| Volltext: | I N D E X INDEX Aalto, Alvar, 258 Abstract Expressionism, 84, 118-119 Abstraction, 34-35, 62, 84, 118, 381 Advertising and advertisements, 85, 87-88, 104, 1 12-116, 118, 134, 324, 338 Aeronautical design, 4-5, 38, 160, 329 Age of the Masters. See Banham, Reyner, books Air-conditioning, 194-199, 368 Allen, Deborah, 320-323 Alloway, Lawrence, 8, 84, 86-91, 93-94, 97-99, 101-105, 111, 113-116, 145, 159, 171, 179, 215, 237, 425n3 Alternative technology. See Technology American automobiles. See Automobiles, American American popular culture, 5, 10, 26, 87, 94-97, 100-101, 113-115, 343, 379, 383 "Angry Young Men, The" 123, 168, 290, 376, 432n119 Anti-formal, 118-122, 127, 138 Anti-hierarchy, 85, 102, 103-105, 118-119, 137-138, 167, 237, 329, 410 "Anti-Picturesque" faction, 12, 15, 27, 274, 365, 378 Arbeitsrat für Kunst, 35, 36 Archigram, 167-179, 182-185, 188,215-217, 220-222, 247, 248, 253, 268, 284, 286-287, 291, 330, 348, 349, 350, 353, 365, 383, 392, 397, 399 Archigram (magazine), 168-169, 171-173, 217 Capsule Homes, 175, 347 Control and Choice, 216-217, 221, 348 Graphics, 177-178, 222 Instant City, 221-222, 291 Living-City, 287 Plug-in City, 170-171, 175, 177, 220-221, 262, 286-287, 291, 347 Plug'n'Clip exhibit, 216 Architects' Journal, 27, 327, 328 Architectural Design, 171 Architectural Review, 9, 12, 15-16, 17, 26, 29, 45, 123-125, 151, 159, 161, 162, 163, 327, 372, 378, 396 Architecture Autre, xv, 117-22, 122-133, 143, 147, 149, 151, 155, 160, 161, 168, 176, 185, 188, 207, 219, 236-237, 252-253, 257, 263, 267, 268, 289, 332, 386, 387, 397, 436n26 Architecture of the Well-tempered Environment, The. See Banham, Reyner, books Arp, Jean, 122 ARSE group (Architectural Radicals, Students and Educators), 261 Art in America, 327 Art Autre, 82, 84-86, 118-119, 122-128, 143, 168 Art Brut, 89, 116, 117-122, 125, 127, 128-132, 148 Art News and Review. 27, 328, 425n3 Art Nouveau, 16, 18, 33 Arts and Crafts, 36, 96 Arts in Society (1977), xiv Aspen conference, Colorado, 28, 262-263, 264 Aspen Papers, The. See Banham, Reyner, books Association of International Architects, 157 Atelier Populaire, 261, 262 Audience. See Consumers Automobiles, 33-34, 38, 52, 54-55, 69-70, 100, 144, 162-164, 166, 184,239,315-316, 323, 327, 329, 330-334, 341, 344, 352, 417n70, 421 n80. See also Customization, auto; Drag and grudge racing; Hot-rods; Motor racing; Warshawsky catalog American, 9, 15, 27, 34, 91-93, 98, 105-108, 110, 112, 118, 134, 136, 138, 144, 147, 148, 150, 162, 168, 180, 208, 210, 233-236, 270, 273, 283, 301, 314-315, 317-324, 330- 334, 335, 344-347, 349, 365, 392 vintage, 329 Baer, Steve, 302-303 Baird, George, 387-391, 394, 395, 409 Meaning in Architecture. See Jencks, Charles, and George Baird Balla, Giacomo, 10 Banham, Mary, 15, 28, 29, 330 Banham, Reyner Anti-Establishment attitude, 162, 183, 302, 377, 378-382, 397, 399-400 Articles and reviews, with citations in text "1,2,3,4 . . . Green!" (1956), 331-332 "Academic Arrival of Postmodernism, The" (1984), 275, 280-281 "All That Glitters Is Not Stainless" (1967), 339, 422n91, 461n10 481 INDEX Banham, Reyner, articles and reviews (cont.) "Alloway and After" (1957), 425n3 "Anti-Technology" (1967), 465n96 "Apropos the Smithsons" (1961), 421n69, 425n3, 433n144 "Architecture of Wampanoag, The" (1969), 390-391 "Art of Doing Your Own Thing, The" (1968), 231, 237, 465n96 "Art and Necessity" (1982), 294-298 "Art-Space Angst" (1986), 292 "AT&T: The Post Post-Deco Skyscraper" (1984), 274 "Atavism of the Short-Distance Mini Cyclist" (1964), 5, 7, 90, 95, 98-99, 378-380, 383, 426n3 "Atelier d'Artistes: Paris Studio Houses and the Modern Movement" (1956), 415n39 "Bauhaus Gospel, The" (1968), 8, 9, 350- 351, 423n104, 440n109 "Beverly Hills, Too, Is a Ghetto" (1968), 237- 238 "Beyond Sir's Ken" (1969), 22, 353 "Black Box, A" (1990), 384, 395 "Brands Hatch" (1964), 332 "Bricologues à la lanterne" (1976), 374 "Building Inside Out" (1987), 275-278 "Bus Pop" (1968), 465n96 "Cambridge Mark II" (1968), 258, 451 n35 "Chairs as Art" (1967), 353-354 "CLASP—III Met by Clip-joint?" (1962), 151- 152 "Clip-on Architecture, A" (1965), 171-176, 344 "Convenient Benches and Handy Hooks: Functional Considerations in the Criticism of the Art of Architecture" (1965), 310, 342, 361, 390 "Cool on the Kuhberg" (1959), 473n115 "Coronation Street, Hoggartsborough" (1962), 451-452n36 "Counter-Attack NY" (1961), 417n74 "Crisp at the Crossroads, The" (1970), 467n131 "Cult, The" (1961), 315 "Descent of F3, The" (1959), 332 "Design by Choice" (1961), 111-112, 137, 317, 425n3, 431n97 "Drop-Out Dottiness" (1981), 301 "Dymaxicrat, The" (1963), 437n42 "Eighteen Thousand Marbleheads" (1960), 435n13 "Elicit Undersound, The" (1967), 445n96 "Embalmed City, The" (1963), 22-25 "Encounter with Sunset Boulevard" (1968), 228, 239 "End of Insolence, The" (1960), 96, 313-315, 317,331,337 "England and America" (1977), 376 "England His England" (1962), 372, 468n2 "Enigma of the Rue du Renard" (1977), 292-293 "Europe and American Design" (1974), 454n83 "Faces of Time" (1978), 467n131 "Fear of Eero's Mana" (1962), 458n165 "Fiat: The Phantom of Order" (1985), 424n130 "Finagle's Law" (1959), 451 n29 "First Master of the Mass Media?" (1963), 99, 396 "Flatscape with Containers" (1967), 387-391 "Flourish of Symbols, A" (1963), 96, 313, 325, 337, 339 "Flower Power Mark I" (1968), 365, 372 "Footnotes to Sant'Elia" (1956), 415n39, 419n42 "Four-Wheel Life, The" (1977), 464n63 "Fully Conditioned Interior, The" (1975), 440-441n7 "Fur-Out Trip, A" (1971), 465n96 "Futurism for Keeps" (1960), 84, 118, 145— 146,147,157, 311, 420n55, 425n3,440n108 "Futurism and Modern Architecture" (1957), 50, 79, 420n42, 420n48 "Futurist Manifesto" (1959), 415n39, 419n38, 440n108 "Gentry-Mini Mania" (1974), 465n96 "Glass Paradise, The" (1959), 32, 40, 47, 415n39,423n104 "Gong for the Welfare State, A" (1961), 436n26 "Grass Above, Glass Around" (1977), 293 "Great Gizmo, The" (1965), 210-211, 355 "Grudge Racing Tonight" (1966), 332 "H.M. Fashion House" (1961), 312, 336 "Hair-Cut, You!" (1956), 395 "Handsome Doesn't" (1961), 336 482 INDEX "Hermann in Eden" (1971), 423n102 "Historical Studies and Architectural Criticism" (1962-1963), 396, 398 "History Faculty, Cambridge" (1968), 254- 258, 264 "History of the Immediate Future" (1961), 162, 472n98 "History Under Revision" (1960), 8, 9, 37, 398 "Home Is Not a House, A" (1965), 189-193, 203-211, 298, 325, 351-352, 384, 385, 394 "Horse of a Different Colour" (1967) 334 "Household Godjets" (1970), 355-357, 464n71 "Howard Robertson" (1953), 415n38 "Immoral Uplift" (1972), 449n175 "In the Neighbourhood of Art" (1987), 384, 458n163 "Industrial Design e Arte Popolare" (1955), 425n3 "Industrial Design and the Common User" (1956), 350 "Industrial Design and Popular Art" (1955), 139, 415n36 "Introduction" Architecture of Yorke Rosenberg Mardall (1972), 472n96 Buffalo Architecture: A Guide (1981), 460n198 Foster Associates (1979), 294, 301 James Stirling (1974), 432n125 "Ism Count, The" (1981), 274 "Japonization of World Architecture, The" (1985), 305, 382, 454n80 "Kandy Kulture Kikerone" (1965), 326 "King Lut's Navy" (1981), 266-268 "Klarheit, Ehrichkeit, Einfachkeit. .. and Wit Too!" (1989), 436n27, 458n163 "Last Formgiver, The" (1966), 422n99 "Last Professional, The" (1969), 149, 422n98, 459n179 "Le Corbusier" (1967), 148-149, 248, 396, 422n99 "Lecturing at Ulm" (1959), 400 "Louis Kahn: The Buttery Hatch Aesthetic" (1962), 154 "Machine Aesthetes" (1958), 123, 148 "Machine Aesthetic" (1955), 15, 33-34, 38- 39, 69, 85, 92, 139, 259, 311, 315, 319-320, 331, 361 "Making Architecture: The High Craft of Renzo Piano" (1989), 298, 458n163 "Man, Machine and Motion" (1955), 89 "Master of Freedom" (1959), 422n100 "Mediated Environments or: You Can't Build That Here" (1975), 454n83 "Megastructure è Morta, La" (1973), 291 "Mendelsohn" (1954), 41-46, 396, 415n36 "Mesa Messiah, The" (1976), 460n192 "Message Is a Monkee, The" (1967), 325 "Mies van der Rohe: Almost Nothing Is Too Much" (1962), 150-151, 153, 422n98 "Missing Persons" (1965), 423n101, 437n57 "Modern Monuments" (1986), 67 "Mondrian and the Philosophy of Modern Design" (1957), 415n39 "Monumental Windbags" (1968), 217-220, 352, 396 "Neo-Liberty: The Italian Retreat from Modern Architecture" (1959), 17-20 "New Brutalism, The" (1955), 86, 118, 128— 130, 138-139, 252, 415n36, 432n120, 432- 433n131 "Non-Plan: An Experiment in Freedom" (1969), 241-242 "Nostalgia for Style" (1973), 67 "Not Quite Architecture, Not Quite Painting or Sculpture Either" (1956), 116 "Notes Toward a Definition of U.S. Automobile Painting as a Significant Branch of Modern Mobile Heraldry" (1966), 346-347 "Old Designers'Tales" (1983), 358-360 "Old Futuropolis" (1966), 392 "On Abstract Theory" (1953), 337, 342 "On First Looking into Warshawsky" (1961), 346 "One and the Few: The Rise of Modern Architecture in Finland, The" (1957), 415n39, 419n29 "Only an Academic Flywheel" (1972), 265- 266, 377, 399, 404 "Open City and Its Enemies, The" (1976), 215, 242-243 "Ornament and Crime: The Decisive Contribution of Adolf Loos" (1957), 70, 367, 415n39 "Painters of the Bauhaus" (1962), 423n104 "Painting and Sculpture of Le Cor busier" (1953), 415n29 483 INDEX Banham, Reyner, articles and reviews (cont.) "Paleface Trash" (1973), 467n131 "People's Palaces" (1964), 214, 380-381 "Persuading Image: A Symposium" (1960), 98, 344 "Pevsner de Luxe Model" (1968), 468n2 "Pevsner's Progress" (1978), 369-372 "Play Power" (1971), 256-257 "Plucky Jims" (1958), 253 "Pop and the Body Critical" (1965), 94, 161, 240, 323, 380, 409, 426n3 "Power Plank" (1973), 467n131 "Preserve Us from Paranoid Preservers" (1973), 266 "Propositions" (1960), 162-165 "Purified Aesthetic, The" (1975), 270, 275 "Quality of Modernism, The" (1986), 293- 294, 298-299 "Radio Machismo" (1974), 340-341 "Rank Values" (1972), 332-334 "Real Golden Oldie, A" (1973), 468n2 "Representations in Protest" (1969), 99 "Reputation of William Morris, The" (1963), 423n103 "Revenge of the Picturesque: English Architectural Polemics, 1945-1965" (1968), 12, 455n95, 474n118 "Roadscape with Rusting Rails" (1968), 234, 238, 239 "Rubbish: It's as Easy as Falling off a Cusp" (1979), xiii "Rudolph Schindler" (1967), 71 "Sage of Corrales, The" (1983), 302 "Santa Cruz Shingle Style" (1983), 274-275, 455n100 "Sant'Elia" (1955), 48-50, 64, 139, 147, 415n36 "School at Hunstanton, Norfolk" (1954), 125-126, 415n36 "Science Side, The" (1960), 160-161 "Set of Actual Monuments, A" (1989), 400, 410 "Sex and the Single Lens" (1974), 467n131 "Shades of Summer" (1967), 465n87 "Shape of Everything, The" (1951), 342 "Shape of Things: Take Courage, The" (1951), 328 "Silicon Style" (1981), 458n162 "Simplified Vaulting Practices" (1953), 415n38 "Slight Agony in the Garden" (1981), 266 "Small Revolution, The" (1959), 435n13 "So This Is FJ?" (1960), 332 "Softer Hardware" (1969), 212, 347-351, 353 "Space for Decoration: A Rejoinder" (1955), 90, 107-108, 139, 163-164, 318, 331, 343 "Space, Fiction and Architecture" (1958), 90 "Spec Builders: Towards a Pop Architecture, The" (1962), 166, 301, 382-383 "Stirling Escapes the Hobbits" (1984), 278- 280 "Stocktaking—Tradition and Technology" (1960), 17, 155, 157, 160-162, 185, 189, 203, 249, 274 "Stretch City" (1986), 464n63 "Style: 'Flimsy ... Effeminate'?, The" (1976), 13, 15, 461n5 "Style for the Job, The" (1964), 126, 249, 458n165 "Sundae Painters" (1974), 465n96 "Tear-Drop Express, The" (1976), 67-69 "That Interesting Play" (1986), 276, 456n115 "Thing in the Forecourt, The" (1983), 267, 300 "Things to Come" (1956), 135-136, 163, 425n3 "This Is Tomorrow" (1956), 116-117 "Thought Is Comprehensive" (1959), 156 "Throw-Away Aesthetic, A" (1960), 106, 137, 318, 319, 425n3 "Top Pop Boffin" (1958), 463n42 "Towards a Million-Volt Light and Sound Culture" (1967), 324, 382, 426n3, 428- 429n50 "Towards a Pop Architecture" (1962), 166, 425n3 "Transistorama" (1961), 335-336 "Tridon" (1958), 415n39, 436n27 "Triumph of Software" (1968), 445n93 "True False Front, The" (1976), 271-273, 282, 387 "Two by Jencks: The Tough Life of the Enfant Terrible" (1980), 375-377, 410 "Unavoidable Options" (1969), 344 "Unlovable at Any Speed" (1966), 448n140 "Vehicles of Desire" (1955), 22, 91-93, 105, 106, 107, 139, 144, 269, 273, 311, 318, 320- 321, 331, 415n36 "Voysey Inheritance, The" (1952), 419n34 484 INDEX "What Architecture of Technology?" (1962), 147, 153-154 "Who Is This 'Pop'?" (1962-1963), 7, 93, 97, 107, 137, 138, 317, 331,426n3 "Wilderness Years of Frank Lloyd Wright, The" (1969), 422n100 "Without Mercy or Metaphor" (1958), 439n89 "Woman of the House" (1979), 71 "Word in Britain: Character, The" (1964), 249-252 "WORLD, The; Book to Change, A" (1960), 7, 9, 10, 468n2 "Wright Anthology" (1956), 415n39 "Writing on the Walls, The" 268-269, 273 "Zoom Wave Hits Architecture" (1966), 182, 396 background, 4-5, 6-7, 10, 26-27, 93-94, 378- 380, 399-400, 408, 413n1, 414n24, 450n15 books, with citations in text Age of the Masters (1975), 153, 271, 273, 373, 423n105 and 113, 446n108, 454n83, 459n185 Architecture of the Well-tempered Environment, The (1969, 1984), xiii, 17, 22, 26, 66, 71, 154, 190-204, 224, 243, 246, 256, 260, 263, 264, 271, 280, 283, 295, 301, 302-305, 349, 350, 352, 364, 366, 367, 368, 369, 372, 384, 385, 386, 390, 393, 404, 407, 409 Aspen Papers, The (1974), 262, 264, 417n76, 467n130 Concrete Atlantis, A: U.S. Industrial Building and European Modern Architecture (1986), xiv, 28, 29, 33, 71-79, 306, 364, 401- 404, 405, 407, 424n123 Critic Writes, A (1996), xiv, 28, 29, 331, 384, 413n5 Design by Choice (1981), xiv, 327-328, 358, 407 Guide to Modern Architecture (1962), 153, 154,373, 423n105, 459n185 High-Tech (unpublished), 367, 404 Los Angeles: The Architecture of Four Ecologies (1971), xiv, 28, 71, 225-243, 264, 270, 280, 306, 364, 409, 455n100 Mechanical Services, Open University unit 21, course 305 "History of Architecture and Design 1890-1939" (1975), 17, 380, 417n72, 440-441 n7 Megastructure: Urban Futures of the Recent Past (1976), xv, 26, 170, 177-178, 215, 280, 284-291, 301, 367, 404, 460n192 New Brutalism, The: Ethic or Aesthetic? (1966), 22, 26, 119-122, 131-133, 157, 252- 253, 270, 290, 367, 398, 404, 432n120 Scenes in America Deserta (1982), 28, 29, 307, 353, 405-409 Theory and Design in the First Machine Age (1960), xiii, xiv, 10, 11, 16, 17, 26, 28, 32-33, 51-52, 53-65, 68, 70, 72, 109, 132, 142- 145, 146-147, 151, 155-156, 157-160, 161, 168, 183, 194, 200-202, 243, 248, 263, 270, 315, 352, 364, 367, 384, 385, 386, 390, 391, 395, 396, 404, 407, 409, 420n43, 466n109 Visions of Ron Herron, The (1994), 439n86 career, xv, 4, 7-8, 15-16, 26, 28-29, 72, 264, 305-306, 358, 399-400, 413nn2, 5, 417nn77, 78, 426n3 and class, 24-25, 96-97, 240, 241-242, 266- 267, 312-314, 332-333, 355-356, 364, 378- 382, 399-400 as critic, 26-27, 29, 106, 182-185, 306, 310- 360, 394-397 critic, role of, xvi, 106, 318-328 education, 4, 9-10, 11 films Fathers of Pop (1979), 83, 84, 105, 426n3 Reyner Banham Loves Los Angeles (1972), 228 and gender, 356-357, 396 as historian, 9, 26, 60-64, 74, 183, 194- 195, 200, 265-266, 310-311, 328, 343, 355-361, 364-373, 375, 397-401, 408, 426n3 personality, xiv, xv, 394, 399-400 polemicism, 70, 200, 254-258, 394-397 politics, 25, 51-52, 99-100, 110, 307, 312- 314, 343, 360, 383, 420n52, 470n57 series "On Trial" (1962), 66, 147, 150-154, 166, 301, 382-383, 425n3 "Stocktaking" (1960), 8, 17, 37, 151, 155, 159-164, 168, 184-185, 203, 304, 355, 384, 398, 474n127 slide set Mythical Vernacular Monuments (1982), 424n120 485 INDEX Banham, Reyner (cont.) technological optimism, 66, 263-264, 301- 302, 306, 360, 364, 382-384, 393-394 Zeitgeist theory, 34, 39, 70, 367-368, 369, 393 Barbarella (film, 1967), 330 Barker, Paul, 241,329, 396 Barriada settlements, 261, 374 Barthes, Roland, 275, 323-324, 334, 358 Bartlett School of Architecture, London. See University College London Bauhaus, 9, 29, 35-37, 56-57, 66, 68, 126, 155, 161, 168, 218, 312, 339, 342, 344, 349, SSOSSI, 440n109 Behrens, Peter, 64, 74 Benevolo, Leonardo, 474n120 Benn, Tony, 25 Berger, John, 330 Betjeman, John, 382 Bicycle design, 329 Blake, Peter, 108, 426n3 Blomfield, Reginald, 442-443n45 Blunt, Anthony, 52 Boccioni, Umberto, 10, 146, 159, 425n3 Bofill, Ricardo, 299 Booker, Christopher, 265 "Borax" 38, 361, 425n3 Brancusi, Constantin, 122 Brand, Stewart, 199, 260 "Bricoleur" concept, 374-375 Brutalism. See New Brutalism, The Buffalo, State University of New York, 28, 72, 305 Burri, Alberto, 128-129 Bush, Donald The Streamlined Decade (1976), 67-70 Butterfield, Herbert, 369, 371 Caplan, Ralph, 358-360 Carrier, William Havilland, 194 Carter, Angela, 330 Casson, Hugh, 163, 258 Chair design, 353-355, 359 Chalk, Warren, 168, 178 "Change and Decay—The Future of Our Churches" (exhibition, 1977), 265 Chapman, Priscilla, 179 Chareau, Pierre, 66-67, 474n127 CIAM (Congrès Internationaux d'Architecture Moderne), 21, 113, 118 Circle (1937), 8 City design, 22-24, 47-53, 147, 220-243, 417n70. See a/so Las Vegas; Los Angeles Cumbernauld, 287-289 Milton Keynes, 242-243 "Non-Plan" 241-242 Clark, Kenneth, 353, 378 CLASP (Consortium of Local Authorities Special Programme), 151-153, 154, 176, 185, 220, 329, 436n26 Classicism and classical aesthetic, 58-64, 70, 127, 278-279, 286, 300, 355-356, 365, 462n16. See a/so Sachlichkeit aesthetic Clip-Kit (.magazine), 182-183 "Clip-on" concept, 174-175, 182,210,211, 284, 348, 439n89 Cockerell, C. R., 259 Color supplements, 179-180, 338 Colquhoun, Alan, 11, 66, 450n15 Concrete Atlantis, A: U.S. Industrial Building and European Modern Architecture. See Banham, Reyner, books Conder, Neville, 258 Conrad, Peter, 360 Conservation, 11, 22-25, 259, 265, 290, 303, 307, 364, 474n127 Consumers, 85, 90-91, 94-98, 102-103, 134- 135, 138, 144-145, 168,215,317-318, 337, 339, 344-347 Cook, Peter, 168, 169-170, 216-217, 220-221, 246 Copcutt, Geoffrey Cumbernauld New Town centre, 287-289 Cordell, Frank, 86-89 Cordell, Magda, 86-87, 89, 130 Council of Industrial Design, 108, 311-313, 329, 336, 339 Design (magazine), 336-337 Courtauld Institute of Art, London, 9, 10, 27, 29, 84, 325 Cousteau, Jacques, 146 Coventry Cathedral, 15, 329 Cramer, Stuart W., 194 Critic Writes, A. See Banham, Reyner, books Crompton, Dennis, 168 486 INDEX Crossland, Tony, 25 Cubism, 18, 34, 55-56, 59, 90, 123 Customization, 344-347, 360 automobiles, 233, 339, 344-348, 350-351 Dada, 62, 85, 88, 104, 118, 122, 123, 126 De Stijl, 9, 16, 42, 51, 123 Deconstructionist/Deconstructivist architecture, 275-276, 281, 455n102 Del Renzio, Toni, 86, 88-89, 94, 113-116 Der Sturm, 51 Deserts, 405-409 Design, 26-28, 96-97, 106, 137-138, 174, 179- 182, 310-360 history of, 357-359 politicization of, 355-361 Design by Choice. See Banham, Reyner, books Design Council, The. See Council of Industrial Design Design education, 329, 351 "Destruction of the English Country House, The" (exhibition, 1974), 265 Domebooks (1972), 263 Drag and grudge racing, 330, 332-334, 347 Dubuffet, Jean, 119-122, 123, 125, 130 Duchamp, Marcel, 113, 419n30 Eames, Charles, 146, 152-153, 154, 227, 348- 349, 359, 390 Eames, Charles and Ray, 359, 436n27 Earl, Harley, 110-111, 180, 349 Ecologist, The A Blueprint for Survival (1972), 263 Eisenman, Peter, 274, 276 Eliot, T.S., 102, 103-104, 346 "Englishness" 11-16, 259, 365 Evinrude, Ole, 210, 211, 444n71 Expendability. See Obsolescence Expo 67, 217, 284-285, 289 Expressionism, 9, 32-33, 35-37, 40-46, 56- 58, 63-65, 148, 236, 249, 351, 410, 451n32 Fathers of Pop (film, 1979). See Banham, Reyner, films Feininger, Lyonel, 36 Festival of Britain, 13-15, 258, 317, 365, 378, 429n62 Finnish architecture, 16 Folk art, 15, 96, 102 Forbidden Planet, The (film, 1956), 113 Forty, Adrian, 357 Foster, Norman, 293-294, 299, 300, 301, 330, 458n163 Hong Kong and Shanghai Bank, 293, 458n158 Lloyd's Building, 293 Sainsbury Centre, 293 Willis, Faber and Dumas building, 293 Frampton, Kenneth, 253, 395, 410, 447n125, 460n194 Modern Architecture: A Critical History (1980), 65 French Group, 262-263, 264 Freud, Sigmund, 358 Fry, Roger, 157 Fuller, Buckminster, 5, 154-161, 166, 169, 171, 174, 176, 185, 188, 190, 208, 240, 253, 264, 302-303, 327, 329, 365, 383, 384, 385, 397, 400, 410, 437n41 Dymaxion House, 156, 157-158, 162, 170, 204, 248 Geodesic domes, 171 Wichita House, 156, 170, 204 Fuller, Peter, 330 Futurism, 9, 10, 18, 22, 26, 32-33, 41, 46-53, 55, 58, 63-64, 67, 78-79, 105, 136, 139, MS-MS, 157-159, 166, 171, 180, 183, 200, 208, 234, 236, 253, 268, 286, 311, 332, 350, 365, 386, 425n3, 474n127 Manifesto of Futurist Architecture (1914), 47-53, 68, 78 Gadgetry, 135,210-211 Galbraith, J. K„ 358, 473n100 Gamier, Tony, 64 Gaudi, Antonio, 64, 329 Gebherd, David, and Robert Winter Architecture in Southern California (1965), 225-226 Gehry, Frank, 275-278, 284, 330, 365,403, 455nn100, 102 Loyola Marymount University Law School, 276-277, 281 Santa Monica house, 276, 281, 401 Giacometti, Alberto, 122 487 INDEX Giedion, Sigfried, 8, 47, 48, 298, 366, 398 Mechanisation Takes Command (1948), 8, 139, 441 n11 Space, Time and Architecture (1941), 8, 47 Gill, Irving, 71, 226, 227 "Gizmos." See Gadgets Gleizes, Albert, 59 Goff, Bruce, 152, 154, 248 Goldfinger, Ernö, 419n30 Goodman, Paul, 65-66 Gowan, James,126, 249-252, 458n165. See also Stirling, James, and James Gowan Graves, Michael, 274, 275 Gray, Eileen, 67 Greene, Charles and Henry, 71, 226, 227 Greene, David, 168 Greenough, Horatio, 295, 298, 459n169 Gropius, Walter, 34, 35-37, 44, 50, 56, 64, 118, 311,342, 366, 368, 401,402 Deutscher Werkbund building, Cologne, 34, 35, 37, 44, 368 Fagus factory, 34, 35, 44, 75, 295, 367, 474n120 Monument to the March Dead, 36 Sommerfeld house, 36 New Architecture and the Bauhaus, The (1935), 35, 36 Guide to Modern Architecture. See Banham, Reyner, books Hall, Peter, 241 Hall, Stuart, and Paddy Whannel The Popular Arts ( 1964), 325 Hamilton, Richard, 11, 84, 88-89, 91, 94, 112- 113, 116, 117, 146, 321,378, 427n21, 450n15 Hers Is a Lush Situation 321 Just What Is It That Makes Today's Homes, So Different, So Appealing? 113 Haring, Hugo, 66 Henderson, Nigel, 11,85, 87, 89, 94, 115-117, 130, 450n15 Henman and Cooper Royal Victoria Hospital, Belfast, 196-198 Heritage, 264-268 Herron, Ron, 168 Heskett, John, 357 High-Tech, xv, 26, 130, 278, 280, 284, 289, 293- 298, 385, 392, 458n158. See also Banham, Reyner, books Historicism, 11, 16-22, 35, 259, 264-268, 270, 307, 367, 369-371, 373, 389, 391, 399 Historiography, 8-9, 26, 34-35, 37, 40-46, 52, 61-65, 67, 87, 397-399, 400, 426n9 Hitchcock, Henry-Russell, 400, 410, 474n118 Hochschule für Gestaltung, Ulm, 161-162, 329, 349, 400 Hoggart, Richard, 94-96, 99, 100, 101-102, 103-104, 325, 358, 379, 428n37 Holroyd, Geoffrey, 113 Homo ludens, 215, 237, 338, 346, 392, 444n81, 445n93 Hot-rods, 150-151, 153, 332, 347-348, 444n71 "House of the Future, The." See Smithson, Alison and Peter Huizinga, Johan, 215, 444n81 "Imageability" 85, 134, 138-139, 174-176, 188, 433n144 Independent Group, The, xv, 7, 15, 25, 26, 82-139, 143, 148, 155, 159, 160, 162, 167, 169, 171, 179, 180, 184,215, 228,237, 275, 302, 311, 312, 315, 316, 321, 324, 326, 328, 339, 352, 364, 378, 387, 393, 394, 397, 425- 426n3 Americanization, and, 98-101 meetings and history, 83-89 politics, 95-97, 99-100, 383 Post-Modernism, and, 270, 272, 282- 283 study of pop culture, 90-101 Indeterminacy in architecture, 171-175, 284, 288 Industrial Design, 337, 358 Inflatables, 184, 185, 206-208, 217-220, 330, 350 Institute of Contemporary Arts (ICA), London, 84-90, 137, 146, 312, 378, 425n3 International Council of the Society of Industrial Designers, 262 International Style, 45, 50, 57, 74, 155, 200, 248, 286, 295 International Union of Architects, 147 Itten, Joannes, 36, 423n104 488 INDEX Jacobs, Jane, 25 Jencks, Charles, xiii, xvi, 268-274, 275-280, 283, 303-304, 338, 364-365, 372, 373-377, 389, 404, 410 and George ßaird Meaning in Architecture (1969), 388-390 Language of Post-Modern Architecture, The (1977), 268-271, 278, 338, 374, 395, 404 Late-Modern Architecture (1980), 375-376 Modern Movements in Architecture (1973), 373, 374 and Nathan Silver Adhocism (1972), 374-375, 388, 395 Skyscrapers-Skycities (1980), 375-376 Jensen, Robert, and Patricia Conway Ornamentalism (1982), 453-454n76 Johnson, Philip, 127, 157, 192, 373 House at New Canaan, 192-193, 204-206 Jones, Allen, 426n3 Jones, Barbara, 429n62 Kahn, Louis, 154, 190-192 Richards Medical Research Building, 154, 190-192 Kamm, Wunnibald, 69 Kandinsky, Wassily, 35, 36 Kitt Peak solar telescope, 405-407 Klee, Paul, 36 Korn, Arthur, 43, 419n30 Krauss, Rosalind, 189, 243 Labour party, 25, 179, 265, 382 Larrabee, Eric, 111 Las Vegas, 222-225, 236, 271, 272, 325-326, 334, 446n108, 454n83 Le Corbusier, 12, 16, 39, 47, 50, 59-61, 66, 68, 73, 105, 118, 125, 138, 148-149, 156, 177, 184, 190, 192, 197, 200-203, 206, 239, 253, 259, 261, 278, 284, 293, 304, 327, 329, 330, 384, 386, 390, 392, 393, 401, 426n3 Ronchamp chapel, 148, 248 Towards a New Architecture (1923), 33, 38, 73, 184, 401 Villa Savoye, 61-63, 70, 72, 105, 283, 385 Lethaby, W. R., 58 Lévi-Strauss, Claude, 358, 370, 374 Lippincott, J. Gordon Design for Business (1947), 110, 111 Littlewood, Joan, 212 Llewelyn Davies, Richard, 26, 171-175, 242 Local Authorities (Historic Buildings) Act (1962), 24 Loos, Adolf, 16, 18, 49, 57-58, 64, 73, 127, 197, 269-270, 393 Los Angeles, 28, 225-243, 268, 276-277, 283, 326, 334, 365, 392, 455n100, 458n163 criticisms, 237-241 freeways, 226-227, 233-236, 238, 241 movement, 233-236, 238 Los Angeles: The Architecture of Four Ecologies. See Banham, Reyner, books Low-tech architecture, 199, 218-219, 300-305 Lundy, Victor, 206, 218 Lurçat, André, 419n30 Lutyens, Edwin, 266-268, 372, 384, 395, 471n69 Lyall, Sutherland, 294 MacEwan, Malcolm, 383 Crisis in Architecture (1974), 263 Machine aesthetic, 15, 33-40, 53, 57, 62-64, 73, 155, 159, 200-203, 393 Machine Ages, 142-143 First, xv, 18, 20, 32-79, 112, 136-137, 142- 144, 146,148, 155, 157-160, 165-166, 168, 175, 183,192, 197, 200-203, 208, 224, 234, 236, 248, 253, 257, 267, 286, 304, 336, 349, 357, 365-366, 390, 391, 396, 397-398, 401 Second, xiv, xv, xvi, 22, 26, 28, 29, 37, 54, 79, 82-139, 142-185, 188-243, 248, 263, 267, 286, 290,299-300, 313-318, 336, 339, 343, 349, 364, 365, 382-384, 385, 392 Third, 336, 339, 348-349, 391-394, 445n96, 472n92 Fourth, xiv Mackintosh, Charles Rennie, 366 Maldonado, Tomas, 357 Malraux, André, 146 "Man, Machine and Motion" (exhibition, 1955), 89,112 Mareks, Gerhard, 36 Marinetti, F, T., 18, 20-21, 22, 25, 39, 46-53, 55, 57, 112, 144, 146, 234, 303, 311 489 INDEX Martin, Albert C., 229, 231, 390 Martin, Leslie, 453n58 Marx, Karl, 53 Marxism, 65, 358, 360 Mass media, 5, 26, 90-91, 96-97, 316-317, 324-325, 338, 379 Matté-Trucco, 61 Fiat factory, Turin, 61, 75-79, 330, 401 Maxwell, Robert, 11,396, 400, 404, 409-410, 450n15, 474n119 Maybeck, Bernard, 225-226 McCoy, Esther Five California Architects (1960), 225-226 McHale, John, 86-89, 97, 99, 102, 111, 112, 113, 116, 145, 155-156, 179, 237, 282 McLuhan, Marshall, 324-325 "Mechanical sensibility" 26, 32-79, 105, 136, 208, 268,286, 331-332, 385 Mechanical services, xv, 189-200, 213-215 Mechanical Services. See Banham, Reyner, books Megascope (magazine), 182-183, 184, 185 Megastructure: Urban Futures of the Recent Past. See Banham, Reyner, books Megastructures, 26, 284-292 Meikle, Jeffrey, 357 Melville, Robert, 86 Mendelsohn, Erich, 15, 40—16, 56, 319, 393 Einstein Tower, 42 Steinberg-Hermann factory, Luckenwald, 42- 43 Meyer, Hannes, 66, 161-162, 437n57 Middleton, Michael, 262 Mies van der Rohe, Ludwig, 45, 61, 66, 125, 149-151, 154, 177, 202, 204, 248, 258, 281, 373, 384, 386, 390, 459n179 Berlin New National Gallery 149-150 German Pavilion, Barcelona, 61-63, 70, 105, 385 Milan Triennale, 151-152 "Million-Volt Light and Sound Raves" 381-382 Milton Keynes, 242-243 Modern Movement/Modernism, The, xv, 8-22, 29, 32-79, 82, 90, 126, 131-132, 200-203, 243, 247, 259-261, 264, 289-290, 292, 298- 299, 305-306, 311-315, 318, 342, 364-377, 397-398, 450n 15, 474n127 "Modo architectorum, " 384-387 Moholy-Nagy, Lâszlô, xv, 8, 51, 126, 326, 350, 351, 355, 375 The New Vision (1930), 8, 139 Moholy-Nagy, Sibyl, 65 Mondrian, Piet, 16, 326 Moore, Henry, 125, 339, 340 Morris, William, 51, 53, 66, 368 Motor racing, 5, 329, 331 Mumford, Lewis, 47, 358 Museum of Modern Art, New York Bauhaus 1919-1928 (1938), 8, 9 Cubism and Abstract Art (1936), 8 Pioneers of Modern Design (1949), 8 Musique concrète, 131, 146 Muthesius, Hermann, 66 Mythical Vernacular Monuments. See Banham, Reyner, slide set Nelson, George, 111 Neo-Expressionism, 247-248, 366, 451 n32 Neo-Liberty, 17-22, 24-25, 270, 355, 367 Neutra, Richard, 71, 227 New Brutalism, The, xv, 15, 21, 83, 92, 117, 122-133, 148, 168, 247, 252-253, 258, 290, 299, 300, 397, 398, 462n16, 472n96 New Brutalism, The: Ethic or Aesthetic? See Banham, Reyner, books "New Empiricism" 123 "New Humanism" 123 New Society, xv, 27, 326, 327, 328-331, 340, 342, 343, 357, 359, 360, 394, 396 New Statesman, The, 27, 327, 328-329, 340, 359 New York, Futurist city, 392 New York University, Solow Chair, xiv, 8, 28, 400,410 New York World's Fair (1939), 68 1968, xiii, 247, 253, 260-264, 290, 353, 368. See also Paris, May 1968 uprising "Non-Aristotelian" 85, 88, 104, 119, 167, 237, 410 Novembergruppe, 35 Oakley, Ann, 357 Obsolescence/expendability, 48-49, 83, 92-93, 106-112, 134-138, 143, 145, 163-164, 167, 168-171, 174, 178-182, 217-220, 259, 310- 490 INDEX 311, 317-318, 327-328, 338-339, 343, 347, 36 0 Oud, J. J. P., 59, 61 Ozbekhan, Hasan, 262 Ozenfant, Amédée, 139 Packard, Vance, 112, 324 Paolozzi, Eduardo, 11,85, 87-89, 94, 112, 115- 117, 120-122, 130, 148, 426n3, 450n 15 Papanek, Victor Design for the Real World (1971), 263 "Parallel of Life and Art" (exhibition, 1953), 85-86, 87, 89, 112, 116,122, 130, 138 Paris. See also Atelier Populaire; Utopie group May 1968 uprising, 261, 290 Participation, 348-354 Pasmore, Victor, 378 "Patio & Pavilion" exhibit at "This Is Tomorrow" (exhibition, 1956), 115-116, 117, 131, 133 Pawley, Martin, 383 Persico, Edoardo, 78 Pevsner, Nikolaus, xvi, 9, 10, 11-17, 34-35, 39, 44, 47, 52, 57, 64-65, 68, 74, 163, 247-248, 249, 251, 253, 257, 266-267, 364-373, 377, 378, 395, 399, 400, 415n28, 450n2 and 3, 468n2, 474n118 "Architecture in Our Time" parts 1 & 2, 247- 248, 253, 450n6 and 8 Concerning Architecture (1968), 11-16 Englishness of English Art, The (1955), 15 Outline of European Architecture (1943), 7, 9, 372 Pioneers of Modern Design (1949, 1960), 8, 64-65, 247, 366, 383, 404 Pioneers of the Modern Movement (1936), 8, 9,12, 34,35, 366,369, 404 Sources of Modern Architecture and Design, The (1968), 365 Piano, Renzo, 384, 458n163 Menil Galleries, 294, 384 and Rogers, Richard Centre Pompidou, 290-293, 294 Picasso, Pablo, 35,122 Picturesque, the, 11, 12, 16, 274, 365, 378, 408 "Plug-in" concept, 174-175, 182, 284, 348. See also Archigram, Plug-in City Poelzig, Hans, 56, 74, 249 Pollock, Jackson, 118-119, 122, 128, 130, 131, 138, 148 Pop architecture, 137, 166-167, 169-171, 174- 178, 182-185, 188, 226-227, 228, 229-230, 272. See also Archigram Pop art, 166, 217, 425^126n3, 427n21 Pop cities, 220-225, 229-231 Pop culture, 6, 7, 83-139, 166, 179-182, 229- 233, 241-242, 248, 278, 287, 317, 338-339, 343, 364, 366, 379, 383, 425-426n3, 427n21, 428-429n50, 445n93 Pop design, 90-93, 96, 169-170, 178-182, 313- 314, 329,337-338 Pop festivals, 222 Pop happenings, 220, 222 Popper, Karl, 369, 370, 371, 374 Popular culture, 5, 15, 26-28, 82, 90-97, 101— 105, 139, 166,215, 268, 283,315-317,318, 325, 364, 427n21 Post-Modernism, xiii, xvi, 27, 104, 189, 223- 224, 237, 243, 268-283, 298, 303-304, 307, 360-361, 366, 372, 373-377, 384, 388, 391, 393, 395, 403, 409,410 Ornament and decoration, 269-274, 337- 338, 453-454n76 Ponderosa Steakhouse, 271-273, 281-283 Strada Novissima, Venice Biennale, 280-281 Post-Structuralism, 404 Preservation, 11, 22-25, 259-260, 265, 307, 382 Price, Cedric, 237, 240, 241, 248, 253, 284, 329, 348, 349, 353, 365, 381, 387-390 Fun Palace project, 212-215, 292, 380-381, 397, 417n70 Thinkbelt project, 388-390 Pugin, A.W. N„ 280,368 Pulos, Arthur, 357 Quant, Mary, 180 Quarmby, Arthur, 185, 219 Radical technology. See Technology Radio design, 96, 143, 146, 313-314, 329, 334- 338, 340-342 Ransome, Ernest United Shoe Machinery plant, Beverly, 74, 75-76 Raphael, Adam, 228 491 Read, Herbert, 13, 84, 99, 102, 200, 312, 378 Art in Industry (1934, 1956), 13, 312 Reilly, Paul, 339 Revivalism, 11, 13-22, 59, 259, 265-268, 270, 307, 329, 364, 367, 390, 393, 398 Richards, J. M., 12, 376, 380 Castles on the Ground, The (1946), 12 Introduction to Modem Architecture (1940), 8, 12 Rodia, Simon, 227, 231-232 Rogers, Ernesto, 18-21, 265, 355, 454n80 Rogers, Richard, 299, 300, 384, 458n163, 459n169 Inmos Factory, 294-297, 384 Lloyds Building, 293 and Piano, Renzo, 384 Centre Pompidou, 290-293, 294, 384, 403 Rolt, L. T. C, 382 Ronan Point, London, 261 Rossi, Aldo, 18 Rowe, Colin, 126, 392 Royal College of Art, London, 341 Royal Institute of British Architects, 50, 52 Royal Victoria Hospital, Belfast, 17, 196-197, 198, 199, 366, 368, 386 Ruskin, John, 20,21,57, 202 Russian Constructivism, 42 Russolo, Luigi, 146 Rybezynski, Witold, 301 Rykwert, Joseph, 359 Saarinen, Eero, 294, 388-390, 458n165 Sachlichkeit aesthetic, 35, 36-37,41, 44, 365, 370. See also Classicism and classical aesthetic Sant'Elia, Antonio, 15, 22, 47-53, 64-65, 68, 78-79, 139, 147, 157-159, 175,234, 286 Scandinavian architecture and design, 13, 338 Scenes in America Deserta. See Banham, Reyner, books Scheerbert, Paul, 16, 40, 47, 219, 224, 236, 256-257, 304, 305, 386,410 Glasarchitektur (1914), 40, 219, 256 Schein, lonel, and Jacques Coulon, 174 Schindler, Rudolph, 71, 226, 227, 384, 455n100 Lovell Beach House, 71 Schindler/Chase House, 71, 229, 231, 403 Schumacher, E. F. Small Is Beautiful (1973), 262 Science fiction, 90, 93, 97, 100, 128, 165, 171, 318, 329, 408 Scott, Geoffrey, 59 Architecture of Humanism (1914), 59 Scott Brown, Denise, 223-224, 271. See also Venturi, Robert Scully, Vincent, 401 Segal, Walter, 419n30 Self-build architecture, 261 Sheldon, Roy, and Egmont Arens Consumer Engineering: A New Technique for Prosperity (1932), 108-111 Silicon Valley, California, 294 Silver, Nathan. See Jencks, Charles, and Nathan Silver Smith, Richard, 426n3 Smith, Richard Austin, 238 Smithson, Alison, 89, 125, 396 Smithson, Alison and Peter, 10, 15, 21, 83, 85, 87-89, 94, 112, 115-118, 123-139, 148, 168, 171, 174, 252, 274, 327, 329, 425^26n3, 433n144, 434n161, 450n15 "Appliance House" 135 Cluster City, 128, 131 Economist Cluster, 132, 252 Golden Lane housing scheme, 127-128 House of the Future, The, 133-138, 163, 167, 170, 174, 347, 436n26 Hunstanton School, 124-128,130, 300 Sheffield University extension, 128, 130 Sugden House, 132 Smithson, Peter, 420n48 Soleri, Paolo, 405, 407, 460n192 "Soft" technology. See Technology "Software" thinking, 189, 215-217, 221-222, 243, 347-355 Sparke, Penny, 357, 358 Spence, Basil, 15 Stam, Mart, 419n30 Stamp, Gavin, 258-260, 263-264, 268 Stern, Robert, 274, 276, 281 Stevens, Sam, 11, 450n15 Stile Liberty, 18 Stirling, James, xv, 10, 21, 29, 247, 249-260, 278-280, 284, 294, 300, 304, 330, 366, 376, 395, 450n8, 451 n36, 472n96 and James Gowan, 249-252, 268, 274, 329, 451-452n36 INDEX History Faculty, Cambridge, 253-260, 263- 264, 368, 384, 401 Leicester University Engineering Building, 249-252, 253, 258, 365, 384, 390 and Michael Wilford Staatsgalerie, Stuttgart, 278-280, 281-282, 283, 384, 401 Streamlining, 39, 67-68, 78, 319 Students, 182-185, 261, 264, 353 Sublime, The, 408 Sullivan, Louis, 16 Surrealism, 118, 122 Suspended Ceiling, The, 153-154 Survival Scrapbooks (1972), 263 Tafuri, Manfredo, 383 Tapié, Michel, 118 Taut, Bruno, 40, 249 Glass Industry Building, Cologne, 40 Taylor, Basil, 94, 379 Teague, Walter Dorwin, 68, 70 Technological "habits of thought" 86, 154- 167, 184-185, 188-193, 202-203, 206-210, 384-387 Technological society, 25, 87, 100, 156, 169, 247, 262-264, 299-301, 315-317, 324-325, 348, 367, 382, 389,391-394 Technology, 142-147, 188-195, 200-203 alternative, xvi, 263, 300-305 appropriate/Intermediate, 300-305 architecture and, xv, 26, 32-79, 142-185, 188-220, 262-264, 299-300, 303-304, 367, 384-387, 435n?3, 458nl59 low, 300-305, 364 pop, 143, 151, 162-167, 185, 188, 220, 367, 386 pragmatic, 143, 151-154, 167, 185, 188, 220, 367, 386 radical, 143, 151, 154-162, 167, 185, 188, 220, 263, 367, 386 soft, 263 Television, 144, 317-318, 329, 338 Thatcher, Margaret, 267 Theory and Design in the First Machine Age. See Banham, Reyner, books "This Is Tomorrow" (exhibition, 1956), 89, 112-117, 131 Thompson, Michael, xiii Traditionalism, xvi, 16-22, 57-59, 132, 247, 264-268, 292 Turnbull, Bill, 450n15 Type-form, 36, 342 Tzara, Tristan, 122 "Unhouse" concept, 189-193, 204-210, 246 University of California, 28, 225, 306, 400 University College London, Bartlett School of Architecture, 26, 28-29, 264, 330 Utopie group, 261, 262 Vago, Pierre, 419n30 Van Doesburg, Theo, 29, 59 Van t'Hoff, Rob, 45 Van Vogt, A. E., 85 Vehlen, Thorstein, 473n100 Venturi, Robert, 223-224, 271-272, 274, 276, 282, 454n83 Complexity and Contradiction in Architecture (1966), 128 Learning from Las Vegas (1972), 223-224, 271-272 Vernacular architecture, 199 Victorian design, 319 Victorian Revival, 13-15, 380-381 Vietnam, 263, 341 Visions of Ron Herron. See Banham, Reyner, books Voelcker, John, 113, 116 Volkswagen, 148, 315 Voysey, C. F. A., 46, 58 Waddington, C, H. Scientific Attitude (1941), 8 Ward, Barbara, and René Dubos Only One Earth (1972), 263 Warshawsky catalog, 344-346, 444n71 Watkin, David, 260-261, 368-372, 377, 393 Morality and Architecture (1975), 260, 368- 370, 375, 377 Webb, Mike, 168 Wendingen, 42-43 Wesker, Arnold Roundhouse, The, 380-381 Which? (magazine), 336 Whole Earth Catalog (1971), 263 493 INDEX Wilcoxon, Ralph, 284, 287 Williams, Raymond, 99, 325 Wilson, Colin St. J„ 11, 450n15, 453n58 Wilson, Harold, 25, 179, 382 Wittkower, Rudolf, 52, 126, 274 Wolfe, Tom, 222-224, 272, 325-327, 347, 426n3 From Bauhaus to Our House (1982), 327 Kandy-Kolored Tangerine-Flake Streamline Baby, The (1965), 325-326 Painted Word, The (1976), 327 Worringen Wilhelm, 402 Wright, Frank Lloyd, 16, 18, 25, 34, 43, 64, 66, 71, 78, 177, 194, 198-200, 302, 330, 384 Guggenheim Museum, New York, 292 Larkin Building, 198-199, 200, 227 Offices for Johnson Wax, Wisconsin, 70 Youthfulness/young, the, 177-182, 241-242, 338, 382 Zanuso, Marco, 196 Zevi, Bruno, 45-46 494 |
