| Volltext: | Index NOTE: Page numbers followed by refer to information in a note. acrostic signatures in verse, 352, 354-5 aerial perspective, 55 aesthetics and architecture: Alberti, 267-80; Vitruvius, 262 Agostino Viniziano, 136 Akotantos, Angelos, 224-9, 230, 231 Akotantos, Ioannes, 224, 225-6, 227-30 Albert of Holland, 192 Alberti, Leon Battista, 306; on composition of figures, 8-9, 38, 40; and Filarete's architectural system, 83; on ornament in architecture, 268-80; on sculpture, 68-70; on single-point perspective, 31-41, 44, 46; and Vitruvius, 262, 267, 268 Alexander the Great, 155, 381 Alfonso V of Aragon, king of Naples, 187, 188, 189, 193, 214 Alhazen (Ibn al-Haitham), 42-3 altarpieces: Cappella dei Signori in Siena, 211-13; Confraternity of Our Lady, 's-Hertogenbosch, 74-8; Dalmau's Barcelona altarpiece, 183-6; Domenico Veneziano seeks patronage in Florence, 160-1; Dürers fee for Assumption of the Virgin, 122-4; Nauplio pala d'altare, 231-4; Pienza Cathedral, 219, 220-1; Quarton's Coronation of the Virgin, 106-11; regulation by guilds, 66, 71-3; Sassetta's Madonna della Neve, 98-106; specification of subject matter, 107-11; valuations, 101-6 Amboise, Guillaume d', Cardinal of Rouen, 357 Amboise: Leonardo da Vinci at, 357, 360 anatomy: and education of sculptors, 141, 142; see also human body Anaxagoras, 42 anconas: Cennino on preparation and sizing, 95-6; see also panel painting Angelico, Fra, 160, 161 Angelo, Second Herald of the Signoria in Florence, 320 Anne of Brittany, queen of France, 342, 344, 352 anthibola (imprinted cartoons), 234-5 antiquity: and Alberti's treatise, 267-80; classical writers in Duke of Urbino's library, 326-7, 328; copying classical sculpture, 9-10; courtiers discuss history of art, 153, 155-6; Filarete on antique practice in architecture, 84-5; Ghiberti on education for sculptors, 138-43; Manetti on architecture in, 144-5; Manetti on Brunelleschi's architecture, 85, 86-7; tourist's view of cultural sites in Rome, 177-8; see also liberal arts; Vitruvius 438 Index Antonello da Messina, 190, 191, 194 Antonio da San Gallo, 322 Antonio de Beatis: travel journal, 357-61 Antonio Siciliano, 193 Antwerp: art markets, 180, 182-3; Guild of St Luke Regulations (1470), 71-3; playing card agreement, 130-2; purchase of printer's workshop contents, 127 Apelles, 40, 128, 129-30, 155, 352 appraisals see valuations apprentices: Cennini on skills for panel painting, 93-4; contracts, 10-14, 229-30; in workshop of Ioannes Akotantos, 229-30; in workshop of Andreas Pavias, 230 Aragazzi, Bartolommeo: Bruni condemns tomb of, 380-2 archaeological investigations in Rome, 85, 87 architecture, 79-89; Cennini on linear perspective, 30-1; Filarete on perspective in architectural drawings, 43-7; Gaillon chateau, 358-9; Manetti on history of, 143-6; palace at Blois, 361; Pienza Cathedral, 218-21; treatises, 261-80 Aristotle, 42 Arras, 181 art collections: Charles the Bold, 284; Lorenzo the Magnificent, 291-303 art history: courtiers discussion on, 153; Leonardo da Vinci, 146-7; Manetti on history of architecture, 143-6; Vasari on Greek art in Italy, 376-8 art markets in Antwerp, 180, 182-3 astrology: Alberti on education of architects, 280; Ghiberti on education of sculptors, 140, 141-2 Athenaeus, 138 Attavante, Vante di Gabriele: contract for illuminated manuscript, 329-32 attitudes: Leonardo on study of, 17 attractiveness principle: Vitruvius on, 263 Avicenna (Ibn Sina), 42-3 Baldassare del Milanese, 169 Bandinelli, Michelangelo, 322 Barbari, Jacopo d', 192 Barbarian architecture, 145-6 Barbarigo, Nikolaos, 232, 233 Barcelona: city councillors^ altarpiece, 183-6 Baret, John: will, 396-9 Barna (Sienese painter), 211 Bartolo di Predi, 211 Bartolo di Tura: inventory of camera grande, 288-91 Basejo, Giorgio, 371-3 basilicas, 276-7 Baude, Henri: 'Moral Sayings for Making Tapestries', 347-9 beauty and ornament: Alberti on, 269-80 beggars: Andreas Karlstadt on, 410 Bellini, Gentile, 248; decoration of Grand Council chamber, 240-1, 242, 243, 244, 259, 260; decoration of Scuola Grande di San Marco, 251-4; on diplomatic mission, 241 Bellini, Giovanni: admiration for Dürer's drawing, 26; decoration of Grand Council chamber, 242, 243, 244, 259, 260; decoration of Scuola Grande di San Marco, 251-5; friendship with Dürer, 256; as 'painter of our state', 243 Bellini, Jacopo, 44, 251, 252 Belliniano, Vittore, 254 Bembo, Bernardo, 190, 191 Berghe, Jan van den, 114-15 Bernardo di Marco della Cecca, 321 Bertini, Ludovica, 98-106 Biagio d'Antonio Tucci, 320-1 Index 439 Bianco, Nikolaos, 373-4 Bible: contract for illumination, 329-32 Birago, Giovan Pietro: theft of illuminated manuscript, 332-5 block book printing: and guilds, 114-15; Jost de Negker, 124-5 Blois: royal library, 358, 360-1 book of hours illuminations: Bourdichon's book of hours, 342, 344; Sforza Hours, 332-5 books see illuminated manuscripts; libraries Bosch, Anthonis, 74 Bosch, Hieronymus, 74, 192 Botticelli, Sandro, 319; Lorenzo Sforza on, 168 ;Sistine wall paintings, 161-5,169 Bourdichon, Jean: as 'painter to the king', 341-5 Bourré, Jean, 340 braccia, 44, 45 Bracciolini, Poggio, 380-2 Bramante, Donato, 177 Bruges as commercial centre, 180-1 Brunelleschi, Filippo: Filarete on, 45-6, 84; Manetti on, 49-51, 85-9, 143 Bruni, Leonardo: condemns tomb of Aragazzi, 380-2 Brussels: painters' guild, 66, 71, 205-6; tapestry-makers' guild statutes, 205-6 buildings and architects: development of building skills, 145; Manetti on Brunelleschi, 87-9; Pienza Cathedral, 219 Bullioud, Marguerite, 335-7 buon fresco technique, 93n Burgkmair, Hans, 125, 281 Bussi, Giovanni Andrea de', Bishop of Aleria, 68, 116-19 Byzantine art: iconoclasts, 356, 360; instructions of Dionysios of Fuma, 234-6; Vasari on, 376-8; see also icons Callimachus, 81, 82, 266 Callisthenes, 139 camera grande of Doctor Bartolo di Tura, 288-91 Camerarius, Joachim, 23-7 capitals, 145; Filarete on, 81, 82, 83; Vitruvius on architecture, 265-7 Cappella dei Signori altarpiece, Siena, 211-13 Carafa, Cardinal, 165-7 Carthusian order, 107 cartoons: anthibola, 234-5; for tapestries, 205-6 Casola, Father Pietro: pilgrimage to Jerusalem, 250-1 Castiglione, Baldassare, 152-6 Catherine of Siena, Saint, 217-18 Cecchino di Francesco, 101-5 Cellini, Giovanni, 322 Cennini, Cennino: on drawing on panels, 6-8; on linear perspective, 30-1; on painting drapery in frescoes, 92-3; on painting a panel, 96-8; on preparing and sizing a panel, 95-6; on skills for panel painting, 93-4 centric line, 38 centric point, 37, 44 centric rays, 32, 34, 36 charitable foundation at Ewelme, Suffolk, 393-6 Charlemagne, 146 Charles the Bold, Duke of Burgundy: inventory of ducal treasures, 284-7 Charles V: coronation playing cards, 131 Chaucer, Geoffrey, 393 Chaucer, Thomas and Maude, 393, 396 Chimenti di Cipriano di Sernigi, 329-32 Christus, Petrus, 193-4, 196 Cicero, 80 Cimabue, 376-8 440 Index circumscription: Alberti on painting, 40 Ciriaco d'Ancona, 186-7 classical art see antiquity cloth merchants' guild: Florentine Baptistery commission, 315-16 Codex Atlanticus, 147-52 Colantonio, 193, 194-6 Colart le Cat inventory, 60-2 Colin d'Amiens, 340, 341 Colombe, François, 356 Colombe, Jean, 355 Colombe, Michel, 352; and tomb of Louis XI, 340, 341; and tomb of Philibert, Duke of Savoy, 352, 355-7 colour: aerial perspective, 55; Cennini on painting drapery in frescoes, 92-3; Cennini on panel painting, 97-8; Erasmus on Diirer's monochrome style, 128-30; see also pigments coloured prints, 127, 128 columns, 145; Alberti on architecture, 273-4, 278-9; Filarete's system of architecture, 81-4; Vitruvius on architecture, 262, 263, 265-7 commerce see trade and commerce Commynes, Philippe de: Memoirs on Venice, 248-50 composition: Alberti on, 8-9, 38, 40; Leonardo on composition of figures, 17; and symmetry in architecture, 263 Confraternity of Our Lady, 's- Hertogenbosch: altarpiece costs, 74-8 Constantine the African, 42-3, 141 contracts, 1, 2; for apprentices, 10-14, 229-31; Attavante's illuminated manuscript, 329-32; Bellini brothers at Scuola Grande di San Marco, 251-5; Dalmau's Barcelona altarpiece, 183-6; icon production, 371-6; Prato pulpit, 62-4; Quarton's Coronation of the Virgin altarpiece, 106-11; Rustici's John the Baptist sculpture, 315-16; Sassetta's Madonna della Neve altarpiece, 98-100; Sistine Chapel wall paintings, 161-5, 168 copying: anthibola (imprinted cartoons), 234-5; classical sculpture, 9-10; Leonardo on, 15, 17, 147 copyright: creative rights of printers, 119-22 Corinthian order, 81, 82-4, 85, 262, 265, 266-7, 279; origins of, 266 Cornaros, Andreas Jacomo: bequests icon, 363 cornices, 276 Cornuola, Giovanni, 322 courtiers: Castiglione's account of, 152-6 creative rights of printers, 119-22 Cretan art: icons, 371-8; post-Byzantine art, 224-34 Ctesiphon, 145 Curia dei Pupilli, Siena, 104-5, 106 Cyrus the Great, 381 d'Adda, Girolamo, 148-9 Dalmau, Lluls, 183-6 Dance of Death/Danse macabre, 382-92 death and art, 379-407; see also tombs; wills Delf, Coppin, 346 Demetrius I of Macedon, 156 Democritus, 42 dimensio, 69, 70 Dionysios of Furna: on making anthibola, 234-5; on plastering a wall, 235-6 diplomacy: in Siena, 213-17; Venice and Constantinople, 241 Dolci, Giovanni de', 162, 163 Domenico di Niccolò, 212 Index 441 Domenico Veneziano, 160-1 Donatello, Donato di Niccolo: Prato pulpit, 62-5; in Rome with Brunelleschi, 85, 87 Doric order, 81, 82-4, 262, 265, 266, 276, 279 Dornicke, Jan van, 127 drapery: Cennini on painting frescoes, 92-3; Cennini on panel painting, 97-8 drawing and workshop practice, 5-27; Alberti on circumscription, 40; Cennini on drapery in frescoes, 92; Erasmus on Dürer, 128-30; Filarete on architectural drawings, 43-7; poetic depiction of workshop, 351 dress: clothing of statues, 425, 426; and social class in Venice, 246; see also drapery Duccio di Buoninsegna, 211 dulia, 416, 417 Dürer, Albrecht, 3, 11, 120, 157, 192, 238; Assumption of the Virgin altarpiece, 122-4; Camerarius's praise for, 23-7; correspondence on Venice and Venetian artists, 255-9; drawings as gifts and payments, 18-22; engravings and prints, 128, 133-4; Erasmus's eulogy on, 128-30; on qualities required of a painter, 22-3; Vasari on, 133-4 education and knowledge, 137-56; Alberti on architects, 279-80; see also liberal arts; training egg yolk for tempering pigments, 97 Emser, Hieronymus: response to Karlstadt, 410-11, 414 Ephesus: Temple of Diana, 145 Epicurus, 42 epistyle, 83 Erasmus, Desiderius: eulogy on Dürer, 127-30 Este, Lionello d', 186, 187, 188 Etruscan temples, 273 Evans, Mark, 333 Ewelme Foundation and chantry, Suffolk, 393-6 extrinsic rays, 32-4, 36 Eyck, Adriaen van der, 127 Eyck, Barthélémy d', 346 Eyck, Jan van, 183, 190, 191, 193-4, 196; Bartolomeo Facio on, 187, 188-9 Fabius family, 153 faces: Leonardo on remembering faces, 16 Facio, Bartolomeo: on Netherlandish art, 187-9 Fancelli, Domenico, 405 Federigo da Montefeltro, Duke of Urbino, 188; manuscript library, 326-9 Ferdinand 'the Catholic', king of Aragon and Sicily: on images, 410-14; will and burial instructions, 405, 406-7 figure drawing, 10; composition, 8-9, 17; Leonardo on, 15-17 Filarete (Antonio di Pietro Averlino): on perspective and architectural drawing, 43-7; system of architecture, 80-5 Filelfo (Francesco da Tolentino), 80 finitio, 69, 70 Florence: Baptistery sculpture, 315-16; dialogue with Rome against Savonarola, 168-74; Domenico Veneziano seeks patronage in, 160-1; Duke of Milan's reports on artists of, 174-5; St John the Baptist festivities, 309-11, 312; signoria recommends weaver from Bruges, 198-9; Vasari on Cimabue, 376-8; views on art, 305-23 442 Index Florence cathedral: opera and placing of David, 317-23 fonts: creative rights of printers, 120-1 forgeries: creative rights of printers, 119-22 Forteguerri, Cardinal Niccolò: artist for monument to, 400-2 Fouquet, Jacques, 340, 341 France: art and monarchy in, 339-61 Francesco, First Herald of the Signoria in Florence, 318-19 Francesco, Giovanni, 13-14 Francesco da Carrara, 92 Francia, Francesco, 134 Francis I, king of France, 357 Francis of Paola: canonization, 342, 344-5; cult of, 357, 359-60 François, Basteyn, 356 Frederick III of Austria, Holy Roman Emperor, 214-15, 216-17 frescoes: Cennini on painting drapery, 92-3; preparation of wall, 235-6; see also wall paintings Fuca, Migiel, 371-2 Fucas, Antonio, 374-5 Fucas, Manousos, 373-4 furniture and furnishings in inventories: Bartolo di Tura, 288-91; Lorenzo de' Medici, 291-303 Gabriele, Abbot of Montescalari, 165-6 Gaddi, Agnolo, 92 Gaddi, Taddeo, 92 Gaillon chateau, 357, 358-9 Galen, 42 Gallieno (embroiderer), 321 Gentile da Fabriano, 240 geometry: Alberti on education of architects, 280; Ghiberti on education of sculptors, 140-1; see also perspective German merchants in Venice, 238-9, 240, 246, 251, 256 Ghiberti, Lorenzo: on early Sienese art, 208-11, 213; on education required for sculpture, 138-43; on sources for perspective, 41-3 Ghirlandaio, Davide, 321 Ghirlandaio, Domenico, 329; Lorenzo Sforza on, 168, 169; Sistine wall paintings, 161-4, 175 Giacomo di Meio di Nanni, 105-6 Giotto (di Bondone), 92; Leonardo on, 147 Giovanni di Magno, 211-13 Giovanni di Paolo, 219, 220n Girado de Holanda, 192 girdle of Virgin Mary relic, 62 Giuliano da San Gallo, 319-20, 322, 323 Giulio Romano, 136 gold in inventory of Charles the Bold, 284-7 gondolas, 245-6 Gossaert, Jan, 190 grammar: Ghiberti on education of sculptors, 140, 142 Granada: tombs of Ferdinand 'the Catholic' and Isabella, 405 Greek architecture: Alberti on, 271-2; Manetti on, 144, 145; origins of columns, 81-2; Vitruvius on perfect numbers, 264-5 Greek art: Vasari on 'Greek' style, 376-8; see also antiquity; icons; post- Byzantine Renaissance Gregory I, the Great, pope, 425, 427 Grimani, Cardinal, 192 Gripioti, Nicolò, 371, 372 Gruuthuse, Louis de, 358 Gualtieri di Giovanni, 101-5 Guasparre di Simone, 322 guilds: Antwerp Guild of St Luke, 71-3; Brussels painters' guild, 66-7, Index 443 205-6; Brussels' tapestry-makers' guild, 198, 205-6; cloth merchants' guild and Florentine Baptistery, 315-16; Leuven guild and printmakers, 114-15; Mercer's company Mariegola in Venice, 238-9; Venetian painters' guild, 243; see also apprentices Habsburg playing cards, 131 hallmarks, 71 Han, Ulrich, 116 Heller, Jakob, 122-4 Hippocrates, 42 histories: Leonardo on drawing figures for, 15-16 history see art history Hobit, Guillaume, 188 Holy League, 248, 250 Horenbout, Gerard, 10-12, 20, 193, 333 Horenbout, Lucas, 11 Horenbout, Susanna, 11, 20 human body: Vitruvius on proportion, 9, 264; see also anatomy hyperdulia, 416-17 iconoclasts, 356, 360; Karlstadt on removal of images, 410-14; Luther on religious images, 419-22; Zwingli on removal of images, 418-19 icons, 363-78; and Angelos Akotantos, 227, 228, 231; see also images/imagery illuminated manuscripts, 325-37; Bourdichon's book of hours, 342, 344; royal library at Blois, 358, 360-1 images/imagery: Ferdinand 'the Catholic' on, 410-14; John of Damascus' defence of, 364-70; Karlstadt on removal of images, 410-14, 418-19; and Reformation, 409-28; Savonarola on dangers of, 311-14; see also iconoclasts; icons imitation: Leonardo on, 147 Innocenti Foundling hospital, 85, 87-8 international relations, 213-17 intersection: Alberti on, 36-8, 40-1 inventories: Bartolo di Tura, 288-91; Charles the Bold, 284-7; Colart le Cat, 60-2; Lorenzo de' Medici, 291-303; see also wills Ionic order, 81, 82-4, 262, 265-6, 279 Isabella of Castile, queen of Spain: burial instructions, 405, 406-7 Isocrates, 139 Janssoens, Adriaan, 127 Jean de Montagnac, 106-11 jewellery in inventories: Charles the Bold, 284-7; Lorenzo de' Medici, 299-301 John of Damascus, St: on images, 364-70 John of Speyer, 116 Jost de Negker, 124-7 Julius Caesar, 138, 381 Kalamo, 139 Karlstadt, Andreas (Andreas Bodenstein): Emser's response, 414- 16; Luther on, 419-22; treatise on removal of images, 410-14; Zwingli on, 418-19 Kemp, Martin, 1 knowledge see education and knowledge Laborde, Léon de, 284 Lampognano, Camillo and Nicolò, 191 Landau, D., 125 Lanier, Riflart, 60 latria, 417 Lemaire de Belges, Jean: as poet, 349-51; and tomb of Philibert II, 352, 355, 356, 357 Leo III, Byzantine emperor, 364 Leo X, pope, 309 444 Index Leonardo da Vinci, 333; at Amboise, 357, 360; on drawing, 15-17; on linear perspective, 51-7; personal library, 147-52; on placing of David, 321; treatise on painting, 146-7 Leoni, Pompeo, 147 Leonora of Portugal, 214-15, 216-17 Leuven guild and printmakers, 114-15 liberal arts: Alberti on architects' education, 279-80; and social status, 130, 153; and training for sculptors, 140-3 libraries: Duke of Urbino's manuscripts, 326-9; French royal library, 358, 360-1 light: aerial perspective, 55-6; Alberti on reception of light, 34-5, 40; Cennini on drawing on panels, 8; Cennini on painting on panels, 97-8 limbs: proportion in drawing, 9, 264 linear perspective, 29-57 Lippi, Filippino, 165-7; Lorenzo Sforza on, 168-9; on placing of David, 321 Lippi, Fra Filippo, 160, 161 Livino of Antwerp, 193 'Livino di Giglio', 204-5 Lolli, Gregorio, 216 Lorenzetti, Ambrogio, 208-11 Lorenzo dalla Golpaia, 320 Lorenzo the Magnificent see Medici, Lorenzo de' Louis XI, king of France: Bourdichon as 'painter to the king', 341-5; design of tomb, 340-1 Louis XII, king of France: royal library, 358, 360-1 Loureas, Konstantinos, 374-5 Lucius Aemilius Paulus, 156 Luigi, Cardinal of Aragon, 357-61 Luther, Martin: treatise on religious images, 419-22 Lydgate, John: Da nee of Death, 382-92 MacCurdy, Edward, 148 Manetti, Antonio: on Brunelleschi and perspective, 49-51; on Brunelleschi's practice of architecture, 85-9, 143; on history of architecture, 143-6 Mantegna, Andrea, 9; admiration for Dürer, 26-7 manuscripts see illuminated manuscripts Manutius, Aldus, 119-22 Marcantonio (Marcantonio Raimondi), 133-4 Marcantonio Michiel, 190-3 Marco da Ravenna, 135 Margaret of Austria, 131, 333-4, 350; design of husband's tomb, 352, 355-7 marketing: art markets in Antwerp, 180, 182-3; icons, 363-76; regulation of painted goods, 66; see also trade and commerce Martin V, pope, 380 Martino di Bartolomeo, 105-6 Masaccio: Leonardo on, 147 Masi, Bartolommeo: on St John the Baptist festivities, 309-11 Maso Fineguerra, 133 Massimo family, 116 Master of the Playing Cards, 131 mathematics: architects' education, 279, 280; perfect numbers, 265; see also geometry; perspective; proportion Matteo di Giovanni, 219, 220n Maximilian I, Emperor of Austria, 124-7 median rays, 32, 33-4, 36 Medici, Cosimo de', 160, 161, 326 Medici, Giovanni de', 309 Medici, Lorenzo de' ('the Magnificent'), 161, 165, 175, 311, 400-2; inventory, 291-303 Medici, Piero de', 160-1, 307-8 Medici family, 307-8, 309 medicine: Ghiberti on education of sculptors, 140, 141, 142 Index 445 Mehmed II, sultan of Turkey, 241, 260 Memling, Hans, 191, 192, 193 Memmi, Lippo, 210, 211 Mercer's company Mariegola in Venice, 238-9 Metrodorus, 156 Michelangelo: letter to Lorenzo de' Pierfrancesco de' Medici, 169; meeting on where to place David, 317-23 Michelozzo, Michelozzi: Prato pulpit, 62-4; tomb of Aragazzi, 380 Michiel, Marcantonio see Marcantonio Michiel Miçoconstantin, Giorgio, 371, 372-3 Mino da Fiesole, 400 mirrors and perspective, 45-6, 50-1 mo nades, 265 Monciatto, Francesco, 319 moral sayings for tapestries, 347-9 More, Sir Thomas: defends religious images, 422-4; Tyndale's response, 425-8 Mpitzamanos, Angelos, 230 Mpitzamanos, Nikolaos, 230 Nani, Giovanni, 232 nature: Ciriaco d'Ancona on Netherlandish painting, 186, 187; Leonardo on painting from, 146-7 Negker, Jost de, 124-7 Netherlandish art and influence, 179-96 Nicholas V, pope, 214, 215, 326 nicoloto (Venetian dialect), 247 nude drawings, 16-17 oratory: Alberti on education of architects, 280 Organi, Matteo degli, 65 ornament: Alberti on, 268-80 Ottaviano della Carda, 188, 189 painting: Alberti on architects' education, 279, 280; courtiers discuss merits of, 152-6; Leonardo's treatise on history of art, 146-7; painters' guild in Brussels, 66-7, 71, 205-6; painters' guild in Venice, 243; poetry on, 345-7, 349-51; Savonarola on dangers of, 311-14; and status, 130, 133, 153; training in, 93-4, 140, 229-30; workshop contracts, 373-5 Palmieri, Matteo, 267 Pamier, Jehan, 131-2 Pamphilus of Macedonia, 129, 130 panel painting, 91-111; Cennini on, 6-8, 93-8; preparation, 6, 95-6; see also altarpieces Pannartz, Arnold, 115-19 parallels: Alberti on perspective, 38 parchment tablets, 6-7 Parrhasius, 40 Parshall, P., 125 Pasqualino, Antonio, 190, 191 Patenir, Joachim, 192 patronage: Domenico Veneziano in Florence, 160-1 Paumgartner, Hans, 125, 126 Pavias, Andreas, 230-1, 232 perfect numbers: Vitruvius on, 264-6 Peril, Robert, 131-2 perpendiculars: Alberti on perspective, 38 Perréal, Jean, 340, 350; as painter and poet, 352-5 perspective: figure drawing, 10; linear perspective, 29-57 Perugino, 346; Lorenzo Sforza on, 168; Sistine wall paintings, 161-4, 169 Peutinger, Augsburg Conrad, 124, 125, 126 Pfullendorf, Michael, 214-15 Phidias, 138, 142 Philibert II, Duke of Savoy: design of tomb, 352, 355-7 446 Index philosophy: Ghiberti on education of sculptors, 140, 141 Phytius, 142, 143 Piccolomini, Aeneas Silvius: diplomacy in Siena, 213-17; as Pius II, 217-21, 402 Piccolomini, Cardinal Francesco Todeschini, 214; as Pius III, 402; preparations for his death, 402-5 Piccolomini family, 216, 217 Pienza Cathedral, 218-21 Pierfrancesco de'Medici, Lorenzo de', 169-70 Piero della Francesca, 160; on perspective, 47-8 Piero di Cosimo, 323 pigments: and Diirer's altarpiece costs, 122, 123; specification for Quarton altarpiece, 110; spice merchants as purveyors of, 111; tempering with egg yolk, 97 pilgrimages: Casola on pilgrimage to Jerusalem, 250-1 Pintoricchio, 214, 217, 218 Pirckheimer, Wilibald, 255-9 Pisanello, 240 Pius II, pope, 217-21, 402, 404 Pius III, pope: preparation for death, 402-5 plane: Filarete on creation of, 45-6 plastering a wall, 235-6 Plato, 42, 265 playing card production, 131-2 Pliny the Elder, 128, 204 poetry: Baude's moral sayings for tapestries, 347-9; Jean Lemaire de Belges, 349-51; Perréal's acrostic poetry, 352, 354-5; Robertet on worst painter in world, 345-7 Pole, William and Alice de la: Ewelme chantry, 393-6 politics: diplomacy in Siena, 213-17 Poliamolo, Antonio, 177, 178 Poliamolo, Piero, 400, 401 Porcari, Girolamo: Tuscus a nd Remus, 170-6 porticoes, 273-5, 277 portraits: Diirer's drawings as gifts and payments, 18-22 post-Byzantine Renaissance, 223-36 practice: Vitruvius on, 262-3 Prato pulpit, 62-5 Prindale, Ernoul, 60 Prindale, Jan van, 60 prints and printmaking, 113-35; comparison with manuscripts, 328; status of, 133 production controls by guilds, 71-3 proportion: Alberti on architecture, 278-9; Alberti on sculpture, 68-70; Filarete on architecture, 80-1, 82-3; Piero della Francesca on painting, 48; Vitruvius on, 9, 262, 263-4; see also perspective Protagoras, 36 Protogenes, 40, 156 pyramid: and surfaces, 35-6, 40-1; and visual rays, 33-5 quality control: Brussels tapestry-maker's guild statutes, 198; marketing of painted goods, 66 Quarton, Enguerrand: Coronation of the Virgin altarpiece, 106-11 Raimondi, Marcantonio see Marcantonio Ram, Giovanni, 193 Raphael, 133, 134-5, 154, 192 reasoning: Vitruvius on, 263 reception of light: Alberti on painting, 34-5, 40 Reformation and religious images, 409-28 Regnault, Guillaume, 356 regulation see guilds Index 447 relics, 425-7; girdle of Virgin Mary relic, 62 relief: drawing from, 15 religious art: Bourdichon as 'painter to the king', 341-5; John of Damascus defends images, 356-62; Prato pulpit, 62-5; regulation by guilds, 66, 71-3; Savonarola on dangers of, 311-14; see also altarpieces; book of hours illuminations; icons; images/ imagery René I, Duke of Anjou and King of Naples, 193, 194 Riario, Cardinal Raffaele, 169 Riccio, Andrea, il, 320 Ritzos, Andreas, 228-9, 232 Robertet, Jean: poem on worst painter in the world, 345-7 Rockinger, Ludwig, 7n Roman architecture, 145, 146 Romanino, Gerolamo, 13-14 Romanino, Giovanni, 13-14 Rome: dialogue with Florence against Savonarola, 170-6; Filippino Lippi works for Cardinal Carafa, 165-7; Sistine Chapel wall paintings, 161-5, 169; tourist's view of cultural sites, 177-8 Rosselli, Cosimo, 319; Sistine wall paintings, 161-4 Rossellino, Bernardo, 218-21 Rucellai, Giovanni: on his spending, 306-8 Rustici, Gianfrancesco: John the Baptist contract, 315-16 St John the Baptist festivities in Florence, 309-11, 312 St Mary's church, Bury St Edmunds, 397, 398, 399 St Paul's Cathedral, London, 382-92 saints see Catherine of Siena; Francis of Paola; icons; images/imagery Sala, Pierre: 'Little Book of Love', 335-7 Salvestro (worker in precious stones), 321 Sannazzaro, Giacomo, 196 Sano di Pietro, 105-6, 211-13; Pienza Cathedral altarpiece, 219, 220n Sansovino, Francesco: guidebook on Venice, 259-60 Santa Maria della Scala hospital, Siena, 212, 213 Sanudo, Marin, 241; Praise for the City of Venice, 245-8 Sassetta (Stefano di Giovanni): Madonna della Neve altarpiece: commissioning document, 98-100; valuations, 101-6 Savonarola, Girolamo: Porcari's Tuscus and Remus, 170-6; sermons on dangers of painting, 311-14 Scala Hospital altarpiece, Siena, 213 scale, 36 Schäufelein, Hans, 125, 126 Schönsperger, Johann, 124, 125 Scorei, Jan van, 190, 191 sculpture, 59-78; courtiers discuss merits of, 153-6; Ghiberti on education required for, 137-43; meeting on where to place Michelangelo's David, 317-23; Rustici's John the Baptist contract, 315-16; tomb designs, 340-1, 352, 352-4, 353-4, 355-7; tourist's view of cultural sites in Rome, 177, 178 Scuola Grande di San Marco: Bellini brothers' work, 251-5 Serenus, Bishop of Marseilles, 425, 427 Sforza, Bona, 332-3 Sforza, Francesco, Duke of Milan, 43, 80 Sforza, Ludovico, Duke of Milan ('II Moro'), 168 Sforza Hours, 332-3 sgraffito technique, 94n 448 Index shadow: Cennini on drawing on panels, 8 Siena, 207-21; Baptistery font, 208 sight: and proportion, 48; visual rays, 32-5, 36, 45, 48 Signorelli, Luca, 163 silverware in inventory of Charles the Bold, 284-7 Simone Martini, 210-12 single-point perspective: Alberti on, 31-41; Filarete on, 43-7; Ghiberti on sources for, 41-3; Leonardo on, 51-7; Manetti on Brunelleschi, 49-51; Piero della Francesca on, 47-8 Sistine Chapel, Rome: wall paintings, 161-5,169 Sixtus IV, Pope, 116-9, 161, 163, 164 sizes: Cennini on sizing panels, 95-6 Sluys: Pedro Tafur on, 181-2 social class: and dress in Venice, 246 Socrates, 42 soundness principle: Vitruvius on, 263 Spain: Netherlandish influence, 183-6 spice merchants, 111 Squarcione, Francesco, 9-10 statues: clothing of, 425, 426 Steiner, Dietrich, 126 Stevenson, Allan, 114 Stock, Jan van der, 127, 132 Strilitzas, Georgios, 375-6 Strilitzas, Theofylaktos, 375-6 Strozzi, Filippo, 166-7 styles for drawing on panels, 7-8 Summonte, Pietro, 193-6 Sweynheym, Conrad, 115-19 symmetry: Vitruvius on architecture, 263, 266-7 tablets: parchment tablets, 6-7 Taddeo di Bartolo, 213 Tafur, Pedro, 180-3 tapestries, 197-200; moral sayings for, 347-9 tapestry-makers' guild in Brussels, 198, 205 teleion, 265 tempering pigment with egg yolk, 97 temples: Alberti on, 267-8, 268-9, 271-7; Temple of Diana at Ephesus, 145; Vitruvius on, 263, 264, 265-57 Thaïes, 42 theft of illuminated manuscript, 332-3 Timanthes, 36 time: Leonardo on appropriate time, 16-17 tombs, 178; Baret's tomb at Bury St Edmunds, 396-7; Bruni condemns tomb of Aragazzi, 380-2; choice of artist for Cardinal Niccolò Forteguerri s tomb, 400-2; design of tomb for Louis XI, 340-1; Ferdinand 'the Catholic' and Isabella's burial instructions, 405; Perréal's design for Margaret of Austria, 352, 353-4; Pius III prepares for death, 402-5; Pole tombs at Ewelme chantry, 393, 396; Savonarola on dangers of painting, 314 Tomeo, Leonico, 190, 191 Tournai: Colart le Cat inventory, 60-2 trade and commerce: in Bruges, 180-2; in Florence, 307; in Venice, 238-9, 246-8, 251; see also marketing training: drawing regime, 9-10; in painting, 93-4, 140, 229-30; for sculptors, 140-3; see also apprentices; education and knowledge treatises: on architecture, 261-80; of John of Damascus, 364-70; Leonardo on painting, 146-7; on removal of images, 410-14; see also education and knowledge tribunals, 274-5 Index 449 triptychs and market in icons, 375-6 Trubert, Georges, 346 Turino di Matteo, 98, 99 Tuscap, Pierre, 60 Tyndale, William: response to Sir Thomas More, 425-8 typefaces: creative rights of printers, 120-1 Uccello, Paolo, 51 ultramarine, 110, 122, 123 Urbino library, 326-9 utility principle: Vitruvius on, 263 valuations: inventory of Lorenzo the Magnificent, 291-303; Sassetta's altarpiece, 101-6 vanishing point, 44; Leonardo on, 53; see also centric point varnishes: Dürer's special varnish, 124 Varsama, Petro, 371-3 Vasari, Giorgio, 43; on 'Greek' style, 376-8; life of Marcantonio Raimondi, 132-5 Vecchietta, 219, 220 velocity and perspective, 55 Venerio, Petro, 232, 233-4 Venice, 180, 237-60 Verrocchio, Andrea del, 400, 401 Vespasiano da Bisticci, 326-9 visual rays: Alberti on, 32-5, 36; Filarete on, 45; Piero della Francesca on, 48 Vitruvius, 9, 80, 81, 82, 83, 85, 138, 143; On Architecture extract, 262-7 Vivarini, Alvise: petition to work on Venetian Grand Council chamber, 243-5 Vlastos, Georgios, 232, 233-4 Volckenstorf, Gregor, 214 wall paintings: Sistine Chapel, 161-5, 168; see also frescoes wealth see inventories weavers see tapestries Wesel, Adriaen van, 74-8 Weyden, Rogier van der, 190, 193-4, 196, 346; Bartolomeo Facio on, 187-8, 189; Ciriaco d'Ancona on, 186-7 white lead: panel painting, 97, 98; parchment tablets, 6-7 wills: Andreas Jacomo Cornaros, 370-1; Angelos Akotantos, 224-8; Ferdinand II and Isabella, 405-7; John Baret of Bury St Edmunds, 396-9 winter subjects, 16-17 wood types: for panels and blocks, 6, 127 woodcut printing: and guilds, 114-15; Jost de Negker, 124-7; playing card production, 130-2 workshops see drawing and workshop practice Xenophanes, 42 Zafuris, Nikolaos: Nauplio pala d'altare commission, 231-4 Zeno (of Sidon), 42 Zio, Francesco, 190, 191 Zoppo, Marco, 9 Zurich Council: decrees on images, 418-19 Zwingli, Ulrich: criticism of religious images, 416-19, 422 |
