record distribution), 324 Encyclopaedia Britannica, xv, 57 Endless Column (Brancusi), 29 England, viii, 120, 133, 159, 210,312,313,317-319, 320-321,322, 324, 327, 340, 346 English (adjective), 25, 309, 313,318-319, 321,331, 337, 342, 345, 347, 348 English (language), x, xx, 53, 61,68, 76, 83, 149, 151 166, 180, 189, 197, 199, 216, 230,237, 255,274, 291,321,336, 342, 343, 344 Eno, Brian, 312, 314-315, 316 entertainment, xvi, 307, 312, 315 environmental art, 329-330 Eskimo, 142, 335-336 Eternal Network, The, xiii, xix, 254-255, 257-258 INDEX 391 Europe, xvi, 25, 110, 162, 163, 176, 223,257,270, 292, 295,316,352 European, 23, 25, 156, 159, 273, 379 Ewen, Paterson, xvi-xvii, xix, xx, xxiv, 334-353 Alert, 349 Bandaged Man, The, 334 (ill.) Ciel de Québec, Le, 348 (appeared in) Flag Effect, 351-352 Lifestream, 348-349 Phenomena, xviii Point Sensible, 347, 348 Regatta, 348 Weather Compendium, 352 exhibition, viii, x, xiii, xiv, xxi, xxii, xxiv, 11, 80, 94, 107, 159-160, 230, 244, 257,261,288, 295,301, 352 Extra-Sensory Misperception (Filliou), 251 F Fabian, Brian, 309 fascism, fascist, xvi, 317-318, 319, 322-327, 337,343, 367 feedback, 12, 195,221,222, 267, 268, 269, 273, 274 feminism, feminist, 309-310, 312 Ferguson, Gerald, vii, 74-75, 77, 79-81, 89-93, 95-96, 100-101, 103, 104-109, 112-113 Ferron, Jacques, 348 Ciel de Québec, Le, 348 Ferry, Brian, 316 Festival d'Automne, Le 160 fète permanent, La (Filliou), xiii, 255-256 feudalism, 210-211 Feyerabend, Paul, xii, 116, 117, 121-123, 125, 141, 146 Fichte, Johann Gottlieb, 360 FILE megazine (General Idea), xiii, xxiii Annual Artists' Directory, xxiii Filliou, Marianne, 253 Filliou, Robert, xiii-xiv, xix, xx, xxiii, 1, 250-261 "Appendices" 1 Art's 1,000,010th Birthday Celebration, 250 (ill.) Double Happening, 251, 260 Düsseldorf Is a Good Place for Sleeping, 253 Extra-Sensory Misperception, 251 Frozen Exhibition, 261 Galerie Légitime, 261 Homage to Warhol, 253-254 Principles of Poetical Economy, 258 Teaching and Learning as Performing Arts, xx, xix Territoire de la république géniale, 258 film, xiii, xv, xvi, xvii, xxiv, 38,49, 84, 244, 251-254,257, 260, 262-271,277-278,282, 285, 309-310,325, 331, 340 Fischer, Konrad, 95,223 Five Foot Sheet of Glass Leaning Against the Wall (Kosuth), 4, 5 557,087 (Seattle), xxi Flag (Johns), 44 Flavin, Dan, x, xi, 22, 24,40 Flemish, 82 Fluxus, xiii, xix Fluxus and Happening, 251, 252 Flynt, Henry, x Fordham University, 103 Foreman, Richard, 304, 309 formalism, xiv-xv, 46, 167, 176, 178-179, 181-182, 185, 187-190, 193, 195, 199, 200-201,216,310, 311,328,330 formalist, 164, 166, 167, 328, 331-332 Formica, xiv, 26,231, 233 Forrester, Jay, 203 Limits to Growth, The, 203 Forti, Simone, viii Forum Theatre, 252 Foucault, Michel, 207, 313 Four Titles (Kosuth), 4 420 West Broadway, 115, 127 Fox, Terry, 278 Fox, The, 310 France, xiii, 159, 160, 344, 345 Frankfurt School, 310 free access channels, see television Free University, xix, 366 French (adjective), 104, 159-160, 162, 291,297, 309,313,331,345, 347, 348 French (language), 83, 109, 151, 153,255,291, 336-337, 342-343, 345, 349 French Canadian, 339, 342, 345, 348, 350 French Revolution, 359-361, 370, 372 Freud, Sigmund, 272 Freudenthal, Hans, 178, 185 Freudian, 15, 272, 349, 369 Fried, Michael, 121 Friedlander, Lee, 310 Frozen Exhibition (Filliou), 261 Fry, Edward, xxii Fuller, Buckminster, 203 G Gaelic, 379, 380 Galerie Légitime (Filliou), 261 Galileo, 351 392 ARTISTS TALK gallery, galleries, 94, 97, 154, 161, 162-163, 165-166, 224, 233,244, 252,261, 264,281,283,286-287, 288,292-293,295-297, 307, 329, 330, 345, 347-349, 353, 365 Gallup Poll, 60 GAS (Bloom), 221-222 gate (Sondheim), 178-179, 186-187,190-191 193-195 Gauguin, Paul, 169, 249 General Description of the World (Sondheim), xiv, xv, 175, 186 General Idea, xiii, 254 FILE megazine, xiii, xxiii general scheme for the planet (Sondheim), 174 (ill.) General Schemes (Sondheim), 176 German, 254,260, 341, 253, 377, 385 Germany, xiii, 11, 25, 159, 161,257,314,319,331, 384 Gibson's. See John Gibson Gallery Ginsberg, Allen, 60 Glad to be Gay (Robinson), xvi, 324-325 God Save the Queen (Sex Pistols, The), xvi, 317-319 Godei, Kurt, 184 Gombrich, Ernst, 142 GOO (Get Out Oil), 67 Goya, Francisco, 43 Grace, William, 309 Graham, Dan, xiii, xv-xvi, xx, xxi, xxiv, 12, 178, 191, 262-275, 299,306-333 Binocular Zoom, 262 (ill.) Body Press, xv, 270 Helix/Spiral, xv, 265 Past Futures Split Attention, xv, 273 Two Consciousness Projections, xv, 271 Two Correlated Rotations, xv, 267, 269, 270 Graham, Martha, 343 Graham, Ron, xxiv Grass (Kosuth), 5 Greece, Greek, 27, 99, 180, 186,356,358,384 Green (Kosuth), 5 Greenberg, Clement, x, 7, 129, 144 Greer, Mary Jane, 309, 317 Group of Seven, 341-342 Guggenheim Museum. See Solomon R. Guggenheim Museum H Haacke, Hans, viii, xxii Hague, The, 11 Halifax, Nova Scotia, vii, viii, ix, x, xi, xiii, xiv, xxi, 19, 146, 149, 150, 191,226, 255,277, 279,336 Halifax Conference, The, xxi, 97 Hamilton, Richard, 244 Hansen, N. R., xiii, 141-142, 143-144 "Observation" 141-142 Patterns of Discovery, 143-144 Happening, 251, 252, 258, 259, 260 Harlem, 49, 108 Harris Poll, 60 Harrison, Charles, xxiii, 130, 145-146 Harvard Philosophical Journal, 66 Hearings (Morris), 128 Heartfield, John, 244 Heath, Edward, 159 Hebrew, 197 Hegel, Georg Wilhelm Friedrich, 7, 8, 130, 131, 360 Hegelianism. See Hegel Helix/Spiral (Graham, Dan), xv, 265 Hendricks, Geoff, xiii Heraclitus of Ephesus, 203 Heyward, Julia, 316 Higgins, Andrew, xiii, 129, 130 "Clement Greenberg and the Idea of the Avant- Garde" 129 Hilbert Space, 206 Hilbert stroke, 207 Historic Properties, viii history, xii, xvii, xviii, xix, xxiii, xxiv, 9, 15, 18, 37, 46, 57, 59, 69, 73, 75-76, 79, 81, 85-88, 89, 90, 95, 103, 110, 117, 126, 130, 131, 132, 142, 169, 177, 192, 207,273,288, 309,310, 317,355,356,360,362, 370, 375, 383-385 Hitchcock, Alfred, 266, 271 Vertigo, 266 Hobbes, Thomas 138-139 Holland, 11, 70 Hollands (language), 83 Homage to Warhol (Filliou), 253-254 Horvitz, Robert, xxi Hubble, Lindley Williams, 65 Hudson Institute, 55, 58, 59, 60, 62, 66, 69 Hudson's Bay Company, 335-336 Huebler, Douglas, xiii, xiv, xxi, xxiv, 218-249 Duration Piece #8, Global, xiv, xxiv, 220,222 Variable Piece #1, 218 (ill.) Hulten, Pontus, 251 Hume, David, 177 Treatise on Human Nature, 177 Hungary, 384 Hurrell, Harold, 145 Husserl, Edmund, xv, 177, 193, 199,207,211-212 Hustler, 108 Hutchins, Martha, 309, 317 Huxley, Thomas Henry, 363 INDEX 393 I IBM, 62 idea, ix, x, xi, xii, 4, 5, 12, 13, 14, 15, 16, 25,28,29, 74, 83-84, 115-116, 125, 135, 137, 146, 152, 153, 166, 170, 231,235, 254, 259,267,312,314 "The Idea of Social Science" (Winch), 132-133 ideological, ideology, xii, xiv, 116, 117, 121, 123, 124-125, 127, 133-134, 157, 158, 161, 167, 168, 170, 240,327, 328,332, 361,371 Image Bank, 254 Indian, 335, 342 Individuals: Post-Movement Art in America (Sondheim), xxiv, 305 n Information (Museum of Modem Art), xxii information, x, xix, xxii, 4, 6, 8, 9, 54,55,56, 59,78,81, 87, 93, 101-103, 115, 129, 135, 176, 192, 202,214, 224,227,229, 256,269, 381-382,384 information revolution, x, 28, 208 installation, xvii, 154, 258, 284, 300 Inuit, 336 Ireland, 244, 366, 383. See also Northern Ireland Irish, 342, 379, 380 Irish Troubles, The, 379 Irwin, Robert, 329-330 Italy, Italian, 25, 105, 107, 109, 254,256, 274, 292, 337,384 Jagger, Mick, 95, 107, 314 Jamal, Ahmad, 108 James, Rick, 103-104, 125, 130-131, 142-143, 145, 158, 166-168, 170, 175, 179-188,201,204-216 January 5-31, 1969, xxiii Japan, 65, 221 Japanese, 302 Jarden, Richards, 119, 120-121, 126-129, 135-136, 154-156, 169, 226,227, 243, 245-246, 271-272 John Gibson Gallery, 281 John, Saint, 15 Johns, Jasper, 44 Flag, 44 Joliette Museum, 347 Joyce, James, 379 Judd, Donald, viii, ix, xi, 4, 40, 121, 128, 129 Jung, Carl, 208 K Kahn, Herman, 55, 56, 59, 60, 65 Kaltenbach, Steve, 29 Kandinsky, Wassily, 328 Kant, Immanuel, 7, 360 Kantian, 330 Katz, Jerry, 66 Keene (painter), 22,24 Kelly, Pat, 25 Kennedy, Garry Neill, vii, viii, 33, 149, 173,219-220, 226, 227, 234, 235,244, 379 Kenora, 335, 338 Kent State University, 312 Kiastle, David, 309 Kierkegaard, Soren, 111 Kiss Off{Acconci), 276 (ill.) Kitchen, The, 307 Kline, Franz, 28, 344 Koenig, like, 151, 156, 161 Koenig, Kasper, vii, xiv, xxi, 150, 151-154, 161-164, 169-173,238-249 Kosuth, Joseph, ix, x, xiv, xxi, 2-9, 12, 15,29, 146, 230 "Art after Philosophy" ix, xxii, 7 "art as idea as idea" x, 12 Five Foot Sheet of Glass Leaning Against the Wall, 4,5 Grass, 5 Green, 5 Lawn, 5 Matter in General, 6 Nine Cubes of Ice, 6 Nothing, 6 One and Three Chairs, 2 (ill.), 5 Second Investigation, 6 Vegetation, 5 Kozloff, Max, xii, 115, 116, 117, 138, 140, 146 "The Trouble with Art as Idea" xii, 115, 116 Kraftwerk, 313 Krauss, Rosalind, 138 Kristen, Philip, 309 Kuhn, Thomas Samuel, xii, 118, 120, 133,204-205, 208 Kunsthalle Bern, xxi L La fête permanent. See ßte permanent, La Lambert, Yvon, 159, 160 Lamelas, David, xxiv, 222-223 landscape, xv, 264, 342, 345, 349 Lange, Darcy, xvi, 309, 311 language, vii, xii, xiv, xv, xix, 1,4, 5, 12,47,55-56, 58,61, 64, 70, 73-74,75, 76-78, 79, 80, 82-83,84,88, 101, 102, 103-104, 110-111, 112, 126, 130, 139, 141, 151, 178-180, 185, 188, 193,195-197, 198, 205,214, 220,222-223,227, 230,234, 273-274,295, 302, 308, 328, 342-343, 346, 376-377, 380-383 394 ARTISTS TALK Language, Truth and Logic (Ayer), 8 Laurentian Mountains, 342 Laverne and Shirley, 309 Lawn (Kosuth), 5 Law of Mass, 351 Leitner, Bernhard, viii Lenin, Vladimir Jlyich, 158 Lennon, John, 107 Lever (Andre), 10 (ill.), 108 Levine, Les, 244 Lévi-Strauss, Claude, 26, 117, 196 Le Witt, Sol, xi, xxi, xxii, 4, 17,32-51, 121,225,236 "Paragraphs on Conceptual Art" xi, xxii "Sentences on Conceptual Art" xxii 10,000 Lines, 32 (ill.) Life magazine, 20, 109, 172 Limits to Growth, The (Forrester), 203 Line-Up (Acconci), 297-299 linguistic, linguistics, vii, xxii, xxiii, 4, 5, 6, 7, 8, 12, 62, 64, 70, 103, 104, 176, 196, 283-284, 288, 309, 330-331 Lippard, Lucy R., xxi, xxii, xxiii, xxiv, 1, 11, 20, 21, 29, 30,71,222-223,226, 234 Six Years: The dematerializa-tion of the art object from 1966 to 1972..., xxi, xxii, xxiii, xxiv, 1,71 Lismer, Arthur, xvii, 341, 343, 345 Literary Currents, 222 Lithography Workshop, vii, viii, 32, 276 Locke, John, 138 London, England, viii, 222, 227, 244, 261,340 London, Ontario, viii, xvii, 346, 348, 350 Long, Richard, 264 Walks, 264 Look magazine, 56 Lord, Barry, 351 Los Angeles, 56, 307 Los Angeles County Museum, 54 Louis, Morris, 152 Louvre. See Musée du Louvre Lowe, Amy, 309 Lueg, Konrad, 223. See also Fischer, Konrad M MacDonald, Jeannette, 335 Macdonald, Michelle, 309 Mach, Ernst, 264 MacKay, Allan, viii MacKay, Gordon, 309 MacPherson, C.B., xii, 139, 147 "Political Thedory of Possessive Individualism" 138, 147 Malevich, Kazimir, 5 Manet, Edouard, 5, 121 Manhatten. See New York map, 193,231,233-234,237, 240, 263,265, 270 Martin, Ron, 350 Marx, Karl, 136, 158, 361 Marxism, Marxist, 98, 136, 202,243,318, 320, 325, 332, 360 Marxist/Leninist, 158 Mary Hartman, Mary Hartman, 310 material, x, xv, xix, xxi, 4, 14, 15,41,67, 74, 80, 93, 139, 191, 192-193, 203-205,207,208,212, 214,216, 328-331,357, 360-361,363,376,382-383 mathematician, xv, 57, 178, 196, 198, 199, 203,207, 208,215,216, 248,254 mathematics, mathematical, xv, 40, 42,44, 54, 63, 69, 110, 131, 176, 178-179, 182, 183, 190, 193-197, 199-201,203,204, 207, 208,211,213,215, 254,350 Matter in General (Kosuth), 6 Mao Zedong, 360 McEwen, Jean, 342 McGill University, 103, 339, 341,350 McHale, John, 203 McKay, Don, 1 Otherwise than Place, 1 McLuhan, Marshall, 103, 307 media, x, xvi, 6-7, 8, 103, 307-308,309,311,317, 318,319, 322, 323,325 Memorial Park (Bloom), 222 Memory Box (Acconci), 301 Memory Box III (Acconci), 301 Merleau-Ponty, Maurice, 177 Merz, Mario, xxi, 254 Messer, Thomas, xxii Metropolitan Museum of Art, 172 Mexico, Mexican, 98 Meyer, Ursula, xxii, xxiv, 116 Conceptual Art, xxii, xxiv, 116 Mezzanine Gallery, viii Milne, David, 343 minimal, 36, 233,268, 350-351,352 minimal art, 36, 118, 231-233,236, 237, 270, 279, 328-330 minimalism, minimalist, ix, 36, 127, 133, 135 Mr. By ars and 12 Facts (A Short Biography) (Byars), 52 (ill.) Mr. Europe Man (Theoretical Girls), xvi, 316 Moderna Museet, 251 modernism, 118, 121, 129, 130, 138, 141 modernist, 117, 129 Molinari, Guido, xvii Monte, James, xxi Montreal, viii, xvii, 1, 257, 336-338,341-350 INDEX 395 Montreal Museum School of Fine Art and Design, 341-343,345 Monroe, Marilyn, 319 Morgan, Tony, 251 Morris and Helen Belkin Art Gallery, xiii, 1 Morris, Robert, ix, xxi, 4, 117, 121, 126,127-128,133,230 Hearings, 128 Mosley, Sir Oswald, 327 Motherwell, Robert, 344 Mousseau, Jean-Paul, 343 Murray, Ian, 96, 99, 105, 110, 170, 174,215,225 Musée d'Art Moderne de la Ville de Paris, xxi, 257 Musée d'Art Moderne de Saint-Etienne, 114 Musée du Louvre, 172-173 museum, xix, xxii, 7, 11, 19, 21,23, 24, 49, 50,94, 95-97, 154-156, 162-163, 165, 172,233,238,284, 305,347 Museum of Modern Art, New York, xxii, 2,23, 48,49, 305 Information, xxii Museum of Modern Art, Paris, 352 music, 45, 49, 130, 311 Mussolini, Benito, 337 Mutt, R. See Duchamp, Marcel Muybridge, Eadweard, xi 41, 43 My Lai, 50 Myth of Sisyphus, The (Andre), 108 N Nabis, 342, 346 National Front, 322-333, 327 National Gallery of Canada, 10,95,334,345 Naples, 292,295 Nauman, Bruce, 126, 264 Nazi Party, 327 Neo-Platonist, 15 N.E.Thing Co., xxi New Art, The (Stezaker), 133, 142 New England, 240,241,242 newspaper, x, 6, 106, 160, 197,244,256 Newton, Sir Isaac, 123, 124 New Wave, 315, 323 New York, vii, viii, xi, xiv, xvii, xxi, xxii, 17,20,24, 25,27-28, 34, 54, 55,60, 61,67,68,81, 101, 107, 109, 135, 144, 146, 148, 156,159,162, 231,234, 258,280,281,296,297, 300,307,309,315,316, 329, 343-345, 347 New York Public Library, 57 New York Times, 20,67 Nine Cubes of Ice (Kosuth), 6 955,000 (Vancouver), xxii Nixon, Richard M., 159 No Future (Sex Pistols). See God Save the Queen Noland, Kenneth, 121 Northern Ireland, 320, 365 Nothing (Kosuth), 6 Nova Scotia College of Art and Design, vii, viii, x, xi, xii, xiii, xiv, xv, xvi, xviii, XX, xxi, xxiv, 22, 32, 68, 263,276,308,372 NSCAD. See Nova Scotia College of Art and Design O "Observation" (Hanson), 141-142 October, xxiv, 331 Odyssey, The, 18 Oldenburg, Claes, viii One (Pollock), 7 One and Three Chairs (Kosuth), 2 (ill.), 5 100 Questions (Byars), 69 112 Green Street, 300 Ontario, viii, xvii, 335, 346, 348, 350, 353 ontology, ontological, 129, 134, 140, 183, 189, 191, 199, 202, 203-205,208 op art, 120 Oppenheim, Dennis, 278, 312 Other Voices for a Second Sight (Acconci), xvii, xxiv, 302-305, 305n Otherwise than Place, (McKay), 1 Oxford, 238 Oxford University, 66 P Padlock Law, 344 Page, Robin, 261 painter, painting, ix, xvii, xviii, xxiii, 3,4, 5, 6, 16, 19, 23,27, 30,35,36,38,44, 49, 79, 120, 121, 124, 126-127, 133, 152, 154, 156, 163, 164-168, 171-172, 173, 183,223, 225, 228, 231-232, 235, 244-246,270, 328, 329, 330,331,341,342-346, 347-352, 367-368, 373, 378, 382 Parachute magazine, 1 paradigm, xii, 93, 115, 117, 118, 120, 121, 124, 125-126, 133, 140,204,208 "Paragraphs on Conceptual Art" (LeWitt), x, xi, xxii Paris, viii, ix, xxi, 99, 149, 159, 160, 162,257,260, 261,290, 291,297,345, 352 Parma Gallery, 348 Past Futures Split Attention (Graham, Dan), xv, 273 Patterns of Discovery (Hanson), 143-144 perception, xvi, xxii, 44-45, 47, 88, 142, 143, 329-330, 358 Pere Ubu, 316 396 ARTISTS TALK performance, ix, xi, xiii, xvii, 133,251-253,256,258, 259, 260-261,287, 289-290, 300, 309,316 Peridot Gallery, 345 Perrault, John, 299 pharaoh, 358, 384 Phasing (Reich), 268 Phenomena (Ewen), xviii phenomenology, phenomeno-logical, xv, xvi, 74, 177, 178, 191-193,200-201, 203-205, 207,208,211, 212,213-214,216,271, 329-330 philosopher, 7, 8, 40, 119, 132, 158,264,313,358, 360 philosophical, ix, xxii philosophy, ix, x, xviii, 7, 8, 9, 13,40,42,43,54, 58, 66, 88, 130, 132-133, 137, 141, 146-147, 162, 166, 177-178, 185, 191, 200,201,203,216,237, 312-313,325, 330, 356-358, 360-361,364, 372 photograph, photography, xiv, xxiv, 2,4, 5, 6, 7,28, 41,43,48, 50,103,169, 171-172, 220,223-225, 227, 233-235,267, 281, 288,309,310, 328,331, 348 Photo-souvenir (Buren), 148 (ill.) photostat, 5, 6 Piaget, Jean, xv, 181, 196, 198,205,208, 209 Picabia, Francis, 259 Picasso, Pablo, 7, 24,28,44 Demoiselles d'Avignon, Les, 7 Pier 17 (Acconci), 286 Pilkington, Philip, 146 Pin Heads, 315 Planck, Max, 196 Plato, 56, 70, 356, 358, 360, 364, 384 Platonic, 205 Platonist, 15, 16, 205 Poincaré, Jules Henri, 254-255 Poland, 161 Polaroid, 172 politicai, ix, x, xiii, xiv, xvi, xìx, 1,24, 37, 43, 79, 83, 93,94, 99, 100, 103, 110, 116, 132, 138, 139, 147, 153-164, 172, 202,203, 207, 238-240, 242-243, 244-245, 247, 299, 302, 307,309,310,311-313, 315, 320, 324-327, 330-332, 344, 358, 361, 365, 366, 372, 379, 385 "Political Theory of Possessive Individualism" (MacPherson), 138, 147 politics. See political Pollock, Jackson, 7, 9, 344 One, 7 Pompidou, Georges, 159-160 Poole, Peter, 207, 309 pop art, ix, 22, 23, 27, 223 pragmatism, 237 Press of the Nova Scotia College of Art and Design, The, vii, viii, xxi Pribram, Karl, 207 Princeton Institute for Advanced Studies, 57, 63 Principles of Poetical Economy (Filliou), 258 projection, xv, xvi, 102, 140, 271-272 Projects class, viii, xxi propaganda, xvi, 244, 313, 316-319, 320-321, 323-326, 328 Pryìngs (Acconci), xvii Public Domain (Acconci), 291 punk, punk rock, xvi, 307, 313,315-316,318,319, 321-322, 323-324, 326 Québec, 342-344, 347, 348 Quiz Kids, 61 R Rabinowitch, David and Roy den, 350 racism, 259, 323 Radio-Canada, 349 Rainer, Yvonne, viii Ramones, The, 315 Ramsden, Mel, x, xii, xiii, xiv, xx, xxiii, 114—147 "The Artist as Victim" (with Ian Burn), 130 Rand Corporation, 54, 70 Rat Portage, 335, 338 Readymade, x, 4, 15, 165 realism, xvi, 310, 325-326, 331-333 Reception Room (Acconci), 292-296, 297 recordings, viii, xvi, 64 Reese Palley Gallery, 278 Refus Global (Borduas), 344 Reich, Steve, viii, 268 Phasing, 268 Reinhardt, Ad, 3 relativity (Einstein). See E=mc2 religion, religious, xviii, 8, 122,319,337,339,359, 363-365, 375, 379, 380 Renaissance, 329 Renoir, Pierre Auguste, 49 Retrospective of a Gallery (Lambert), 161 Rhode Island School of Design, xiv, 315 Richards, Keith, 314 Richmond, Jonathan, 315 Rimouski, 347 Riopelle, Jean-Paul, xvii, 343-345 RISD. See Rhode Island School of Design Robert Filliou: From Political to Poetical Economy, xiii, 1 INDEX 397 Roberts, Goodridge, xvii, 342, 345-346 Robinson, Tom, xvi, 324 Glad to be Gay, xvi, 324—325 Rock Against Racism, 323 Rockwell, Norman, 237 Rodin, Auguste, 4 Rolling Stones, 314 Roman, 384 Romanian, 109 Rome, 237, 291 Rosencratz, Dr., 70 Rosier, Martha, xvi, 310 Rot, Dieter (or Roth, Dieter), 259 Roxy Music, 316 rupture (Buren), xiv, xxiv, 153-154, 164,166,169, 171, 173 Rushton, David, 146 Russia, Russian, 327-329, 330-331 Ryman, Robert, 331 S Saint Thomas Choir School, 68 Santa Barbara, 67, 327 Satisfaction (Devo), xvi, 306 (ill.), 313-314 Saturday Night Live, 311 Saussure. See de Saussure, Ferdinand Schlovsky, Viktor, 330, 332 Schoenberg, Arnold, 80 Schoenbergian. See Schoenberg, Arnold, school, vii, xiii, xvi, xix, 9, 17, 19, 20, 22,27, 34-35, 37,38, 39, 40,41,42, 60, 61,68, 105, 108, 119, 120, 125, 127, 128, 130, 140, 201,238, 243,255-257, 259,318-319,339, 341, 342, 343-346, 365-366, 377,384 School of Visual Arts, 17 Schum, Gerry, 251 Schutz, Alfred, 213 Schwartz, Judy, 309 Schweitzer, Albert, 136 Scotland, Scottish, 335, 338, 340, 342 Screen, 309 sculpture, ix, xiv, xviii, xix, 1,3,4, 6, 11, 15,27, 28,29, 40,48, 80, 133, 154, 166, 167, 223,228, 231-232, 235,258,259, 340, 341, 348-349, 367-368, 373, 376-378, 381,382,385 Seagram Building, 329 Seattle Art Museum, xxi 557,087, xxi Second Investigation (Kosuth), 6 Security Zone (Acconci), 280-281 Seedbed (Acconci), xvii, 286-289, 290,291 Sekula, Allan, xxi Seltzer, Terrei, 95, 150 semantics, xxii, 185, 193, 216,237 semiotic, 185, 193,201,213, 237, 308, 328 sensibility, xviii, 34, 35, 37, 44, 45, 46, 65, 74, 361 "Sentences on Conceptual Art" (LeWitt), xxii separatist, 336 serial, seriality, xi, 40, 41,43 Serra, Richard, xxi Sewell, David, 73, 75 Sex Pistols, The, xvi, 317-319,324 God Save the Queen, xvi No Future. See God Save the Queen Sharp, Willoughby, 1 Siegelaub, Seth, vii, xv, xxi, xxiii, 239, 243,245 Silence of Marcel Duchamp is Overrated, The (Beuys), 354 (ill.) Silver Jubilee, 318 Simon, Herbert, 209 16 mm, 253,254,263,271 Six Years: The dematerializa-tion of the art object from 1966 to 1972...(Lippard), xxi, xxii, xxiii, xxiv, 1, 71 Sleep (Warhol), 253 Sloppy, I Saw my Baby Getting Sloppy (Devo), xvi, 306 (ill.), 314 Smart theorem, 206 Smithson, Robert, xxi, 313 Snow, Michael, viii, xxi, 263 social, xiii, xiv, xvi, xvii, xviii, xxii, 43, 64, 66, 81, 82, 98,99, 101, 105, 106, 107, 110, 115, 119, 121, 124, 129, 130, 131, 132-133, 134-137, 139, 140, 144, 157, 171,201, 202, 206, 207,209,213, 215,216, 231,237,238, 256,272,299, 300,311, 328-329,330,332,361, 366, 367, 373, 376, 380 social contract, 118, 119, 125, 134, 136, 140, 170 social sciences, 209, 211, 132, 147 social scientist, 247 social sculpture, xviii, xix, 367, 377 Social Democratic Party, 370-371 socialism, xviii, 163, 210-211,361,364, 366, 368, 370-372, 375, 378, 38 socialist, xix, 162, 341 sociology, sociological, sociologist, 54, 66,67, 105,121 131, 132, 133, 139, 190, 217,310,361 Solomon R. Guggenheim Museum, x, xiv, xxii, 24, 148, 154-155 Some Serious Business, 307 Sondheim, Alan, xiii, xiv-xv, XX, xxiv, 174-217, 305 n, 315 Analysis of Situation, 175 398 ARTISTS TALK General Description of the World, xiv, xv, 175, 186 general scheme for the planet, 174 (ill.) General Schemes, 176 Individuals: Post-Movement Art in America, xxiv, 305n Sontag, Susan, 82 Soviet Union, 129 spectator, xvi, 232, 236,264, 266-267, 268, 269, 270, 271-272, 325,326,329, 355,368 Spoerri, Daniel, xiii, 261 "Standpoints" (Buren), 166 States. See United States of America Stedelijk Museum (Amsterdam), xxiv Stein, Gertrude, 55, 59 Stella, Frank, 3,27, 29,44, 331 Black paintings, 44 Stezaker, John, 142 The New Art, 133, 142 still life, 38, 120, 126, 127, 244 Stockholm, 251 Stone, Cindy, 309 structuralism, structuralist, 208,309, 331 Structure of Art, The (Burnham), 226 studio, x, xvii, 17, 39, 233, 302, 308,310,342 Studio International, ix, xxii, xxiv, 7,37, 129, 166 styrofoam, 30 Sullivan, Françoise, v, xvii, 342-343, 346, 350 Summers, Donna, 313 Sun state, 380 Super 8, 253, 266-267, 269 surrealist, 135 Szeemann, Flarald, xxi T Takis, 48 Talking Heads, 314-315 Taubin, Amy, xvi, 309-310 teach, teacher, teaching, x, xiii, xiv, xviii, xix, xxi, 9, 17, 19,21,23,27, 33-35, 47,61,68, 104, 120, 122, 125, 131, 140, 145, 177, 188, 200-201,221,228, 230, 256,259, 308,315, 317, 344, 346, 368,373, 377 Teaching and Learning as Performing Arts (Filliou), xix Teitelbaum, Matthew, xxiv television, x, 6, 18, 19, 70, 103,273,307,309-310, 311,324-325, 331,349,384 cable television, xvi, 307, 308 free-access channels, xvi, 307 10,000 Lines (LeWitt), 32 Territoire de la république géniale (Filliou), 258 theatre, theatrical, 93-94, 160, 252, 259, 286,289, 290, 297, 309-310,316,365 The Hague, See Hague, The Theoretical Girls, xvi, 316 Mr. Europe Man, xvi, 316 "The Trouble with Art as Idea" (Kozlofl), xii, 115, 116 Thomas Aquinas, Saint, 40, 360 Thompson, William Irwin, 207 At the Edge of History, 207 time, xi, xiii, xviii, 54, 153, 205, 207,210-211,220, 253, 264, 267-268, 273-275, 277-279, 325, 330, 357, 380-381 Time magazine, 36, 56 Toffler, Alvin, 203 tool, xv, 154, 172, 199,212, 266,354, 381 Toole, Bill, 1 Toroni, Niele, 162 Toronto, viii, xiii, 254, 256, 311,347, 348,350 Tousignant, Claude, 350 Townsend, Charlotte, viii, 78, 101-102, 104, 125-127, 137, 157 Tractatus Logico- Philosophicus (Wittgenstein), 175 Transference Zone (Acconci), 288 Treatise on Human Nature (Hume), 177 Tristram Shandy (Sterne), 331 Tucker, Marcia, xxi "Twenty-four Sketches for a Portrait of Paterson Ewen" (Graham, Ron), xxiv Two Consciousness Projections (Graham, Dan), xv, 271 Two Correlated Rotations (Graham, Dan), xv, 267, 269, 270 U Undertone (Acconci), 292 United States ofAmerica, 21, 22, 24,25,38, 50, 62, 140, 156, 159, 160, 233,257, 258,259,310,316, 320, 321 University of British Columbia, xiii, 1 University of California, 53 University of London, 340 University of South Carolina, 228 University of Southern California, 55 University of Western Ontario, 346-347 Urinal (Duchamp), 15 USSR. See Soviet Union Utrecht, 178 V Vancouver, viii, xiii, xix, xxii, xxiv, 6,254, 256,310 Van Eland (Dutch collectors), 225 INDEX 399 Van Gogh, Vincent, 249 Van Ravesteijn, Adriaan, 225, 235 Variable Piece #1 (Huebler), 218 (ill.) Vatican, 23, 24, 172, 248 Vautier, Ben, xiii, 261 Vegetation (Kosuth), 5 Véhicule, 346 Velasquez, Diego, 131 Venice Biennale, xvii Vermeer, Jan, 5, 225 Vertigo (Hitchcock), 266 video, ix, xv, xvi, xvii, 263, 271-275,279-280, 283-286,291-292,296, 300, 307,309,310,311 videotape, xix, 84, 244, 252, 273, 280, 285 Vietnam, ix, 26, 50, 64, 207, 258 viewer, xv, 227, 236, 265, 279,281-284,286-288, 290-292, 296, 299, 301-302, 329-330 Views of a Forced Landing (Acconci), 301 Village Voice, The, 118, 299 Villefranche, xix Viva, 63, 68 Viva Zapata, 300 Voice. See Village Voice, The Voltaire (pseudonym of François-Marie Arouet), 348 Von Neumann, John, 56 Vostell, Wolf, 254 W Wall, Jeff, xvi, xxiv, 310 Wallace, George, 259 Wallace, Ian, xxiv Walks (Long), 264 Warhol, Andy, 4, 5, 63, 171, 253,311 Sleep, 253 Washington, 60, 70, 301 watercolours, watercolourists, 100, 343 We Are Devo (Devo), xvi, 313 Weinberg, Alvin, 58 Weiner, Lawrence, ix, xi-xii, xxi, xxiii, 12,22, 72-113, 169,219 And then untended as..., 72 (ill.) Welk, Lawrence, 106-107 Western Front, The, xiii, xix, xxiv When Attitudes Become Form (Kunsthalle Bern), xxi, 25 White for Governor Wallace (Williams), 259 White Noise (Coltrane), 108 White Riot (Clash, The), xvi, 327 Whitney Museum of American Art, xxi, 25 Wigner, Eugene, 57-58 William of Ockham, 40 Williams, Emmett, xiii, 251-254,255, 256,257, 259-261 White for Governor Wallace, 259 Wilson, Ian, 89-90 Wilson, Martha, 82-84, 136-137, 181, 191,215,271 Winch, Peter, xii, 132-133, 147 "The Idea of Social Science" 132-133 Winograd, Terry, 180 Wittgenstein, Ludwig, viii, 8, 59, 117, 132, 175,210 Tractatus Logico- Philosophicus, 175 Wollheim, Richard, 142 women's liberation, 99—100, 109, 272 Wong, Dan Richard, 309 Wordsworth, William, 102 W.O.R.K.S., 254 World Question Center (Byars), xi, xv Writing Degree Zero (Barthes), 101 X xerox, 61, 62, 76, 150, 229, 323 Xerox book, 41 Y You Can Lead a Horse to Water But You Can Ì Make Him Drink (Zuck), 223-224, 230 Young, La Monte, x Yugoslavia, 161 Z Zeno's Arrow, 87 0-9, xxii Zuck, Tim, 168, 223-224, 227,231,235, 248-249, 267 You Can Lead a Horse to Water But You Can't Make Him Drink, 223-224,230 Zurich, 352 |
