| Volltext: | Index Page numbers in italics indicate illustrations; n = footnote (only where there is separate information of interest) A Capelle Portraits 48 A Vous l'enquête: l'affaire Landreux 108 Acconci, Vito I 30 'Action Art' 54-62 Adams, Douglas 100 address, modes of 21, 22-3 Adobe Acrobat/Photoshop 18, 313, 317 Adorno, Theodor W. 11,25,55,58 advertising 15-16 Aeronaut Mike 46 Afternoon - A Story (M. Joyce) 142 Ages of Avatar 97-102, 100, 101 structuring 98-100 Ahtila, Eija-Liisa 47 AIDS virus 155-6 Aitken, Doug 32, 47, 49 Akvaario (interactive TV) 66-7, 108 Alice's Adventures m Wonderland (Carroll) 219,247 Alpers, Svetlana 73 Altman, Robert 107 American Medical Association 187 The American Moon 44, 57 Anderson, Laurie 19 Anger, Kenneth 45 animation cinematic 17-18,23,65-6 digital xvii—xviii, xx, 18-20,23-4 Annett, Paul 106 anti-narrative, theories of 5-6 The Arcades Project (Benjamin) 25 Aristotle 5, 78, 82, 88, 146 Arnheim, Rudolf 55 Arnold, Martin 48, 49 Arrighi, Giovanni 24 ArtAids project 155 Artificial Changelings 21 1-14, 212. 213. 216, 218 Artificial Intelligence (AI) xxii, 159-60 Aryan Nations 309 As We May Think (Bush) 50 Ascott, Roy 244 Aspen Movie Map 257, 267n Aspen project 109 At Land 32 Attachments 93 audience participation 163-6 cinema 106,230 'floating works' 38 interactive installations 122-3, 126-7, 133, 158,202-5,225-6 interactive movies 53,54, 112-13, I 15, 148-9, 212-14, 218-19, 300-1, 302-3 interactive TV 90-1 interactive video 260-1 internet drama 77-8 unanticipated 126 virtual environments 238-40 see also narratives, interactive audience(s) assaults on 56 expectations ! 28-9 identification with character 91-2, 185-6 participation see separate heading physical arrangement 55,210, 223-4, 256 responses 14, 56, 112-13, 115, 163-4,218 tailoring of product to 176-7 Augentauschen 47 Aumont, Jacques 75n authenticity of artwork 224 of image 19-20 author, role of 126-7, 164, 167, 168-9, 172-4, 201, 219, 222, 302-3 abdication of authority 183-4 authoritarianism (broadcaster-to-audience) 15-16,23 Avatar Farm 102, 102-3 avatars I 60, 317 Bachelard, Gaston 242-3 Bad Mojo 170, 175, / 75 Balász, Béla 55-6, 57-8 Baldur's Gate 2 173 Ballard, J.G. xvii Baranowsky, Heike 47 Barker, Robert (Aston) (CI 8 inventor) 28, 256, 266 Barr, Burt 47, 49 Barratt Homes 151, I6l-2n Barthes, Roland xx, 5, 36, 138-9, 141, 149-50, 160, 207n, 247-8 Baudelaire, Charles 290 Baudrillard, Jean 4-5, I I, 20 Bawol, Steven 108 Bazin, Hervé xvii BBC (British Broadcasting Corporation) 24-5 The Beast Must Die 106 Beaufoy, Simon 93 Beckett, Samuel 132,182,301 Beckett and Myth (Doll) 301, 303 Bellour, Raymond xvii, xx Beioff, Zoe, interactive movies by 287-95 Belschner, Torsten 51 Benjamin, Walter 25,74-5,221,224, 289-90 Berge, Claude 239 Bergman, Ingmar 47 Berlin Connection 169, 169-70, 173, 175, 176 Berlin Wall, fall of 34-5, 173 Bernheimer, Charles 4 Bertini, Francesca 22 Berwick Street Collective 22 I N D E X Beyond 287-8, 289, 289-90, 291, 292, 295 Beyond Hierarchy? I97, 198, 199-200, 203, 203-4, 207n BFinder 95 Bielicky, Michael 43 Big Brother 82, 103 The Big Sleep I 61 n Biggs, Simon 37 Black Gate 44, 60 Black Zero 44 BlackLash 309 Blast Theory 46 Bliss 115-16, II6 Bloch, Ernst 9, 10 The Block (interactive TV series, projected) 103-4 Blum, Heiner 47 Blumberg, Bruce 159 Bob Rosinsky's Sister 257 A Body of Water 88n Boissier, Jean-Louis 64, 67-9 Bombarded Images (Yekwai) 307, 309 Boolean logic 7 Bordwell, David 3 Borelli, Lydia 22 Borges, jorge Luis 7, 123, 135 Bosch, Hieronymus 69, 73 Botschuijver, Theo 269-70 Boulez, Pierre 5 Boustanl, Christian 64, 73-4 Bowers, Andrea 49 Brackett, Leigh 161 n Brakhage, Stan 42, 257 Breakout 182-3, 184 Brecht, Bertolt I I 2, 197, 206n 'Breitmore, Roberta' 33-4, 40-In Breton, André 120 British Airport Authority (BAA) 3 10 Bronfen, Elisabeth 47 browsers 317, 318 Bruce, Nicola 20, 21 Bruegel, Pieter 69, 73 Brugge 64, 73 Buckley, Michael, work by 297-303 Bunraku Puppet Theatre 216 Buñuel, Luis 266 Burch, Noël 293 A Burial at Omans (Courbet) 69 Bush, Vannevar 40n, 50, I 36 Butterworth, Alex 87, 98 Byers, Stephen 24 Cage, John 44, 45, 59-60 Calvino, Italo 7 Cameron, Andrew 234 Campbell, Joseph 140 Carroll, Lewis 219 Carroll, Noel 3 Cassen, Jackie 44-5 CAVE technology (automatic virtual environments) 29,159,271-2 Cézanne, Paul 229 Chandler, Raymond 161 n Charcot, Jean-Martin 289 chat rooms 85, 86-7, 131-2 see also MOOs; MUDs Chelsea Girls 43 Childhood/Hot & Cold Wars 125-6 'Chrysalis' (anonymous poem) 285 Chuangtse (Chinese philosopher) 276 cinema contrasted with new media 54-5, 68-9, 147-8, 209-10, 298-9 criticism 54-6, 147,265 as experience xvii, 223-4, 231 -2, 268-9 history and traditions xvii, 5 I , 64-5, 70, 120-1, 229, 230, 233, 256, 268, 269, 287 influence on new media 79, 106-7, 218, 266, 270-1, 288 as information space 72-5 theory (Eisensteinian) 248-52 see also digital cinema; interactive cinema Citizen Kane 151 Civilisation II 188 Claim 130 classical mythology, themes from 151-4, 157-8, 28 Clinton, Bill 308 Cohen, Milton 44 Collins, Joan 24-5 'coloremes' 242, 254n Colour Separation 305-6, 310,311, 31 1-12, 313 Columbus, Christopher (explorer) 186, 188 comic strips 64, 69 commedia dell'orte 103 computer games 65,66, 108-9, 142, 150-1, 159, 166-7, 170-7, 179-90, 21 I, 256 compulsive nature 181-3 computer games cont. environment, characteristics of 79-81 'isomorphism' 184 player/character identification 184-7 psychological effect 187-90 computer(s) effect on art/film development 64-75, 105, 127, 256 games see separate heading human interaction with 16, 60-2, 280 (see also HCl) magazines 306 systems see databases; multimedia; workplace media 'conative function' (of discourse) 15 Condon, Paul 308 Confessions (Rousseau) 67 configuring the Cave 271-2, 272 Continental Drift 201 convergence (of media forms) 90-1 Coppola, Francis Ford 49 Cornwell, Regina 124 The Cosmic Web (Hayles) 245, 246 Costner, Kevin 94 Courbet, Gustave 69 Courchesne, Luc I 10-11 on own work 257-66 Crandall, Jordan 46 Cream (60s/70s rock band) 45 Crichton, Michael 12 The Critical Art Ensemble 309 Cromwell, Oliver 310 Crossings 43 Cubism 229 Cubitt, Sean xxii, 77 Curtain of Lascaux 46 'cyber-relationships' 276-82 work inspired by 282-5 Dante Alighieri 14 databases 6-7, I I, 66-7 Davies, Char 159 de la Huerta, Paz 215 Deleuze, Gilles xx, 4, 31, 50, 70, 196-7, 205 Delpeut, Peter 22-3 Deren, Maya 32, 34 Derrida, Jacques 24 Descartes, René 303 Desert Rain 46 Desert Tank I 89 330 I N D E X The Desktop Theatre of Amnesia 155, 155 d'Espérance, Elizabeth 295 Deutsch, David 196 The Devil's Advocate (novel, Neiderman) 109 Dialektik der Aufklärung (Dialectics of Enlightenment) (Adorno/Horkhelmer) 55 Diana, Princess of Wales 49 Dlaolyektan 70 Dickens, Charles 146-7, 161 n Didion, Joan 181 digital cinema xvii—xviii, 20-3, 61-2, 65, 268 see also animation digitisation, process/influence of 14, 20, 23-4, 306, 317 idim/Atind 124 Disney, Walt 17-18, 23 Distance 86, 86-7 Diva Dolorosa 22-3 The Divine Comedy (Dante) 14 d'O, Honore 47 Doctor Faustus Lights the Lights (Stein) 290-1, 293-5 documentary films/material 22 online 93 Dodge, Chris 5 I -2 'Dogme'group 107 Doll, Mary A. 301,303 Don Quixote (Cervantes) 7 Donkey Kong 179 The Double (Feingold) 124 Double Indemnity 140-1 Douglas, Stan 46 Dove, Tom, interactive movies by 209-19 Dovey, Jon 155 Dream Reel 44 Dreamhouse project 15 I -4, 161 n Duchamp, Marcel 120, 126-7, 128, 111 Ducharme, Paule 259-60, 260 Duden (dictionary) 164, 165 Duke Nukem 184 DVD(s) 318 accompanying this book xxii, xxiv development 65 features (for domestic market) 106, 108-9 'E-phany Physics' 246-7, 25 East Village 93 Eberhard, Johann August 29 Eco, Umberto xx, 34, 242 Edison, Thomas 64, 266, 291 editing, process of 137, 257, 260 Einstein, Albert II, 180 Eisenschitz, Bernard 15 Eisenstein, Sergei 15-18, 20, 23, 68, 70, 139-40, 148, 248-51 theories of cinematic conflict 251-2 Elastic Movies project 257-8 L'Ellipse 49 Emergences of Continuous Forms 57 Empire State building 45 Encyclopedia Chiaroscuro 258-9, 259 entrepreneur, role of 25 Equivalents II 223, 226n eRENA project 95 La Espiral Sorprendente (The Surprising Spiral) 122, 122-4 Everything You Wanted to Know about Lacan (But Were Afraid to Ask Hitchcock) (Żlźek) 185 An Evolutionary Architecture (Frazer) 245 EXIT (Weibel) 56 'expanded cinema' 46, 56-8, 59, 60-1, 62, 269-70 defined 56 Exploding Plastic Inevitable 42 Exploits and Opinions of Dr Faustról Pataphysician (Jarry) 246-7 Export, Valie 56, 58-9 Extremities (installation, Scott, 1978) 200-1 Family Portrait 26 /, 261 -2, 263, 264 Faulkner, William 161 n feedback from audiences see audience: responses from computer/ins t allation I 67, 176, 260— I Feedback no. I: a Movie Mural 44 Feingold, Ken 31-2,33,35,37 on own work 122-34 Field, Syd (screenwriter) 140 Field of Dreams 94 Fietzek, Frank 50 Figgis, Mike 107, 161 n A Figurative History 197, 198, 200, 20/, 203-4, 206-7n, 207n Film as Art (Arnheim) 55 Film in which there Appear Sprocket Holes, Edge Lettering, Dirt Particles, etc. 42 Film no 4 (Kosugi) 42 film noir 147 Film Style and Technology (Salt) 3 Fingerprint 42 Finnegans Wake 30, 31 -2 Fiske, John 206n Flaming Creatures 45 Floating Theatre 44 'floating work(s) of art' 34-9, 41 n Flora petrinsularis 64, 67, 67-9, 68 Fontana, Lucio 43 Ford, Henry 18,23-4,65 Ford, John 49 formalism, Russian 138 Forster, E.M. 138 Foucault, Michel 70, 72 found material (images/footage/sound), use of 48-9 Frampton, Hollls 257 Francis, Sam 44 Frank, Robert 257 Frazer, John 245 Freud, Sigmund 8, 70, 120, 155, 230 Freytag, Gustav 145n Friedman, Ted I 39-40 From Here to Eternity 49 Frontiers of Utopia 198, 199, 203, 204 Fujihata, Masaki 52 The Full Monty 93 Fuller, Mary 186,188 Fuller, Matthew 308 Fuller, R, Buckminster 44, 59 Furby 159 Furthman, Jules 161 n Future Bodies 198, 200, 202, 202, 204, 207n Gale, Bob 106 Gance, Abel 70 Ganz, Bruno 49 Gauntlett, David 3 Get a Life, Harry I I I Gibson, William xviii, 179, 19In Gibson brothers (early photographers) 67 Giotto 69 The Giver of Name 37 globalisation 35-6 I N D E X globe, use of 125 6 Godard, Jean-Luc xx, 5 The Godfather 49 Golden Eye (computer game) 70 The Good Cook 297-303, 298, 302 Goodwin, Dryden 47 Gordon, Douglas 46, 48, 49 Grahame, Kenneth 219 grand récit 4-5 Grandad (interactive movie) 117, 117 Graphical Information Systems (GIS) 8, I The Grateful Dead 45 Greenaway, Peter 107 Griffith, D.W. 148, 266 Grimonprez, Johan 46 Grossman, Dave, Lt.-Co!. 190 Grosz, Liz 205 Groundhog Day 148 Grzinic, Marina 47-8 G u a t t a r i , F é l i x 3 I GUI (Graphical User Interface) 70-2, 75, 319 Gulf War 189-90 Gurvistch, A. 242, 254n FHaacke, Hans 222 Hakim Bey 308-9 Hales, Chris, interactive movies by 111-18, 148 9 Hall of Shadows I 10, 261 -2, 262, 263 Hamlet (Shakespeare) 149,157 Happening Puzzle 62-3n 'happenings' see 'Action Art' Haraway, Donna 205 Harvey, David 4 Harwood, Graham 304, 305, 308, 31 I Hawks, Howard 161 n Hayles, Katherine 224 5, 245, 246 HCl (human-computer interface) 8, 16, 66, 72, 74 -5, I 29, 319 Head (interactive artwork, Feingold) 132, 132-3, 134 Heaven and Hell Live 95-6 Hegel, Friedrich 5,312 Heidegger, Martin 9, 10 Heimerdinger, Isabell 49 Hein, Wilhelm and Birgit 42 Heisenberg, Werner 30,31, 146, 160n Hellzapoppm' 269 Henry, Lenny 233 Heritage Gold 304, 308, 309 heroic quest, conventions of 301 -2 Hershman(-Leeson), Lynn 33-4, 35, 38, 40-In, 109-10 Herz, J.C. 19In High Anxieties 47 Hi ller, Lejaren 44 historical characters/settings, use of 199-202, 21 I, 214-15, 295 The Hitch-Hiker's Guide to the Galaxy 100 Hitchcock, Alfred 49, 185 Hoberman, Perry 46, 48 Hockney, David 19 Hoinkes, Rodney 43 Hollander, Anne 75n Homer, Odyssey 30 Horkheimer, Max 55, 58 House/Lights 293 HPSCHD 44,59-60 HTML see hypertext Huhtamo, Erkkl 48 Hurt, John 109 Huyghe, Pierre 46, 49 HyperCard 260, 267n hypertext xix, 7, 35-6, 81, 319, 323 and narrative theory 31, 135-44, 156-7 I Could Read the Sky 20-2, 21, 23 Idoru 191 n I'm Your Man 106 Image(s) cultural/historical significance xx, 15, 16-17, 228-9, 231, 259, 306 technological development 18-19, 51-3, 64-5, 68, 70, 288 'immaculate reality' xvii—xviii 'immersive cinema' 58-9 Impalpability 52 In Dora's Case (Bernheimer/Kahane) 4 Inauguration of the Pleasure Dome 45 The Influencing Machine of Miss Natahja A, (projected installation) 295 information management 7-8, 24, 136, 313 recycling 26 and screen content 72-5 storage/retrieval 51, 136,221 -2, 222-3 (see also search engines) Theory 223 'inhabited television' 94-103 future 103-4 structuring 98-100, 103-4 viewing figures 94, 96 Installations 78-9, 121-4, 126-34, 156-60, 200-1, 256, 257-66 forerunners of 55 presentation spaces 221 -2, 224, 225-6, 262-5 unforeseen interactions 126, I 32 instantaneity, significance of 230-2 'intentional reality' xviii interactive art see installations interactive cinema 105- 18, 120-1, 208-19, 268-75, 287-9 examples 113-17, 124-6, 21 1-17, 269-70, 271-5, 289-95, 297-303 history and influences 105-1 I, 209-10 methods of presentation 111-12, 2 1 0 - 1 structuring 112-13, 117-18, 300, 301 Interactivity compatibility with narrative 92, 146, 168, 171 defined 165-6 defining characteristic of VR 234-5 history 14-15 interface xviii installations 224-5 interactive cinema 212, 213-14, 216, 289, 300 internet drama 77-8 virtual environmments 238 see olso computer(s); GUI; HCl Interior 127, 127-8 Internet commerce I I correspondence 276-85 as experience 10 pornography on 65 racist material on 304-5, 307-8 source for installation materials 129-32 structure 9 TV coverage of 93-5 see olso internet drama; websites; World Wide Web internet drama 77-88, I I characterisation 80 332 I N D E X internet drama cont. examples 80-5, 86-7, 93 influence on Interactive TV 93 soap opera 82-5, 93 storylines 87-8 see also narratives, interactive Iser, Wolfgang 36, 39n Islam and Eugenics (Hakim Bey) 308-9 Isobe, Yukihisa 44 Jabès, Edmund 128 Jakobson, Roman 15 Jameson, Frederic xvii, xix, 35 Jandl, Ernst 168 Janet, Pierre 292, 295 Jarman, Melvin 304, 309, 310 Jarry, Alfred 246-7 Java (script) 320 JCJ-Junkman 129-30 Jenkins, Henry 186 Jeune fille à la baguette (Pissarro) 9 Jimmy Charlie Jimmy 129, 129-30 jínxed! 113, 113, 148-9 Jobs, Steve 182 Johnny Mnemonic (computer game) 66 Johns, Jasper 121, 126 Jonesboro massacre 190 Joyce, James 27, 30-3, 38, 39-40n Joyce, Michael 142 Judith (biblical character) 155 Jürß, Ute Friederike 47, 48 Kac, Eduardo 237 Kahane, Claire 4 Kant, Immanuel i I Das Kapital (Marx) I 39-40 Kaprów, Allan 58 Karlin, Marc 22 Keats, John 146 Kellner, Douglas 190 Kelly, Kevin 10 Kemp, Wolfgang 28, 36, 39n Kierkegaard, Saren 228, 235-6 Killing Time (Taylor-Wood, 1994) 48 Kino-Automat (Expo 67) 106, 107, I I I Kluszczyński, Richard 107 Knoebel, Imi 43 'knowbot(ic)s' 37, 4 i n Kosugl (60s experimental film-maker) 42 Kracauer, Siegfried xvii Kraft, Andreas 175 Kreutzer Sonata (Tolstoy) 154-5 Kreysig, Friedrich 25 Kristeva, Julia 17 Kroitor, Roman 44 Kuleshov, Lev I 39 Labyrinth (interactive narrative, Rieser) 151-4, 152, 157, 162n Labyrinthe (film, Kroitor, 1967) 44 Lacan, Jacques 190 Lampolsky, Mischa 16-17 Landow, George 42, 48 Landscape One 110, 110-11, 263-4, 264 Lanier, Jaron xviii LaPorta, Tina 86 'laserdisc' see 'videodisc' Lost Entry: Bombay, I st of July a Travel Log through Time, Space and Identity 80-2,81,85 The Last Express 174-5 Laurel, Brenda 145n, 204, 207n Le Grice, Malcolm 155, 234 Le Donnais, François 239 Lefebvre, Henri 4 Léger, Fernand 222 Legrady, George, works by 48-9, 223, 225 Leidloff Gabriele 49 Lenis, Paul 62-3n Lévi-Strauss, Claude 4, 12 Levinas, Emmanuel 10 Levy, Pierre 143 Lialina, Olia 64,71,72,74 The Library of Babel (Borges) 3 I Lichtseil 42 Life to those Shadows (Burch) 293 Link (computer game) 184, 185-6, 188 Linker software 313-14 Lintermann, Bernd 43, 51, 271 Lippman, Andy 205, 207n Little Sister - a CCTV drama and 24 Hours Online Surveillance Soap 82-5, 83, 84 Locus Solus (Roussel) 289, 291 -3, 292 loops (in film/narrative) 64-9, 84, I 15, 300 Lorna (Hershman) 109-10 Lucas, George xvii—xviii, xx, 21, 140 Lucier, Mary 47 Lumière brothers 65, 148,266 Lyotard, Jean-François 4-5 MacMurray, Fred 140-1 The Magic Roundabout 102 A Man with a Movie Camera 64-5, 68 Mansfeld, Katherine I 15 March II (Weinbren) I 10 Marey, Étienne-Jules 67, 222 Markopoulos, Gregory 43 Marxist analysis 4-5 /Massive/Massive 2/3 (software systems) 95,97, 101, 102, 103 Massumi, Brian 244-5 material (of film), experiments with 42 The Matrix 52 Maxwell, Robert 151 May, Gideon 237 Mays, Peter 44 McAfee, Robert E„ Dr 187 McKie, Robert 140 McLuhan, Marshall 35 McQueen, Steve (90s video artist) 32, 46 meaning, theories of 241 -4 Media Myth and Mania 150, 150-1, 154, 161 n media studies, nature of 3 Méliès, Georges xvii, 288 Memento 141-2 'Memex' machine I 36 Menichelli, Pia 22 Meshes of the Afternoon 32 Mickey Mouse 18,20,23 militarism (and computer games) 189-90, 19 In Mirage, Merel, work by 282-5 The Mirror (TV-based virtual world) 94-5 Möbius House (virtual environment) 65 Monet, Claude 9 Mongrel collective xxvii, 304-15 operating methods 314-15 The Monkey Grammarian (Paz) 123, 26 Monroe, Marilyn 305 montage xvii, 15-16, 18, 139-40, 148, 232, 248-9, 250-1 'overtonal' 16 spatial 68-9, 70-2, 74-5, 252-3 I N D E X MOOs (object-oriented MUDs) 85, 211, 276, 278-9, 286n, 320 Morande Giorgio 72-3 Morpho (butterfly genus) 151-4, 278-9, 280, 281, 283-4 Morphology of the Fairy Tale (Propp) 50 Morse, Margaret xvii Mortal Kombat 187-8, 19In Mothlight 42 Movie Movie 269-70, 270 /Moving Visual Object 49 Mr Payback 106 MUDs (multi-user dungeons) 50, 85, 2(1, 278, 286n, 320 multimedia 6,62, 171, 175-6,297, 298-9 Murdoch, Rupert 151 Murray, Janet H. 142, 159, 173 /Vluse (poetry software) I 60 Música Electrónica Viva 270 Muybridge, Eadweard 222 My boyfriend carne back from the war! 64, 71, 71, 72 Nakatsu, Ryhohei 160 Nam June Paik 42 Nameth, Ronald 44, 59-60 Napoléon (Gance, 1924) 70, 256 narrative(s) historical development xxi-xxii, 7, 27, 64-5, 195, 209, 268-9 interactive 14-15,51 -3, 54-5, 78-80, 87-8, 92, 105, 150-60, 63-77 (see also specific forms, e.g. internet drama) as irrelevant 257, 266 multiple 43-5,47-8,49-51,169 repetitive (looped) 64-9 structures 31-2,80, I I 2, 140-3, 145n, 146-8, 154, 155-6, 166-9, 172-5, 211,218, 300 theories of xxii—xxiii, 3- 12, 135-44 traditional 78, 167, 168-9, 195, 210, 230 universal 3-4, 6 see also anti-narrative; grand récit National Heritage (Mongrel project) 304, 304-15 Natural Selection (search engine) 305, 307-10 Neale, Steven 68 Negroponte, Nicholas 10 Neiderman, Andrew 109 Nelson, Theodor Holm (Ted) 31, 40n, 136, 139 Neshat, Shirin 47, 48 The Net (TV programme) 94 Networked Subjects 47 The New Arrival I I I New Book 107 The Nightcleaners 22 The 1900 House 103 Noble, Frank 24 Nolan, Christopher 14 Noodles and 08 (interactive TV) 107-8 Norns (virtual creatures) 159 Nuzzle Afar 52 Obsessive Becoming 8-9 Ochsler, Monika 47 Odenbach, Marcel 47, 48 Oetterman, Stephan 27-8, 256 On Justifying the Hypothetical Nature of Art and the Non-ldenticality within the Object World 46 On Killing (Grossman) 190 One Around Which/A Substitution Trajectory in Relation to Subatomic Particle Observation 255 n Online Caroline 93 Operation Teddybär 176, 176 Orlando (Woolf) 81 -2 OUUPO (Ouvroir de Littérature Potentiale) 50, 239 Our Mutual Friend (Dickens) I 61 n Oursler, Tony 47 Out ofThis World 96-7, 97 Oz project 159-60 Ozu, Yasujiro 72-3 Panofsky, Erwin 70 panorama(s) 27-34, 38, 110—11, 256-7, 263-5, 273-5, 321 'dissolution' effect 30-1 history 27-9, 39n, 265—6, 266-7n, 290 QuickTime 289, 290-1, 295 Panoscope 360° 265 paranormal (as subject of fiction) 208, 209 Parker, Phil 140 Pascal, Blaise 279 Pasolini, Pier Paolo 265, 266 Passage Sets/One Pulls Pivots at the Tip oftheTongue 50 Passages 263 Past and Future Wheel 257 'pataphysics' 246-7 Paula (video, 1983, Courchesne) 257 Pavlov, Ivan Petrovich 294 Paz, Octavio 123, 126 Peirce, Charles 16, 241 Pellinen, Teijo I 18n Penley, Constance xvii Penn, William, Admiral 310 The Perfect Crime (Baudrillard) I I Perkins, Jeff 44 photography (chemical/traditional) 19-20, 5 1, 222, 291 physics, laws of (in virtual space) xviii—xix and computer games 179-81, 247 Picabla. Francis 222, 277 Picasso, Pablo 233 Pickett, Helen 2 / 7 Piene, Otto 44, 60 Pierre-Davis, Richard 304-5 Pissarro, Camille 9 Place-Ruhr 273-5, 274 Plank, Uli 167 Plato 57 Play for Today 90 Poe, Edgar Allan 74 Poetics of Cinema (Ruiz) 287 poetry 160, 168, 238, 250 see also 'recombinant poetics' Polo, Marco 310 Pompeii (virtual docudrama, projected) 104 Portrait One 259-61, 260, 262-3, 264 post-modernism 4-5, 70 post-structuralism 5 Potter, H.C, 269 Principles of Combinatorics (Berge) 239 Projektion X 43 Propp, Vladimir 50 Prune Flat 42 Psychic Detective 170 Psycho (Hitchcock, 1963) 49, 185-6 public vs. private spaces 221-2,226 Pudovkln, Vsevolod I 39 'Pygmalion syndrome' 229, 235-6 QuickTime 65, 84, III, 155, 161 n, 257, 267n, 287-91, 300, 32 I N D E X racism 304-15 in art world 31 1-12 on the internet 304-5, 307-8 in magazine images 306 in society 308,309-10,312 strategies for combatting 308-9, 313-15 Radok, Emil 70 Raleigh, Sir Walter 186 Ramis, Harold 148 reality (vs. illusion) 233-5 'recombinant poetics' 237-8, 239, 241,244-5, 247-8, 253n Rees, Gareth 149 Reeves, Daniel 8-9, 10 Rehearsal of Memory 304 Renaissance art/culture xviii, 73, 186-7 Renoir, jean (sr, artist) 9 Resnais, Alain 5 'rhizome'theory 31,49-51,237 The Ride of Your Life 48 Rieser, Martin, interactive narratives by 151-4, 155-60 Riley, Terry 45 Rist, Pipilotti 32, 47, 48 Roach, Greg 172 Robinson, Edward G. 141 robots (in istallations) 130-2 Rohftlm 42 Rokeby, David 35, 37 Romeo and Juliet (in Hades) 160 Room with a View (Bielicky/Lintermann, 2000) 43 Roth, Dieter 42 Rousseau, Jean-Jacques 67 Roussel, Raymond 289,291-3 Ruddock, Andy 3 Ruiz, Raul 272-3, 287 rules, application of 171-2 Running Time I I I Rybczyński, Zbigniev 66, 107 Saatchi brothers 25 Saint-Martin, Fernande 241-2, 254n Salt, Barry 3 Samir 47, 49 Save the Internet 309 S a v i n g P r i v a t e R y a n 1 1 Scher, Julia 46 Schwartz, Vanessa 293 Scorpio Rising 45 Scott, Jill, virtual environments by 197-205 Screening the Virus 155-6, 156, I62n screen(s) experiments with 42-3 multiple 43-5,47-8,49-51,256 Scribe, Eugène 25 Scroggms, Michael 44 Seaman, Bill 36, 50, 155 on own work 237-53, 255n Séance Box No. I 133, 133-4 search engines 7-8, 10, 305, 307-10, 321 The Searchers 49 Semiotics of Visual Language (Saint- Martin) 241-2 Sermon, Paul 29, 78-9, 88n The Seventh Guest (computer game) 142 Sexual jokes 126 Shadow Land, or, Light from the Other Side 295 Shannon, Claude 223 Sharits, Paul 45 Shaw, Jeffrey 31-2, 33, 35, 37, 39-40n, 46,57, 101,234, 269-70 Shelston, Alan I 6!n Ship of Fools group 150-4 Short Cuts 107 Shots m Late Spring (Ozu) 72-3 Shower 42 Siden, Ann-Sofi 46 Silas (virtual dog) 159 silk, manufacture of 276-7 Silverman, Kaja xvii SímGíy 172 The Sims 188 Sketchbook 115 Skrewed 309 Slippery Traces 48-9 Smid, Aina 47-8 Smith, Harry 42 Smith, Jack 45 Snow, Michael 257 Soja, Edward 70 Sollers, Philippe 5 Sonato (Weinbren) 110, 154-5 Sonic the Hedgehog series 179- 80, 182, 184, 185-6, 188 Sonomorphis 5 I soundtrack, role of 45-6, 147 in interactive cinema 270,271-2 Space by Number 265 Space Theatre ... 44 Spectropia 214-16, 2/5, 2/7, 218 Spiegel, Stacey 43 Spielberg, Steven 21, 140 The Spot 93 Spring, Summer, Autumn, Winter I 15 Stanwyck, Barbara 141 Star Trek (TV series/computer games) 166-7, 180, 214 Star Wars films xvii—xviii, 209 Stein, Gertrude 290-1, 293-5 Stern, Gerd 44 Stern, Rudi 44-5 Sterne, Laurence 135 Stevenson, Neil 179 Stone, Aliucquère Rosanne 200 Storyspace (hypertext software) 143 Strauss, Richard 48 structuralism 4, 137-9 Stuck, Les 271-2 The Sub-Division of the Electric Light 48 Subject: emotions encoded 284 creation/realisation 282-5 inspiration 276-82 subjective camera, use of 169 Sudnow, David 182-3, 184 Super Mario series 179, 184, 185-6, 188, 189 The Surprising Spiral 122, 122-4 surrealism 14, 32, 120 Le Surréalisme (1947 exhibition) 120 Symptoms of Ruin (Baudelaire) 290 'synaesthetic cinema' 59-61 Tafel (Blackboard) 50 Talkington, Amy 1 1 1 The Tallinn People's Orchestra 116, I 16-17 Tamagotchi 66, 159 Tambellini, Aldo 44, 60 Tango (film, Rybczyński, 1982) 66, 107 Tango (painting, Johns, 1955) 121 'Tanka' (Japanese poetic form) 250 Tapp- und Tastkino (Touch and Grab Cinema) 58-9 Target (Johns) 121, 126 Target with Plaster Casts (Johns) 121 Dem Täter auf der Spur (On the Culprit's Tracks) 164-5, 166 Taurok 188 Taylor-Wood, Sam 47, 48 'telepresence' (defined) 208 I N D E X 335 television drama (non-Interactive) 90, 232-3 film sponsorship 22 influence on interactive art 125 interactive 90-4, 107-8, 164-5 (see also 'inhabited television') 'reality TV' 82 (former) social role 90 sports coverage 108, 230- I Tender Loving Care 109 Tent Happening 44 Terminator II 19 Theatre of Light 44-5 Theoreme 265 There's no Simulation like Home 79 Thompson, Francis (60s film-maker) 44 Three Contributions to a Theory of Sex (Freud) 120 time redefinition in virtual environment 196-9 role in narrative 4, 45. 49, I 15, 143-4, 145n, 174-5 travel 196, 214-16, 295 Timecode 107, lóin TODAY/Tanaan 47 Toderi, Grazia 46 Tolstoy. Nikolai 154-5 Tom jones (Fielding) 7 Tomb Raider I 7 J Tosa, Naoko 160 Touch of Class (Bowers, 1998) 49 Tracing 225 Tristram Shandy (Sterne) I 35 Troubles with Sex, Theory and History 47-8 Turing, Alan 294-5 The Twelve Loveliest Things I Know I 13-15, I 14 Twelve of Us 257 Ulysses 30-1,32 Umschalten Erlaubt (Switching Permitted) 169 Understanding Echo 157, 157-8, !62n universities 24 A User's Guide to Capitalism and Schizophrenia (Massumi) 244-5 van Tijen, Tjebbe 57, 58 van Warmerdam, Narijke 46 Vanderbeek, Stan 44, 59, 70 Vattimo, Gianni 10 Vaughan, Dai 19-20, 21 vector graphics 322 Venables, Robert General 310 Vermeer, jan 73 Verne, jules 179 Vertov, Dziga 64-5,68,291 A Viogem 64, 73-4 ViCrowö 95 video art 46-5 I digital 238-46, 252-3, 322 interactive 257-66 'videodisc'technology 109-10, 112, 257 Vienna Actionism 43, 50 viewpoints, multiple 169-70, 212-13, 2 1 6 violence (in computer games) 187-8, 189-90 Virilio, Paul xviii, xix, 4, 8, 10 virtual environments 195-205, 237-53 characteristics 195-7, 221 examples 197-9, 238-41, 244-53 synthesis of media 244-6, 247-8, 249, 252-3 virtual reality 54, 159-60,224-5, 251 accessories 172 defining characteristics xviii—xix, 227-8, 234-6 viruses 322 Vogler, Christopher 140 Vonnegut, Kurt xxi Vos, Ene 237-8 Waller, Fred 256 Wand, Eku 169, i 7 i The War of the Worlds (Weils) 219 Warhol, Andy 42, 43, 45 We Are AH One 44 We Are Young 44 The Wednesday Play 90 Weibel, Peter 42, 46, 56, 58-9 Weinberg, Ulrich 167-8 Weinbren, Grahame 31-2, 33, 35, 37, 66, I 10, 143, 154-5, 234 Welles, Orson 266 Wellesley-Miller, Sean 269-70 Wells, H.G. 179, 219 Westerlund, Karin 47 where I can see my house from here so we are i 30-2, 131, 133 Where Where There There Where 290-1,291, 293-5,295 Whitman, Robert 42, 44, 57 Wild Strawberries AT Wilder, Billy 140-1 Willemen, Paul xxii-xxiii Williams, Raymond 6 Wilson, jane and Louise 46 The Wind in the Willows (Grahame) 219 The Winds that Wash the Seas 5 I -2 Wittgenstein, Ludwig I I, 277, 293-4 Wonder, Stevie 305 Woolf, Virginia 81 workplace media 6 The World Generator/The Engine of Desire 238-4 !, 243, 244-53 World Wide Web 10, 50, 308, 323 simulation on film 43 see also internet Wozniak, Steve 182 Wright, Will 4, 234 Wnst Trick 45 Writing and Difference (Derrida) 241 Wuthering Heights (E. Bronte) 147 The X-Files Game 109 Yalkut, jud 42,44 Yardie's Immigration Adviser 309 Yeats, William Butler 26 Yekwai, Dimela 307, 309 Yokokoji, Matsuko 304, 305 You Don't Know Jack (online game show) 93 Youngblood, Gene 60-1 Zapp, Andrea, internet dramas by 80-5 Zelda 179, 180, 182 Zen for Film 42 Zinnemann, Fred 49 Ziżek, Slavoj xvii, 183-4, 185-6 Zoetrope 69,219,288 |
