| Volltext: | INDEX Adams, Ansel 35,103,127,194,218; Award 189,231; andVan Dern Coke 55, 56, 58-9; Gallery 123,124,125,189,190, 191; prints 262; and Chris Rainier 223, 224, 228; workshops 11 Adams, Clinton 61, 62—3, 64 advertising see commercial/advertising photography Antarctica 225, 230 Aperture magazine 36-7,38 Apple Mac 141-2,244 archetypes 42 architectural photography 263-4 art history 61-2,63-5,202 art photographers see Bernhard, Ruth; Casanave, Martha; Chappell, Walter; Coke, Van Deren Auden.W.H. 91,100 Australia 170-1,240-1 autobiographical work 9,170,255 awareness: developing and holding on to 39,41,43; and sensitivity 22—3 Barthes, Roland 27 Baughman,J. Ross 1-9; autobiographical work 9; censorship 7; editor and photojournalist, perceptions and working relations 2—4; education and career 1; ethical issues 4, 6—7; Overseas Press Corp and AP 8; "photo opportunities" 5; political issues 3-5, 7; press pool and favoritism 5-6; Pulitzer Prize 1,7—9; teaching 2;Visions photo agency 1, 6 Bernhard, Ruth 11-24; art photography 13-14; awareness and sensitivity 22-3; childhood 22; children as subjects 18-19; commercial photography 15; commonplace and universal subjects 11,12; confidence and growth 20-1; The Delineator (Steiner) 13; doll's head 17-18; environmentalism and food 23, 24; exhibitions/collections 11; in Florida 19; German reunification 23; Gift of the Commonplace 18; holistic approach 12-13; and Lewis Kemper 125-6; light 16; move from New York to California 16-17; nudes 11, 12, 14; prints and publications 11; teaching 11,19-20, 21-2; women photographers 14-16 "Beware of the Dog" project (Casanave) 27-8 black political leaders (1960s) 207-8 black and white: printing 40,260; vs color 205,270 Brodovitch, Alexy 91,119 California 16-17,31,36-7, 56, 58,123; see also Yosemite National Park camera clubs 58,59,261-2 cameras: architectural photography 263-4; equipment and techniques 26,27,35-6, 37, 43, 56, 57-8, 97-8,118-19,127, 130-1,161,162,163,190-1; formats 70,103,169,204-5,219-20, 236; technology and vision 32-4,43; see also digital technology 276 Index Capa, Cornell 51 Cartier-Bresson, Henri 135,198 Casals, Pablo 147-8 Casanave, Martha 25-30; education and early career 25-6; equipment and techniques 26,27; exhibitions and collections 25; feminist perspective 27; illness and "Beware of the Dog" project 27-8; "Kitchen Kama Sutra" project (food and sex) 28; metaphors 28-9; nudes 29; portraits 26-7; prints and publications 25; shyness 26; in Soviet Union 26; teaching 25-6,28-9; and Edward Weston 13—14, 15,16—17,18,23; women photographers 29-30 CD-ROM market 139-40 censorship 7, 81-2,187 Chappell, Walter 31-43; archetypes 42; awareness, developing and holding on to 39,41, 43; black and white printing 40; in California 31,36-7; camera equipment and technique 35-6,37, 43; camera technology and vision 32-4,43; chaos theory 40-1,42-3; childhood/ youth 34; Dutch Elms project 38-9; illness 35, 36; light 41; Metaflora project 41; metaphors and "equivalents" 39; music 32, 34; in New Mexico 31; in New York 37; photography and other mediums 31, 32; samadhi practice 41-2; visual comprehension 42-3; vital energy, manifestation of 40,41; and Edward Weston 35; and Minor White 31,34-5, 36-9 childhood influences 22,34,57, 87-8,210, 234-5,272 children as subjects 18-19 China 117,248 clichés, working through 192-3 Cobb, Jodi 45-54; advice 52; awards 45, 52; books 45; commercial photography 48; Day in the Life assignments 48; "fly on the wall" shots 48; National Geographic 45, 46-8, 50, 52; photographers, admired 50; portraits 48; relationships and emotional connection 53; responsibilities 54; social issues 50; teaching 45, 53; travel 48-9; University of Missouri and Fund for Concerned Photography project 51—2; women photographers 50-1; "The Women of Saudi Arabia" 47, 50 Cohen, David see Smolan, Rick and Cohen, David Coke,Van Deren 55-65; and Ansel Adams 55,56, 58-9; and Clinton Adams 61, 62-3,64; art history 61-2, 63-5; in California 56, 58; camera club 58, 59; childhood, youth and education 57-9; directorships 55, 56-7; equipment and techniques 56, 57-8; exhibitions 55-6, 65; and Ben Hart 58, 59; history as subject 60; Mexico 59, 62,65; at Museum of Modern Art (MoMa) 56-7; publication 65; teaching 55, 62—5; University of Kentucky 59—60, 61; University of New Mexico (UNM) 63-5; as wartime naval officer 60; and Edward Weston 55,58, 59,61 color: high saturation 269-70; techniques 83-4; us black and white 205,270 commercial/advertising photography 15, 48,146,155,219,262; and personal projects 256-8;TV 98; US and Europe 116-17; see also Dole, Jodi computers 141-2,244; see also digital technology Condon,John 108,109 Dalai Lama and Tibet 232-4 dance: Matachine dancers 101,102-3; Sun Dance 131-2; see also Greenfield, Lois "Dark Landscapes" (Hall) 103 Day in the Life projects see Smolan, Rick and Cohen, David Dean, James 263-4 "decisive moments" 135,198 Demarchelier, Patrick 67-71; camera equipment and formats 70; early life and career 67; exhibitions and publications 70-1; models and celebrity portraits 68-9; studio and team 69-70 The Delineator (Steiner) 13 digital technology 73,74,75-8,133-7, 267—9; image storage 77,142-3; investment and upgrade 139,141-2; online and CD-ROM market 139-40; Photoshop 124,127,134,138; quality of images 138-9; see also cameras Dole, Jodi 73-8; ambition 78; awards 73; clients 73, 74-5; digital imaging and equipment 73, 74, 75-8; digital storage 77; Iris prints 75,76,77—8 doll's head (Bernhard) 17-18 Dutch Elms project (Chappell) 38-9 dye-sublimation prints 135 editors and photojournalists, perceptions and working relations 2-4 "Environmental Expressionism" portfolio (Gotfryd) 92 Index 277 environmentalist 236-8; and food 23, 24; "spiritual ecology" 193 equipment see cameras; digital technology "equivalents" 39,228 ethical issues 6—7; consent of subjects 4; invasion of privacy 152-3 Evans, Walker 262 family: Bernard Gotfryd 89-90,92-3; Sally Mann 161,162,165 Farm Security Administration (FSA): Carl Mydans 185-6,188; Arnold Newman 201; Gordon Parks 203,204—5,206-7, 211 fashion: magazines 67,68,95; see also Demarchelier, Patrick films/filming 98,133,167-8,205,208-9, 249-50 "fly on the wall" shots (Cobb) 48 food: and environmentalist 23,24; and sex 28 France 183,207 funding/grants 51-2, 81-2,224-6, 240-1 Galassi, Peter 79-85; at Museum of Modern Art (MoMa) 79, 81, 84; color techniques 83-4; government funding and censorship 81-2; intent of artists 82-3; photograph as art work 83; "Pleasures and Terrors of Domestic Comfort" exhibition 79-80; self-promotion of artists 84-5 Garlock, Bradley 69 Germany: and Nazi regime 174-5,177-8, 179; occupation of Poland see Gotfryd, Bernard; reunification 23 Gift of the Commonplace (Bernhard) 18 Gotfryd, Bernard 87—93; at Borenstein studio 88-9; awards 91-2; childhood and early interest in photography 87—8; concentration camps 89, 93; "Environmental Expressionism" portfolio 92; family 89-90,92-3; and Gestapo officer 88-9; Holocaust memories 92-3; in New York 90-1; Newsweek 90-1, 92; and Polish Resistance 88-9; portraits and relationships with subjects 91, 92; post- Liberation Poland 89—90; short stories 91-2; in US Army 90; "The Wedding Picture" 92-3 grants/funding 51-2, 81-2,224-6,240-1 Great Depression 173,175-6; see also Farm Security Administration (FSA) Greenfield, Lois 95-8; awards 95; and choreography 96-7; clients 95-6; early career 95; equipment and technique 97-8; filming and directing TV commercials 98; inspiration 98; and Dave Parsons 95,96; publications 95; relationship with subjects 96 Grossman, Sid 145,151,153 Hagel, Otto see Mieth, Hansel and Hagel, Otto Hall, Douglas Kent 99-105; agents 101; American West 99; camera format 103; church photographs 104; collections 99; creative writing teaching 100; "Dark Landscapes" 103; early life and education 99; first camera 100; In Prison project 103-4; landscapes 104-5; Matachine dancers 101, 102—3; New Mexico as home and inspiration 99-100,101-5; photographers, admired 103; publications 99; rock musicians 100; "Voices from an Ancient Landscape" 101,103 Hart, Ben 58, 59 Hawaii 245, 246 Heart Mountain Relocation Center (Mieth and Hagel) 173,177-9 Hell Chromacon system 267-9 Hometowns project (Tice) 263-4, 265 "Hot Shot" (Link) 159-60 humanitarian and refugee stories 225, 227-8 "Images of Concern" exhibition 51-2 In Prison project (Hall) 103-4 India 167,171 indigenous cultures: Native American 101, 102-3,131-2; and sacredness 226-8, 229-30 Iris prints 75,76,77-8 Japan: Day in the Life project 246; see also World War II jazz 115,119 Kalinsky, George 107-13; award 107; career before photography 110; celebrity subjects 107; and John Condon 108,109; Miami Herald 108; and Muhammad Ali 108,111-12; Pope John Paul II portrait 107,112; printing 109; publications 107, 110; sports subjects 107-10,111—12,113 Kane, Art 115-21; advertising photography, US and Europe 116-17; art director 115; awards 115; beginning and maintaining career 119-20; cameras and technique 118-19; China 117; collections 115; 278 Index creativity, problem of teaching 121; equipment 127; as graphic designer 115, 116,119;jazz 115,119; mass marketing 117-18; personal journalism 118; teaching 120-1 Kemper, Lewis 123-8; Ansel Adams Gallery 124,125; award 128; Canon "Explorers of Light" group 123,128; childhood and youth 124; collections and online gallery 123-4; education 123; inspiration and motivation 128; light 126-7; move to California 123; nature and seasons 126; publications 124; Sacramento project 127-8; teaching 124, 125-7;Yosemite andYellowstone National Parks 123, 124-5 Kennedy, David Michael 129-32; awards 129; celebrity and editorial portraits 129; equipment and technique 130-1; move from New York to New Mexico 129-30; musicians, posters and album covers 129; Native American dancers 131-2; "Pine Ridge" series 132 Keyser, Rosie 69-70 Kirkland, Douglas 133-43; business advantages and disadvantages of digital technology 137; celebrity portraits 133; changing occupational roles 136-7, 138,140-1; "dig graphs" 135-6; digital storage 142-3; digital technology 133-7; dye-sublimation prints 135; equipment, investment and upgrade 139,141-2; films 133; Light Value Technology (LVTs) 135; magazines 133,136; nudes: "Body Language" project 135; online and CD-ROM market 139-40; Photoshop 134,138; publications 133,135-6, 137; quality of computer-generated photography 138-9; special effects services 137-8; teaching 133 "Kitchen Kama Sutra" project (Casanave) 28 Korean story 250 landscape photography 103,104-5,161; see also Neill, William; Tice, George Leipzig, Arthur 145-53; advice 153; communication and compassion 147; early career and influences 145,151; exhibitions and collections 145,146; human condition 147,152; at INP news agency 146,149-50; inspiration and motivation 150; magazines and commercial work 146; "Mentor Series" 147-8; "Opening Night at the Opera" 147; "people" photography as invasion of privacy 152-3; personal projects and assignments 150-1; photo essays 145; Photo League, New York City 145, 151-2; at PM newspaper 146,148-9; teaching 146,147-8 Life magazine: J. Ross Baughman 1,4, 6; Douglas Kirkland 133,136; Hansel Mieth and Otto Hagel 176, 177, 178; Gordon Parks 203, 204,205-6, 207-8, 212; Rick Smolan 240; andTime-Life, Carl Mydans 181,182,186-8 light 16, 41,126-7; Canon "Explorers of Light" group 123,128; night shooting, equipment and technique 157-9 Light Value Technology (LVTs) 135 Link, O.Winston 155-60; civil engineering, education and wartime career 155; commercial and industrial photography 155; film development and exposure 159;"Hot Shot" 159-60;"Main Line on Main Street" 157; night shooting, lighting equipment and technique 157-9; Norfolk & Western (N&W) railroad project 155, 156-60; people in pictures 159; publications 155,160 Mac/PCs 141-2,244 magazines: Aperture 36-7,38; fashion 67, 68, 95; National Geographic 45, 46-8,50, 170-1,234, 235; NewYork Magazine 45, 48; news 1; Newsweek 90-1, 92; Penthouse 131; science 136; Time 176, 181,187; see also Life magazine "Main Line on Main Street" (Link) 157 Mann, Sally 161-6; advice 165-6; awards and honorary degree 161, 162,163; career development 162—3; empowerment, intimidation and sacrifices 164; equipment and technique 161,162,163; exhibitions and collections 161; family life 161, 162,165; grants 161,164; influences 165; informal learning and influences 163; landscape photography 161; Lexington 161, 164-5; "The Perfect Tomato" 162; publications 161; self-promotion 163-4; social and political issues 165; teaching 166 Mapplethorpe exhibition 81,82 Mark, Mary Ellen 167-72; Australia 170-1; autobiographical work 170; awards 167, 168; camera format 169; documentary photography 169,172; education and beginning of career 168-9; India 167, 171; magazines 167; publications and Index 279 films 167-8; research 170-1; social themes and subjects 167,169-70; teaching 172; women, subjects and photographers 171-2 Matachine dancers 101,102-3 "Mentor Series" (Leipzig) 147-8 Metaflora project (Chappell) 41 metaphors 28-9, 39 Mieth, Hansel and Hagel, Otto 173-9; blacklisted by Committee on Un-American Activities 179; book 173,179; early life 173-4; European trips 174; Germany and Nazi regime 174—5,177—8, 179; Great Depression, documenting 173,175-6; Heart Mountain Relocation Center, Japanese internees 173,177-9; magazines 176; migration to and travel in US 175 Muhammad Ali 108, 111 music 32, 34, 217; composing 207, 210-11, 212; jazz 115,119; rock musicians 100, 107,115,129 Mydans, Carl 181-8; advice 185; archives 187-8; awards 181; books 182; censorship 187; exhibitions 181; Farm Security Administration (FSA) 185-6, 188; France 183;Japanese capture and imprisonment 183-4;Japanese surrender 182; Life magazine 181,186-7; motivation 184-5; and Gordon Parks 211; post-war assignments 181; teaching 181;Time-Life 181,182,187-8 National Endowment for the Arts (NEA) 81 National Geographic 45, 46-8,50,170-1, 234,235 Native Americans 101,102-3,131-2 nature/wilderness photographers see Kemper, Lewis; Neill, William; Rainier, Chris; Rowell, Galen Neill,William 189-95; advice 191; clichés, working through 192—3; early career 190; East Coast and Southwest locations 194; equipment and technique 190-1; inspiration 189; magazines 189,191,192; marketing and income sources 191,192, 194-5; publications 189; special projects 195; "spiritual ecology" 193; teaching 189,190,193;Yosemite National Park 189-94 Nepal: Annapurna Conservation Area Project 234 New Mexico 31,99-100,101-5,129-30; University (UNM) 63-5 New York Magazine 45, 48 Newman, Arnold 197-202; art history 202; awards and honorary degrees 197; books 197; control, importance of 198; creative process 200,201-2; exhibitions and collections 197; inspirational painters and photographers 200-1; magazines 197; portrait, definition of 198; research 199; Stieglitz and O'Keefe portrait 201; Stravinsky portrait 199; studio vs location shoots 198; subjects and themes 199-200 Newsweek 90-1, 92 night shooting 157-9 nudes 11,12,14,29,135 occupational roles, changing 136-7,138, 140-1 "Opening Night at the Opera" (Leipzig) 147 Overseas Press Corp 8 painters: influence of 200-1,271; see also art history Parks, Gordon 203-13; advice 212; black political leaders (1960s) 207-8; black and white vs color 205; books 203, 204, 209-10; camera format 204-5; childhood 210; current projects 212; diversity of creative work 203,212-13; Farm Security Administration (FSA) 203,204-5,206-7, 211; film directing 205,208-9; Life magazine 203,205-6, 207-8; motivation 211-12; Paris, France 207; photographers, admired 211 ; poets and poetry 206, 209—10; subjects 206; writing and composing 207,210-11,212 Parsons, Dave 95, 96 PC/Apple Mac 141-2,244 Penthouse magazine 131 "The Perfect Tomato" (Mann) 162 photojournalists see Baughman, J. Ross; Cobb, Jodi; Mieth, Hansel and Hagel, Otto; Mydans, Carl Photoshop 124,127,134,138 Picker, Fred 215-21; advice 220; audience responses 217-18; beginning and developing career 218-19; books 215; camera formats 219-20; commercial work 219; "fine art" vs other photographic forms 220-1; inspiration from music 217; "otherness" 217; photographers, admired 218, 221; skills and "technique" 216; subjects 216—17; teaching 220, 221; travel 216; Zone VI workshop 215,219,220 280 Index "Pine Ridge" series (Kennedy) 132 "Pleasures and Terrors of Domestic Comfort" exhibition 79-80 PM newspaper 146,148-9 poets and poetry 206, 209-10 Point Lobos 23,35,58 Poland, German occupation of see Gotfryd, Bernard portraits 26-7,48; celebrities 68-9, 129, 133; Pope John Paul II 107,112; and relationships with subjects 91,92; see also Newman, Arnold Pulitzer Prize 1,7-9, 45, 52 Pyle, Gene 218 railroad project, Norfolk & Western (N&W) 155,156-60 Rainier, Chris 223—30; advice 229; and Ansel Adams 223,224,228; Antarctica 225,230; awards 223; books 223; early life overseas 224, 226; exhibitions 223; formal training 224; humanitarian and refugee stories 225,227-8; indigenous cultures and sacredness 226-8,229-30; international travel, funding and sacrifices 224-6; magazines 223,225; subjects and events 223; teaching 230; wilderness areas and native tribes 223 Reagan, Ronald 263,264 rock musicians 100,107,115,129 "Rolling Ball" (Turner) 270—1 Rowell, Galen 231-8; award 231; beginning and development of career 235; books 231—2,237; camera format 236; early life 235-6; environmentalism 236-8; exhibited work 231; favorite images 236; favorite wild place 235-6; magazines 231; self-assigned work 234; Tibetan cause and audience with Dalai Lama 232-4; travel 231; World WildHfe Fund: Annapurna Conservation Area Project 234 Russia/Soviet Union 26, 246-8 "Sand and Storm" (Turner) 270 Schwarzenegger, Arnold 104 Smolan, Rick and Cohen, David 239-51; advice 250; America 247; Apple Mac 244; Australia project and funding 240-1; China 248; and Jodi Cobb 48; Collins acquisition 249; Contact Press 239,240; Day in the Life Publishing Company 239-40,242; films 249-50; Hawaii 245,246; Japan 246; Korean story 250; organizing skills 243; photojournalists and book production team 240,243-5; Russia 246-8; self-motivation 250-1; Spain 248 Soviet Union/Russia 26, 246-8 Spain 248 spirituality: creativity and 257-8; indigenous cultures and 226-8, 229-30; samadhi practice 41-2; "spiritual ecology" 193 sports subjects 107—10,111—12,113; women photographers 50-1 steam trains, Norfolk & Western (N&W) project 155,156-60 Steichen, Edward 145,146,260-1 Steiner, Ralph 13, 59 Stieglitz, Al&ed 39,228; portrait 201 Strand, Paul 103,145,151,221 Stryker, Roy 185, 186,201,203,204, 206-7,211 Sturges,Jock 82 Sudan 270-1 Sun Dance 131-2 Szarkowski,John 84 teaching: Baughman 2; Bernhard 11,19-20, 21-2; Casanave 25-6,28-9; Cobb 45, 53; Coke 55,62-5; Hall 100; Kane 120-1; Kemper 124,125-7; Kirkland 133; Leipzig 146,147-8; Mann 166; Mark 172;Mydans 181;Neiil 189, 190,193; Picker 220,221; Rainier 230; Tenneson 253,254;Tice 261 Tenneson, Joyce 253-8; advice 258; autobiographical and universal images 255; awards 253; commercial and personal approaches 256-8; creativity and spirituality 257-8; current projects and plans 258; inspiration 253—4, 257-8; magazines/journals 253; move from Washington to New York 254—5; nude subjects 255; preparation 255-6; "secret garden" 257; teaching 253, 254 Thompson, Edward K. 178 Tibet: and Dalai Lama 232-4; "Rainbow over the Potala Palace, Lhasa" 236 Tice, George 259-66; black and white printing 260; books 259-60,263,265; camera, architectural photographs 263-4; camera clubs 261—2; collections of prints and porfolios 259; commercial work 262; early career 262; exhibitions 259, 262, 264-5; Hotnetowis project 263-4,265; naval service 259, 260; self-generated work 265—6; Steichen Portfolios 260-1; teaching 261 Time magazine 176,181,187 Index 281 Time-Life 181,182,187-8 travel 175,216, 224-6, 231 Turner, Pete 137, 267-73; advice 272-3; awards 267; books 267,272; childhood 272; collections 267; color films and color saturation 269; color as inspiration 269-70; education 271-2; "foregrounds and backgrounds" theme 272; influences 271; new technology 267-9; "Rolling Ball" 270-1; "Sand and Storm" 270; surrealism 271 Twain, Mark 263,264 Vietnam Veterans' Memorial 53 "visual illiteracy" and visual comprehension 38, 42-3 vital energy, manifestation of 40,41 Vogue 67 "Voices from an Ancient Landscape" (Hall) 101,103 Weston, Edward: and Ruth Bernhard, 13—15,23; and Martha Casanave 13-14, 15,16-17,18, 23; and Walter Chappell 35; andVan Deren Coke 55, 58, 59,61; and Douglas Kent Hall 103; and George Tice 262 "The Wedding Picture" (Gotfryd) 92-3 White, Minor 31,34-5,36-9 wilderness/nature photographers see Kemper, Lewis; Neill, William; Rainrer, Chris; Rowell, Galen Witkin, Lee 262 women photographers: challenges 14-16, 29-30, 50-1; feminist perspective 27; and subjects 1712 World War II: Airborne Instruments Laboratory 155; German occupation of Poland see Gotfryd, Bernard; Germany and Nazi regime 174-5,177-8, 179; Japanese internees, Heart Mountain Relocation Center 173,177-9; Japanese surrender and POW experience 182,183-4; naval careers 60,259,260 World Wildlife Fund: Annapurna Conservation Area Project 234 "The Women of Saudi Arabia" (Cobb) 47, 50 Yosemite National Park 189-94; Ansel Adams Gallery 123,124,125,189,190, 191; andYellowstone National Park 123, 124-5 |
